<h2>Sigma 56mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;Summary</h2><p>Thanks to a full-frame equivalent focal width of approximately 85mm and its wide maximum f/1.4 aperture the Sigma 56mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;is the ultimate portrait lens for Canon crop format mirrorless cameras.</p><p>This lightweight short telephoto crop-sensor prime lens combines exceptional image quality with its ultra-wide f/1.4 aperture. Weighing under 300g it&#39;s perfect for photographers looking for top-notch performance and easy portability to handhold and shoot more responsively.</p><p>On APS-C sensor RF-S cameras it offers an effective focal length of approximately 85mm which is tried and tested for portraits weddings travel street and pet photography. Thanks to its quick autofocus the lens is also ideal for video recording.</p><p>The wide maximum aperture provides a shallow depth-of-field creating beautifully blurred backgrounds that make subjects pop ensuring its popularity for portrait photography. The large aperture also aids in capturing clear sharp images in low-light settings when shooting handheld. The Sigma 56mm F1.4 Contemporary lens is a vital component of a series of lightweight crop-sensor primes all featuring a wide aperture perfect for photographers who enjoy using a consistent set of high-quality lenses.</p><h3>Key Sigma 56mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;Features</h3><ul>	<li>Crop format APS-C coverage for Canon mirrorless cameras</li>	<li>Maximum f/1.4 aperture enables shallow depth of field and low light shooting</li>	<li>1:7.4 maximum magnification for frame-filling compositions</li>	<li>Lightweight 285g design</li>	<li>57.5mm long with a compact 55mm filter</li>	<li>TSC construction</li>	<li>AFL button on the barrel</li>	<li>Stepping motor</li>	<li>Made in Aizu Japan to the highest standards</li></ul> 

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Sigma 56mm f/1.4 DC DN Contemporary Lens for Canon RF Mount

The Sigma 56mm f/1.4 DC DN Contemporary Lens for Canon RF Mount has been announced for release so please register with us and be amongst the first in the UK to hear about it's launch.

<h2>Sigma 14mm f/1.4 DG DN Art Lens for L Mount Summary</h2><p>Embark on new adventures to capture the night sky photography and beyond with the Sigma 14mm f/1.4 DG DN Art Lens for L Mount. This newly developed prime lens has been crafted by <a href=https://www.parkcameras.com/brand/sigma/><font color=#0066cc>Sigma</font></a> to ignite your passion for photography and unlock endless creative opportunities. Designed as the world&#39;s first f/1.4 aperture 14mm lens exclusively for mirrorless cameras it seamlessly merges innovation precision and artistry to elevate your astrophