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Founded in 1962, Sigma has gone from strength to strength becoming one of the most successful third party lens manufacturers in the world. They are driven by an endless passion for photography and seek ever better image quality from their optical designs. Photographers using any Sigma equipment benefit from stringent manufacturing procedures as their interchangeable lenses, mirrorless cameras and flashguns are all produced at the Aizu Japanese factory, which provides an advantageous position for quality control.  The results are often spectacular with lenses for Canon, Nikon, Sony and the L-Mount Alliance regularly topping sharpness charts.

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<h2>Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount Summary</h2><p>The Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount arrives following a great deal of anticipation in the photographic community. It is the first <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>RF mount lens</font></a> designed exclusively for APS-C crop format <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/><font color=#0066cc>Canon mirrorless cameras</font></a> by the legendary brand <a href=https://www.parkcameras.com/brand/sigma/><font color=#0066cc>Sigma</font></a>.</p><p>With Canon&rsquo;s 1.6x crop factor the 18-50mm creates an 28.8-80mm zoom range (full-frame equivalent) and the lens boasts a constant wide f/2.8 aperture throughout ensuring this is a truly versatile workhorse zoom for EOS R creators.</p><p>Along with the generous zoom range is a versatile close focusing distance of 12.1cm at the wide end and 30cm at the zoom end with a maximum of 1:2.8 magnification. This adds the versatility to capture dynamic close-up shots and macro-type images alongside portraits landscapes street photography travel and a huge variety of other subjects. The bright aperture makes it easier to handhold in low light too and creates a shallow depth of field with impressive subject separation.</p><p>The extending lens design is incredibly compact weighing in at 300g and measuring just 74.5mm in length (before zooming). This complements bodies like the compact <a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r><font color=#0066cc>Canon EOS R7</font></a> providing a lightweight and versatile pairing that you can leave on your camera all day.</p><p>Sigma has adjusted the autofocus for the 18-50mm f/2.8 DC DN Lens for Canon RF which is exceptionally fast and quiet thanks to the stepping motor. This is particularly useful when shooting moving subjects and video and the lens is fully compatible with Canon&rsquo;s AF systems such as Dual Pixel CMOS AF II.</p><h3>Key Sigma 18-50mm F2.8 DC DN   Contemporary Features</h3><ul>	<li>Versatile zoom designed specifically for APS-C Canon RF Mount</li>	<li>Full-frame equivalent zoom range of 28.8-80mm</li>	<li>Wide f/2.8 aperture throughout the zoom range</li>	<li>High-speed AF mechanism</li>	<li>Weighs just 300g and measures 74.5mm long</li>	<li>Compatible with in-camera aberration correction</li>	<li>Minimum focusing distance of 12.1cm and maximum magnification of 1:2.8 at the wide end</li>	<li>Rubber-sealed mount</li>	<li>7 rounded diaphragm blades</li>	<li>Compact 55mm filter thread</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our Sigma 18-50mm Rf mount lens review</p><p class=sub style=text-align: center;>Learn more about the impressive features which can help elevate your photography in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/sigma-18-50mm-f28-for-canon-rf-mount-review_rfs-25-6 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><h2>Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount in More Detail</h2><h3>Large f/2.8 aperture and superb image quality</h3><p>The Sigma 18-50mm F2.8 DC DN   Contemporary spans a zoom range of 28.8mm to 80mm in full-frame format and has a wide aperture f/2.8 throughout the entire zoom range. This makes it easier to achieve blurry backgrounds which can enhance portraits close-ups and other subject-driven genres. Bokeh rendered by the 7-bladed diaphragm is also smooth and attractive without distracting from the subject.</p><p>The lens&rsquo;s three high-precision glass-moulded aspherical elements yield high optical quality without needing to make the lens excessively heavy and the use of in-camera aberration correction (where available) reduces optical imperfections such as distortion and vignetting.</p><p>This is made possible by the latest optical design technology at Sigma&rsquo;s production facility in Aizu where all <a href=https://www.parkcameras.com/lenses/sigma/><font color=#0066cc>Sigma lenses</font></a> are manufactured.</p><h3>Exceptionally compact and lightweight</h3><p>The 18-50mm F2.8 DC DN   Contemporary for Canon&nbsp;is particularly compact matching the portability of APS-C mirrorless camera bodies including the <a href=https://www.parkcameras.com/shop/canon-eos-r100-with-rf-s-18-45mm-lens-kit_1012190k><font color=#0066cc>EOS R100</font></a> <a href=https://www.parkcameras.com/shop/canon-eos-r50-mirrorless-camera-body-black_1012185k><font color=#0066cc>R50</font></a> and <a href=https://www.parkcameras.com/shop/canon-eos-r10-mirrorless-camera-body_1012180r><font color=#0066cc>R10</font></a>. This makes it a perfect lens for everyday general use. It is also the smallest and lightest zoom in its class boasting dimensions of 69.2mm &times; 74.5mm with a 300g weight despite the bright aperture and high optical quality.</p><p>Sigma constructed the lens from carefully selected materials in order to reduce the weight including Thermally Stable Composite (TSC) which was used for the barrel. This is used across many Sigma lenses thanks to being robust and because of a thermal conductivity close to that of aluminium. This similarity ensures stable performance and good operation when used in changing temperatures. By deliberately using metal for some of the internal structure the parts could be much thinner and have a higher rigidity ensuring the lens can stand up to frequent heavy use.</p><h3>Supports various shooting situations</h3><p>The lens features fast and near-silent autofocus making it suitable for various applications such as quiet event photography video recording and capturing fast-moving subjects. This is achieved through the use of a stepping motor as the AF actuator.</p><p>Its compact and lightweight design allows for flexible use in handheld shooting shooting from a <a href=https://www.parkcameras.com/video/gimbals-stabilisers-and-video-rigs/><font color=#0066cc>gimbal or stabiliser</font></a> solo video recording and vlogging.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount</li>	<li>Petal-type hood LH582-02</li>	<li>Front cap LCF-55 III</li>	<li>Rear cap LCR II</li></ul><h2>Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td>			<p>Lens Construction</p>			</td>			<td>			<p>10 groups 13 elements (1 SLD and 3 aspherical lenses)</p>			</td>		</tr>		<tr>			<td>			<p>Angle of View (APS-C)</p>			</td>			<td>			<p>73.4&deg;(Wide) - 30.0&deg;(Tele)</p>			</td>		</tr>		<tr>			<td>			<p>Number of Diaphragm Blades</p>			</td>			<td>			<p>7 (rounded diaphragm)</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Aperture</p>			</td>			<td>			<p>f/22</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Focusing Distance</p>			</td>			<td>			<p>12.1 (Wide) -30 (Tele) cm</p>			</td>		</tr>		<tr>			<td>			<p>Maximum Magnification Ratio</p>			</td>			<td>			<p>1:2.8 (Wide) -1:5(Tele)</p>			</td>		</tr>		<tr>			<td>			<p>Filter size</p>			</td>			<td>			<p>&phi;55mm</p>			</td>		</tr>		<tr>			<td>			<p>Dimensions (Diameter x Length)</p>			</td>			<td>			<p>&phi;69.2mm &times; 74.5mm</p>			</td>		</tr>		<tr>			<td>			<p>Weight</p>			</td>			<td>			<p>300g</p>			</td>		</tr>	</tbody></table> 

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Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount

The Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount is the first autofocus mirrorless zoom from a third party offering fast AF excellent low light performance and high image quality in a lightweight form.

<h2>Sigma 50mm f/1.2 DG DN Art Lens for Sony E Summary</h2><p>Designed specifically for full-frame <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/sony-alpha/><font color=#0066cc>Sony mirrorless cameras</font></a> (FE) the Sigma 50mm f/1.2 DG DN Art Lens for Sony E is a <em>standard</em> prime which joins the prestigious range of Art series of <a href=https://www.parkcameras.com/lenses/sigma/><font color=#0066cc>camera lenses by Sigma</font></a>.</p><p>A 50mm focal width and bright f/1.2 aperture open up creative opportunities to capture beautiful shallow depth of field <em>portraits</em> expressive <em>travel</em> shots moody <em>street</em> photography and a huge variety of possibilities every day.</p><p><a href=https://www.parkcameras.com/brand/sigma/><font color=#0066cc>Sigma</font></a> has developed the 50mm F1.2 DG DN   Art with 13 rounded diaphragm blades which render outstanding bokeh high-speed autofocus from dual HLA motors and advanced optics for pin sharp stills and videos. What&rsquo;s more the moderate 745g weight ensures you can remain portable and the lens is perfectly balanced even when recording video using a <a href=https://www.parkcameras.com/video/gimbals-stabilisers-and-video-rigs/><font color=#0066cc>gimbal stabiliser</font></a>.</p><p>A number of controls ensure users can streamline their workflow while a de-clickable aperture well controlled focus breathing and near silent AF extend the lens&rsquo; versatility for video creators.</p><p>A compact 72mm front thread enables the addition of a variety of <a href=https://www.parkcameras.com/lenses/lens-filters/><font color=#0066cc>camera lens filters</font></a> and the lightweight structure is sealed against dust and moisture in support of outdoor content creation.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/KiacBnvAyxI?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/KiacBnvAyxI?rel=0></iframe></div></div><h3>Key Sigma 50mm F1.2 DG DN   Art Features</h3><ul>	<li>Classic focal width for everyday content</li>	<li>Bright f/1.2 aperture and Sigma&rsquo;s first 13 diaphragm blade design</li>	<li>Delivers razor sharp images with a shallow depth of field</li>	<li>Optics effectively reduce aberrations</li>	<li>Reliable AF from dual HLA motors</li>	<li>Heavily-suppressed focus breathing for videography</li>	<li>Controls include de-clickable aperture customisable AFL button and more</li>	<li>Flare and ghosting are effectively reduced</li>	<li>Dust and splash resistant structure</li>	<li>72mm front filter thread</li>	<li>Lightweight design at 745g</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our Sigma 50mm Lens Review</p><p class=sub style=text-align: center;>Learn more about the impressive features which can help elevate your photography in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/sigma-50mm-f12-dg-dn-art-review_s-26-3 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><h2>Sigma 50mm f/1.2 DG DN Art Lens for Sony E in More Detail</h2><h3>Lightweight design for all day shooting</h3><p>Ideal for photographers who want lightweight kit without compromising on quality this lens is designed to be used anytime anywhere even when shooting all day. The Sigma 50mm F1.2 DG DN   Art is made using innovative techniques with technology to ensure exceptional portability and a lightweight design suitable for a wide range of applications.</p><p><img alt=sigma-50mm-f12-art-01 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-50mm-f12-art-01.webp onerror=getImage(this); title=sigma-50mm-f12-art-01 /></p><h3>Outstanding quality and a bright aperture</h3><p>With a bright f/1.2 aperture which features 13 rounded diaphragm blades the Sigma 50mm F1.2 DG DN   Art creates beautiful bokeh effects and smooth out-of-focus areas in the image. Using the latest optical design techniques with a form comprised of 17 elements in 12 groups (including 4 aspherical elements) the lens delivers sharp results across the entire frame with exceptional contrast and colour.</p><p>Focus breathing is also heavily suppressed enabling videographers to capture creative shots without dramatic shifts in focus.</p><p><img alt=sigma-50mm-f12-art-02 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-50mm-f12-art-02.webp onerror=getImage(this); title=sigma-50mm-f12-art-02 /></p><h3>Impressive results from near to far</h3><p>By correcting spherical aberration sagittal coma flare axial chromatic aberration and other aberrations like double-line bokeh the 50mm f/1.2 Art lens achieves natural bokeh with smooth blur and no colour bleeding from the focal plane.</p><p>Additionally a floating focus system enhances its performance at short range maintaining high optical quality across the entire focusing range from near to far.</p><p><img alt=sigma-50mm-f12-art-03 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-50mm-f12-art-03.webp onerror=getImage(this); title=sigma-50mm-f12-art-03 /></p><h3>First Sigma lens with 13 diaphragm blades</h3><p>The Sigma 50mm f/1.2 DG DN Art Lens for Sony E introduces a first for Sigma with its implementation of a 13 rounded diaphragm blade design. This development ensures that when shooting subjects wide open at f/1.2 the aperture retains a circular shape.</p><p>The results allows creators to effortlessly capture portraits and still life shots with outstanding background separation and beautifully round bokeh balls.</p><p><img alt=sigma-50mm-f12-art-04 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-50mm-f12-art-04.webp onerror=getImage(this); title=sigma-50mm-f12-art-04 /></p><h3>Reduces flare ghosting and focus breathing</h3><p>This <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/sony-e-mount/><font color=#0066cc>Sony E mount lens</font></a> has undergone optimisation in its optical construction and focus group arrangements in order to significantly suppress focus breathing. Focus shift is also minimised resulting in a natural focus shift look when recording video.</p><p>Thanks to a Super Multi-Layer Coating flare and ghosting are effectively reduced even in heavily backlit environments such as street and event photography which helps to maintain contrast in difficult lighting conditions.</p><p><img alt=sigma-50mm-f12-art-05 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-50mm-f12-art-05.webp onerror=getImage(this); title=sigma-50mm-f12-art-05 /></p><h3>Dual HLA focus motors</h3><p>You can achieve effortless and reliable focus for your subject with the newly revised focusing system in this lens. Utilising a floating focusing system powered by dual HLA (High-response Linear Actuator) motors the Sigma 50mm f/1.2 lens maintains AF performance while reducing its size. This ensures creators experience fast quiet and accurate focusing making it perfect for virtually any situation.</p><p>The AF system is fully compatible with high-speed autofocus and offers support for DMF and AF+MF.</p><p><img alt=sigma-50mm-f12-art-06 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-50mm-f12-art-06.webp onerror=getImage(this); title=sigma-50mm-f12-art-06 /></p><h3>Unique lens design</h3><p>With a unique lens and mechanical design the Sigma 50mm f/1.2 DG DN Art Lens for Sony E leverages state-of-the-art production technology at Sigma&#39;s manufacturing base in Aizu Japan. Each glass element has been reduced in size while retaining elements with a high refractive index resulting in a more compact lens.</p><p>Four aspherical glass elements and a floating focus system are used to further reduce size while still effectively minimising aberrations. As a result the Sigma 50mm F1.2 DG DN   Art is the lightest lens in its class weighing only 745g and being 30% lighter than the <a href=https://www.parkcameras.com/shop/sigma-35mm-f12-dg-dn-art-sony-fe-mount-lens_g242336e><font color=#0066cc>Sigma 35mm F1.2 DG DN   Art</font></a> which shares the same bright aperture.</p><h3>Intuitive functionality</h3><p>The Sigma 50mm lens for mirrorless cameras offers a variety of shooting assist functions including a customisable <em>AFL button</em>. A built-in aperture control ring allows for control over depth-of-field while an aperture ring lock switch prevents accidental knocks when in use.</p><p>An aperture click switch can be toggled to switch aperture ring clicks on or off which is ideal for video and quiet shooting situations.</p><p>Additionally the lens features a dust and splash-resistant structure and the front element is coated with a water and oil repellent coating allowing photographers to shoot confidently in harsh outdoor environments. A lockable petal shaped lens hood is included for shade and to provide some protection for the front element.</p><p><em>Please note that while the structure is designed to resist dust and splashes it is not waterproof. Avoid exposing the lens to large amounts of water as water inside the lens may cause significant damage.</em></p><h3>What&rsquo;s in the box</h3><ul>	<li>Sigma 50mm f/1.2 DG DN Art Lens for Sony E Mount</li>	<li>Lens hood LH782-03</li>	<li>Front cap LCF-72mm III</li>	<li>Rear cap LCR II</li></ul> 

Sigma 50mm f/1.2 DG DN Art Lens for Sony E

Capture beautiful images with a shallow depth of field using the Sigma 50mm f/1.2 DG DN Art Lens for Sony E which boasts ultra sharp optics high-speed AF and 13 rounded diaphragm blades for silky smooth bokeh.

<h2>Sigma 10-18mm f/2.8 DC DN Contemporary Lens For Canon RF Mount Summary</h2><p>The wait is over for Sigma&rsquo;s second RF mount lens with the launch of the <strong>Sigma 10-18mm f/2.8 DC DN Contemporary Lens for Canon RF Mount</strong>. This ultra-compact zoom lens is developed specifically for APS-C format <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>Canon RF Mount cameras</a> with optimised control and focus algorithms to support high-speed Servo AF while maintaining superb image quality.</p><p>The Sigma 10-18mm F2.8 DC DN is the world&rsquo;s smallest and lightest ultra-wide-angle zoom lens for APS-C mirrorless cameras with an f/2.8 aperture allowing creators to take it anywhere and capture stunning images and videos across a wide range of subjects. The compact lens provides an effective focal range of 15-27mm (35mm equivalent) which is ideal for anything from landscapes and travel to video and online content creation.</p><p><img alt=sigma-10-18mm-f2.8-sample-01 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-10-18mm-f2.8-sample-01.jpg onerror=getImage(this); title=sigma-10-18mm-f2.8-sample-01 /></p><p><em>Sample 01 &copy;Dave Brosha Taken with Canon R7. Camera settings: 1/800 sec. f/13. ISO 400</em></p><p>It features <a href=https://www.parkcameras.com/brand/sigma/>Sigma&rsquo;s</a> signature impressive optics rendering high-quality results across the frame with a constant maximum f/2.8 aperture throughout the range. Paired with a new push-on petal-type lens hood it enables photographers to capture images in the most challenging lighting conditions.</p><p>Users can capture close-up shots with this <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/>RF mount lens</a> from as little as 11.6cm thanks to the close minimum focusing distance. Combined with the large 1:4 magnification and photographers can explore creative frame-filling compositions with high levels of detail.</p><p>With such a lightweight design fast and quiet AF motor and minimal focus breathing this lens is perfect for mounting on a compact gimbal for filmmaking handheld content creation and more.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/avORMi8JEHA?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/avORMi8JEHA?rel=0></iframe></div></div><h3>Key Sigma 10-18mm F2.8 DC DN   Contemporary Features</h3><ul>	<li>APS-C zoom lens for crop sensor Canon mirrorless cameras</li>	<li>World&#39;s smallest and lightest ultra wide APS-C zoom lens with an f/2.8 aperture</li>	<li>Sharp across the entire frame</li>	<li>Ideal for landscapes travel video and online content creation</li>	<li>1:4 maximum magnification for close-up details and macro-style shots</li>	<li>Ultralight 270g weight</li>	<li>62mm long with a compact 67mm filter</li>	<li>Lightweight TSC construction</li>	<li>Stepping motor</li>	<li>Made in Aizu Japan to the highest standards</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our lens Review</p><p class=sub style=text-align: center;>Learn more about the features which can transform your content in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/sigma-10-18mm-f28-lens-for-canon-rf-review_rf-05-9 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><p>Learn more about the impressive features which can transform your content creation in our latest review. <a href=https://www.parkcameras.com/blog/reviews/sigma-10-18mm-f28-lens-for-canon-rf-review_rf-05-9 target=_blank>Read our Lens Review</a></p><h2>Sigma 10-18mm f/2.8 DC DN Contemporary Lens For Canon RF Mount in More Detail</h2><h3>Super sharp optical design</h3><p>At under 300g this is an extremely lightweight lens yet the 10-18mm F2.8 DC DN   Contemporary delivers fantastic optical quality at all aperture values including when shooting wide open at f/2.8. Optical performance is maintained across the entire frame with excellent levels of detail right into the corners of the image.&nbsp;</p><p>The lens has an optical design made up of 13 elements in 10 groups including 4 aspherical elements 1 SLD element and 3 FLD elements. These deliver sharp results and work together with in-camera corrections to eliminate chromatic aberration flare distortion and vignetting.</p><p>Sigma&rsquo;s Super Multi-Layer Coating also helps to reduce flare and ghosting when shooting in bright sunlight and backlighting which is particularly important at the wider end of the zoom range.</p><p><img alt=sigma-10-18mm-f2.8-sample-02 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-10-18mm-f2.8-sample-02.jpg onerror=getImage(this); title=sigma-10-18mm-f2.8-sample-02 /></p><p><em>Sample 02 &copy;Kanamori Reina Taken with Canon R10. Camera settings: 1/400 sec. f/2.8. ISO 100</em></p><h3>Built tough for on-the-go creators</h3><p>As with other <a href=https://www.parkcameras.com/lenses/sigma/>Sigma lenses</a> the 10-18mm f/2.8 DC DN Contemporary has a barrel made from a Thermally Stable Composite (TSC). As well as being stylish and strong this material has a similar thermal expansion&nbsp;rate&nbsp;to aluminium meaning that the metal&nbsp;interior&nbsp;of the lens and the TSC exterior behave in the same way as temperature changes.</p><p>An internal focus mechanism ensures the lens always remains the same length when the subject distance changes. This makes it well suited to gimbal use due to a relatively constant centre of gravity and it also means the end of the lens doesn&rsquo;t rotate when focusing which is ideal when shooting with camera <a href=https://www.parkcameras.com/lenses/lens-filters/>lens filters</a>.</p><p><img alt=sigma-10-18mm-f2.8-sample-03 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-10-18mm-f2.8-sample-03.jpg onerror=getImage(this); title=sigma-10-18mm-f2.8-sample-03 /></p><p><em>Sample 03 &copy;Dave Brosha Taken with Canon R7. Camera settings: 1/1000 sec. f/16. ISO 200</em></p><h3>Fast quiet and accurate focus</h3><p>A stepping motor delivers smooth fast and accurate AF for both stills and video. The lens also features lighter glass elements in the focus lens group which ensure responsive autofocus that is fully compatible with all the latest camera technology found in Canon cameras. A durable brass mount is surrounded by a rubber seal to help keep out dust and moisture too resulting in the perfect ultra wide travel lens which you can vlog with and capture everyday snapshots.</p><h3>Great for close-up content</h3><p>The Sigma 10-18mm lens has a maximum magnification ratio of 1:4 giving it a minimum working distance (sensor to the front of the lens) of just 11.6cm. This makes it a great option for close-up photography to capture subjects like food insects flowers and other macro-style subjects.</p><p><img alt=sigma-10-18mm-f2.8-sample-04 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-10-18mm-f2.8-sample-04.jpg onerror=getImage(this); title=sigma-10-18mm-f2.8-sample-04 /></p><p><em>Sample 04 &copy;Kanamori Reina Taken with Canon R10. Camera settings: 1/80 sec. f/2.8. ISO 320</em></p><h3>Well controlled distortion</h3><p>Lens distortion is virtually eliminated across the whole zoom range in this Sigma Contemporary lens. A combination of optical correction and in-camera digital correction ensures that straight lines such as the horizon or the sides of buildings remain straight in your shots for a more realistic result.</p><h3>Complementary lenses</h3><p>When paired with the previously launched <a href=https://www.parkcameras.com/shop/sigma-18-50mm-f28-dc-dn-contemporary-lens-for-canon-rf-mount_g246269c>Sigma 18-50mm F/2.8 DC DN Contemporary Lens For Canon RF Mount</a> creators gain a lightweight duo of portable zooms covering ultra wide to short telephoto ranges. Between these two lenses you can capture virtually any subject including video and travel.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Sigma 10-18mm f/2.8 DC DN Contemporary Lens For Canon RF Mount</li>	<li>Lens hood LH706-02</li>	<li>Front cap LCF-67 III</li>	<li>Rear cap LCR II</li></ul><h2>Sigma 10-18mm f/2.8 DC DN Contemporary Lens For Canon RF Mount Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td>			<p>Lens Construction</p>			</td>			<td>			<p>13 elements in 10 groups (3 FLD 1 SLD and 4 aspherical lenses)</p>			</td>		</tr>		<tr>			<td>			<p>Angle of View (APS-C)</p>			</td>			<td>			<p>106.6&deg; (W) - 73.4&deg; (T)</p>			</td>		</tr>		<tr>			<td>			<p>Number of Diaphragm Blades</p>			</td>			<td>			<p>7 (rounded diaphragm)</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Aperture</p>			</td>			<td>			<p>F22</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Focusing Distance</p>			</td>			<td>			<p>11.6cm (W) - 19.1cm (T)</p>			</td>		</tr>		<tr>			<td>			<p>Maximum Magnification Ratio</p>			</td>			<td>			<p>1:4 (W) - 1:6.9 (T)</p>			</td>		</tr>		<tr>			<td>			<p>Filter size</p>			</td>			<td>			<p>&phi;67mm</p>			</td>		</tr>		<tr>			<td>			<p>Dimensions (Diameter x Length)</p>			</td>			<td>			<p>&phi;72.2mm x 62.0mm</p>			</td>		</tr>		<tr>			<td>			<p>Weight</p>			</td>			<td>			<p>270g</p>			</td>		</tr>	</tbody></table> 

Sigma 10-18mm F2.8 DC DN Contemporary Lens for Canon RF Mount

The Sigma 10-18mm f/2.8 DC DN Contemporary Lens for Canon RF Mount is a versatile zoom designed exclusively for Canon's crop sensor cameras which offers superb results for both stills photo and video creators.

<h2>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount Summary</h2><p>Sigma continues to expand its lineup for Canon with the Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount bringing its longest-ever zoom range to APS-C <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>Canon mirrorless cameras</a>. With an extensive 18.8x zoom ratio this all-in-one zoom provides an equivalent focal length of 25.6-480mm which is one of the most versatile options available for crop sensor RF users. With wide angles you can capture landscapes through to medium telephoto portraits and even distant subjects like wildlife and sports ensuring that this superzoom covers it all in a single compact package.</p><p>Despite its extensive range the lens is lightweight and travel-friendly weighing in at just 550g. It also features Optical Stabilisation (OS2) which enables users to capture sharper handheld shots and shoot in low light situations while still getting keepers. Sigma&rsquo;s High-response Linear Actuator (HLA) motor provides fast quiet autofocus while a minimum focus distance of 39cm allows for close-up shots with a maximum magnification of 0.34x.</p><p>Sigma&rsquo;s optical design includes special elements including FLD SLD and aspherical elements in order to deliver strong optical performance while reducing chromatic aberrations and distortions across the whole zoom range. For Canon RF creators looking for an all-in-one lens with uncompromising reach the Sigma 16-300mm is an exciting addition to Sigma&rsquo;s growing RF lineup.</p><h3>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens Key Features</h3><ul> <li>18.8x zoom range from 16-300mm (24-450mm full-frame equivalent)</li> <li>Advanced optical design includes 1 FLD 4 SLD and 4 aspherical elements to control aberrations</li> <li>9 rounded diaphragm aperture blades</li> <li>Sigma&rsquo;s HLA motor for fast and precise focusing</li> <li>OS2 algorithm provides up to 6 stops of optical image stabilisation</li> <li>1:2 macro capability at 70mm</li> <li>Zoom Lock switch</li> <li>Weather-resistant construction</li> <li>Measures just 121.4mm</li> <li>Weighs 615g</li></ul><h2>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount in More Detail</h2><h3>Ultra Versatile Zoom Range</h3><p>The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary is the world&rsquo;s first APS-C mirrorless lens with an 18.8x zoom ratio. It covers an extensive focal length from wide-angle to super-telephoto allowing you to adapt to a variety of shooting situations from travel and landscapes to wildlife and sports with just this single all-in-one superzoom.</p><p>This versatility means that photographers can switch between capturing epic scenery at 16mm to incredible telephoto shots at 300mm without needing to change lenses.</p><h3>Outstanding Close-up Performance</h3><p>A key feature of this zoom is its 1:2 macro capability at 70mm which allows for frame-filling close-up photography and video content creation. A tele-macro is ideal for capturing detailed shots of flowers insects and more and the lens provides sharp and detailed results at short focusing distances of just 17cm at the wide end to 105cm at telephoto end of the range.</p><h3>Advanced Autofocus and Optical Stabilisation</h3><p>Fast and accurate autofocus is powered by Sigma&rsquo;s familiar High-response Linear Actuator (HLA) which ensures smooth subject tracking even when capturing fast-moving subjects like birds or sports and action.</p><p>The optical stabilisation system delivers 6 stops of shake compensation at 16mm and 4.5 stops at 300mm making handheld shooting far more effective particularly in low-light conditions or at long focal lengths.</p><h3>Portable and reliable</h3><p>Despite such extensive zoom capabilities the lens is very portable with a weight of just 615g. Its construction includes Sigma&rsquo;s signature dust and splash-resistant structure which provides the confidence to shoot outdoors during poor conditions. The front element is also coated with a water and oil-repellent coat which helps to keep the glass cleaner and free from dust and smears even in adverse weather.</p><h3>Optical Quality</h3><p>Sigma&rsquo;s advanced optical formula includes 1 FLD (low-dispersion) 4 SLD (super-low dispersion) and 4 aspherical elements. This combination reduces chromatic aberrations distortion and ghosting maintaining high image quality across the entire zoom range. The lens also includes a rounded diaphragm thanks to 9 aperture blades which allows you to capture smooth bokeh balls and create soft defocus effects when shooting wide open.</p><p>Additionally the lens is able to suppress focus breathing which is ideal for video work as well as stills photography when focus stacking.</p><h3>What&rsquo;s in the box</h3><ul> <li>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount</li> <li>Lens Hood LH706-03</li> <li>Front Cap LCF-67 IV</li> <li>Rear Cap LCR III</li> <li>Pouch</li></ul> 

Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount

The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount is a high-performance crop-sensor superzoom lens for EOS R mirrorless cameras which delivers stabilisation and uncompromising image quality.

<h2>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Sony E Summary</h2><p>Sigma has developed a new all-in-one superzoom expanding its range of APS-C <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/sony-e-mount/>lenses for Sony E moun</a>t while bringing its most extensive zoom lens to Sony&rsquo;s crop-sensor mirrorless cameras. The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Sony E offers an 18.8x zoom ratio which covers an impressive 24-450mm full-frame equivalent focal length. From landscapes to close-ups and distant subjects this all-in-one superzoom covers practically every situation from just a single compact lens.</p><p>Despite its extended reach the Sigma 16-300mm is lightweight at just 550g making it a great choice for travel and everyday shooting. Sigma&rsquo;s OS2 Optical Stabilisation enables steadier handheld shots helping to reduce blur at longer focal lengths and shoot in lower light conditions. The lens features Sigma&rsquo;s High-response Linear Actuator (HLA) autofocus motor which is tried and tested to deliver fast silent and precise focusing for both stills and video.</p><p>A minimum focus distance of 17cm and 1:2 macro magnification at the wide end of the range enable impressive close-up photography while extending the versatility of the lens as a true all-rounder.</p><p>An advanced optical formula from <a href=https://www.parkcameras.com/brand/sigma/>Sigma</a> includes FLD SLD and aspherical elements to control aberrations and maintain sharp image quality across the entire zoom range. The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary is an ideal all-in-one lens for Sony E users looking for maximum versatility in a single package.</p><h3>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Key Features</h3><ul> <li>18.8x zoom range from 16-300mm (24-450mm full-frame equivalent)</li> <li>Advanced optical design includes 1 FLD 4 SLD and 4 aspherical elements to control aberrations</li> <li>9 Rounded Diaphragm aperture blades</li> <li>Sigma&rsquo;s HLA motor for fast and precise focusing</li> <li>OS2 algorithm provides up to 6 stops of optical image stabilisation</li> <li>1:2 macro capability at 70mm</li> <li>Zoom Lock switch</li> <li>Weather-resistant construction</li> <li>Measures just 121.4mm</li> <li>Weighs 615g</li></ul><h2>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Sony E in More Detail</h2><h3>Ultra Versatile Zoom Range</h3><p>The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary is the world&rsquo;s first APS-C mirrorless lens with an 18.8x zoom ratio. It covers an extensive focal length from wide-angle to super-telephoto allowing you to adapt to a variety of shooting situations from travel and landscapes to wildlife and sports with just this single all-in-one superzoom.</p><p>This versatility means that photographers can switch between capturing epic scenery at 16mm to incredible telephoto shots at 300mm without needing to change lenses.</p><h3>Outstanding Close-up Performance</h3><p>A key feature of this zoom is its 1:2 macro capability at 70mm which allows for frame-filling close-up photography and video content creation. A tele-macro is ideal for capturing detailed shots of flowers insects and more and the lens provides sharp and detailed results at short focusing distances of just 17cm at the wide end to 105cm at telephoto end of the range.</p><h3>Advanced Autofocus and Optical Stabilisation</h3><p>Fast and accurate autofocus is powered by Sigma&rsquo;s familiar High-response Linear Actuator (HLA) which ensures smooth subject tracking even when capturing fast-moving subjects like birds or sports and action.</p><p>The optical stabilisation system delivers 6 stops of shake compensation at 16mm and 4.5 stops at 300mm making handheld shooting far more effective particularly in low-light conditions or at long focal lengths.</p><h3>Portable and reliable</h3><p>Despite such extensive zoom capabilities the lens is very portable with a weight of just 615g. Its construction includes Sigma&rsquo;s signature dust and splash-resistant structure which provides the confidence to shoot outdoors during poor conditions. The front element is also coated with a water and oil-repellent coat which helps to keep the glass cleaner and free from dust and smears even in adverse weather.</p><h3>Optical Quality</h3><p>Sigma&rsquo;s advanced optical formula includes 1 FLD (low-dispersion) 4 SLD (super-low dispersion) and 4 aspherical elements. This combination reduces chromatic aberrations distortion and ghosting maintaining high image quality across the entire zoom range. The lens also includes a rounded diaphragm thanks to 9 aperture blades which allows you to capture smooth bokeh balls and create soft defocus effects when shooting wide open.</p><p>Additionally the lens is able to suppress focus breathing which is ideal for video work as well as stills photography when focus stacking.</p><h3>What&rsquo;s in the box</h3><ul> <li>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Sony E</li> <li>Lens Hood LH706-03</li> <li>Front Cap LCF-67 IV</li> <li>Rear Cap LCR III</li> <li>Pouch</li></ul> 

Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Sony E

With a portable design. optical stabilisation and uncompromising optical quality the Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Sony E is a high-performance crop-sensor superzoom lens.

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Tips and tricks for fantastic Airshow photos

<p>With the biggest airshows in the UK fast approaching this summer, one of our photography tutors, Steve Marley, has been taking a look at how you can make one of the most challenging, fast-paced areas of photography simple with a variety of <a href="https://www.parkcameras.com/blog/tips-and-inspiration/">tips and tricks</a>. Read on to learn more, and hopefully put this guide into practice at one of these exciting events!</p>  <p style="text-align: center;"><img alt="Tips and Tricks Airshow" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/tips-airshow.webp" title="Tips and Tricks Airshow" /></p>  <h3>Exposure Settings</h3>  <blockquote>Capture them at their best and shoot from the end 1/3</blockquote>  <p>For most air shows, you&rsquo;ll notice that the aircraft will be backlit. In most cases, you&rsquo;ll find that a little extra exposure will help retain crisp detail in the aircraft. Try +2/3 of a stop and then ensure you review the images as you take them, balancing your exposure as you go. In conditions where there is a deep blue sky, your exposure may not need adjustment, but with a very bright sky, it certainly will!</p>  <h3>White Balance</h3>  <p>Take control of your shot and get away from auto white balance. Daylight / Sunny WB settings are great for sunny days, and for a little extra warmth, you can use Cloudy white balance. Personally, I shoot with a 5,500K fixed white balance, but as always, it&rsquo;s vital to adjust based on the conditions and your subject.</p>  <p style="text-align: center;"><img alt="Airshow" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/IMG_5655.webp" title="Airshow" /></p>  <h3>Focus</h3>  <p>Continuous AF is highly recommended as your camera will then follow the moving subject maintaining focus as you shoot. If your camera has selectable areas or focussing points, pick an area with a reasonable spread &ndash; centre or single-point AF runs the risk of pointing at an area with no contrast or missing the aircraft completely, and therefore a spread of points is best.</p>  <p style="text-align: center;"><img alt="Airshow" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/redarrowsopposingpass-24484.webp" title="Airshow" /></p>  <p><a href="https://www.parkcameras.com/cameras/mirrorless-cameras/">Modern mirrorless cameras</a> have no problem keeping up with fast-moving subjects, and planes are no exception. In fact, the newest <a href="https://www.parkcameras.com/cameras/sony/">Sony</a>, <a href="https://www.parkcameras.com/cameras/olympus/">OM System</a> and <a href="https://www.parkcameras.com/cameras/mirrorless-cameras/nikon/">Nikon mirrorless cameras</a> have subject detection modes dedicated to airplanes, making your process an awful lot smoother.</p>  <h3>Drive</h3>  <p>Continuous high-speed drive is a good choice as this allows you to take a rapid sequence of shots. Watch out for your camera&rsquo;s buffer though, and if the buffer is filling too quickly, just drop the frame rate down a bit and this will help. Using the fastest possible <a href="https://www.parkcameras.com/blog/tips-and-inspiration/memory-cards-explained_tips-23-05-2018-1">memory card</a> and turning off additional tools that will affect the frame rate will also help. Many cameras will handle much better using a <a href="https://www.parkcameras.com/blog/buying-guides/why-use-a-battery-grip_buying-42">battery grip</a>, and in some cases, the battery grip will also boost performance and drive speed.</p>  <p>Again, recent digital cameras reach blistering continuous shooting speeds, like the <a href="https://www.parkcameras.com/shop/sony-a9-iii-mirrorless-camera-body_7014845l">Sony A9 III</a> with an incredibly fast 120 frames per second. Pairing this with the autofocus systems mentioned earlier takes a lot of the difficulty out of aviation photography.</p>  <p style="text-align: center;"><img alt="Nikon D850" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/Nikon_D850_in_store.webp" title="Nikon D850" /></p>  <h3>Shutter Speed</h3>  <p>Your shutter speed is crucial for aviation photography, so I would recommend you use Shutter Priority/TV Mode (if not shooting manually!). For a greater sense of movement, a relatively slow shutter speed combined with panning your camera (following the subject keeping it in frame and then firing the shutter but continuing to follow the subject after the shutter has fired) will give the best results.</p>  <p>For propeller aircraft, anything faster than about 1/500th will generally freeze the propeller blades, so 1/500th or slower is recommended. For a full circle of propeller blur, you will need to use around 1/250-1/80th of a second. For jets which move considerably faster, you can up your shutter speed to at least 1/1000th for best results.</p>  <p style="text-align: center;"><img alt="Spitfire" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/_DSC8902.webp" title="Spitfire" /></p>  <h3>Composition</h3>  <p>Your aircraft doesn&rsquo;t need to fill the frame. If there are interesting cloud formations in the background, then make use of these in your <a href="https://www.parkcameras.com/blog/tips-and-inspiration/5-composition-mistakes-every-photographer-makes_tips-039">composition</a>. It&rsquo;s worth paying attention to little things like the position of the sun relative to your aircraft, and more striking compositional ideas &ndash; for instance, it&rsquo;s likely that you might catch some aircraft flying in formation, enabling some compelling shots.</p>  <p style="text-align: center;"><img alt="Airshow" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/IMG_5661.webp" title="Airshow" /></p>  <h3>Where to Shoot From</h3>  <p>I would recommend you shoot from the end thirds of the crowd line and not from the middle. This way, you will have the chance to shoot aircraft taking off, landing, and more importantly banking as they come round to the display line so you can capture them at their best.</p>  <p>The focal length of your lens may inform where you stand so you can take the shots you intend to. If you&rsquo;re working with a wider lens, it&rsquo;s likely you&rsquo;ll be getting shots of airplanes on the runway, whereas with a much longer lens (which is typical), you&rsquo;ll be aiming to take detailed images of the aircraft in flight.</p>  <p style="text-align: center;"><img alt="Airshow" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/IMG_5643.webp" title="Airshow" /></p>  <h2>Recommended Gear</h2>  <p>Aviation photography rewards a camera with powerful autofocus, fast operation and shooting speeds, and of course, exceptional image quality.</p>  <p style="text-align: center;"><img alt="Airshow" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/E-M1_Mark_II_Mood_Facebook_optimised_1200x675px__Mood_010.webp" title="Airshow" /></p>  <p>Smaller <a href="https://www.parkcameras.com/blog/buying-guides/camera-sensor-sizes-explained_buying-31">sensor sizes </a>like APS-C and <a href="https://www.parkcameras.com/blog/buying-guides/the-benefits-of-shooting-micro-four-thirds_buying-38">Micro Four-Thirds</a> are popular among aviation photographers due to their crop factor. This extends the focal length of lenses used by 1.5/1.6x and 2x respectively, which works wonders when capturing distant aircraft.</p>  <p>APS-C users may look to a camera like the <a href="https://www.parkcameras.com/shop/fujifilm-x-t5-camera-body-black_2011569k">Fujifilm X-T5</a> or the <a href="https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r">Canon EOS R7</a>; cropped-sensor cameras that don&rsquo;t compromise performance, with detailed sensors up to 40MP and continuous shooting speeds of up to 30fps.</p>  <p>If you&rsquo;re looking to extend the range of your camera even further, the <a href="https://www.parkcameras.com/shop/om-system-om-1-mark-ii-digital-camera-body_4010986k">OM System OM-1 Mark II</a> takes advantage of the 2x Micro Four-Thirds crop factor. It leads its class with 50fps shooting with continuous AF, and up to 120fps with single point.</p>  <p>Full-frame cameras like the <a href="https://www.parkcameras.com/shop/nikon-z9-full-frame-mirrorless-camera_3017620n">Nikon Z9</a> and the Sony A9 III offer the most powerful aviation photography experience out there. The latter is perfect for freezing fast motion with its world-first global shutter. If a balance between speed and quality is essential, the Z9 takes beautiful 45.7MP stills at speeds of 20fps.</p>  <p style="text-align: center;"><img alt="Airshow" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/Slant_without_cap-v1_0.webp" title="Airshow" /></p>  <p>As for <a href="https://www.parkcameras.com/lenses/">lenses</a>, anything in the full-frame range of 150-600mm is perfect. A <a href="https://www.parkcameras.com/blog/buying-guides/guide-to-camera-lenses_buying-22-03-2020-1">zoom lens</a> is preferable, as it gives you a lot more room to shoot aircraft at a massive variety of distances with no need to switch lenses. Having that compositional freedom is essential and will make airshow photography far more enjoyable.</p>  <h3>Other Tips</h3>  <p>Airshows have a lot going for them apart from the air-show itself! There are normally flightline walks where you can get close up to the aircraft, and at Farnborough especially there are lots of static displays where you can get a close-up view of the technology. Re-enactors often make an appearance as well as music acts and so forth &ndash; all great subjects for your camera!</p>  <p>A schedule of upcoming airshows in the UK can be found <a href="https://britishairshows.com/british-uk-airshows-2024-calendar-dates" target="_blank">here</a>.</p>  <p style="text-align: center;"><img alt="Airshow" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/Tips%20and%20tricks%20to%20getting%20some%20fantastic%20photos%20at%20Airshows/IMG_5646.webp" title="Airshow" /></p>  <p>A quick summary of the tips discussed:</p>  <ul>  <li>Exposure: add 2/3 exposure compensation then review images</li>  <li>White balance: fix to sunny or cloudy setting not Auto</li>  <li>Focus: Continuous AF with a spread of points</li>  <li>Drive: high speed continuous &ndash; use a battery grip too</li>  <li>Shutter speed: 1/500 or slower for propeller 1/1000 or faster for jets</li>  <li>Composition: don&rsquo;t have to fill the frame &ndash; use clouds!</li>  <li>Shooting position: end third of the runway</li>  <li>Recommended gear: high frame rate fast focusing camera</li> </ul>  <p>If you liked this post, why not check out some of professional photographer Andy Rouse&rsquo;s favourite aviation shots, shared in <a href="https://www.parkcameras.com/blog/features/andy-rouses-yearly-top-photos-part-two-aviation_feature-19-07-2016-1">Part 1</a> and <a href="https://www.parkcameras.com/blog/tips-and-inspiration/andy-rouses-top-photos-of-the-last-year-part-three-aviation_feature-02-09-2016-1">Part 2</a> of a series of write-ups on our blog?</p>  <p>Park Cameras is committed to all your photography needs &ndash; both on land and in the skies! Feel free to explore our expansive range of <a href="https://www.parkcameras.com/cameras/nikon/">digital cameras</a>, <a href="https://www.parkcameras.com/lenses/">lenses</a>, and more today, and discover exclusive <a href="https://www.parkcameras.com/offers/">photography offers</a> before they&rsquo;re gone.</p>

Sony Announce Firmware Updates for a7 III And a7R III

<p>Find out how the firmware upgrades will improve the performance of your camera, and where you can download the updates from.</p>  <h2><img onerror="getImage(this);" alt="Sony firmware updates for a7 III &amp; a7r III" src="https://www.imagedelivery.space/parkcameras/blog-images/blog/content/sony-firmware.webp" style="width: 800px; height: 439px;" /></h2>  <h2>Sony have confirmed firmware updates for their popular a7 III and a7R III mirrorless cameras.</h2>  <p>Find out how the firmware upgrades will improve the performance of your camera, and where you can download the updates from.</p>  <hr /> <h2>WHY SHOULD I UPDATE MY FIRMWARE?</h2>  <p>The updates from Sony on the a7 III and a7RIII models offer the following new features:</p>  <ol>  <li>Assign autofocus tracking sensitivity to a custom key</li>  <li>Improves performance and stability of the camera</li>  <li>Better reproduction of colour gradation on RAW files - applies if you are using Sony&#39;s &#39;Imaging Edge&#39; software</li>  <li>More stable exposure when using flash in an environment with flickering lights</li>  <li>Better handling of continuously shot images as a group</li>  <li>Improved performance of Focus Areas on A Mount lenses when using the LA-EA3 mount adaptor</li>  <li>Resolves a previously known issue where the touch panel became unresponsive</li>  <li>The update also optimises both cameras to be compatible with two of Sony&#39;s latest G Master lenses, the 400mm f/2.8 GM Telephoto lens, and the 24mm f/1.4 GM.&nbsp;&nbsp;</li> </ol>  <hr /> <h2>IMPORTANT THINGS TO REMEMBER WHILE UPDATING FIRMWARE</h2>  <p>The first thing to say is that you should, of course, read the installation instructions, which are available on all of the links below.</p>  <p>We recommend the following:</p>  <ol>  <li>Make sure you are installing the firmware to your specific model</li>  <li>Ensure your camera battery is fully charged</li>  <li>Remove your memory card to prevent your PC trying to read / download images</li>  <li>Make sure your computer does not go to sleep during this time</li> </ol>  <p>Points 2 and 4 are particularly important, as an interrupted download could potentially ruin your camera!</p>  <hr /> <h2>HOW DO I INSTALL FIRMWARE UPDATES?</h2>  <p>Follow the links, and remember to read the instructions!</p>  <p>Firmware updates for the Sony a7R III on Mac<br /> Firmware updates for the Sony a7R III on Windows<br /> Firmware updates for the Sony a7 III on Mac<br /> Firmware updates for the Sony a7 III on Windows</p>  <hr /> <p><br /> You may also like:</p>  <p>Read our review of the Sony a7 III<br /> The Sony a7R III - views from a professional</p>

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Sigma Featured Lenses

Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount

Sigma 50mm f/1.2 DG DN Art Lens for Sony E

Sigma 10-18mm F2.8 DC DN Contemporary Lens for Canon RF Mount

Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount

Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Sony E

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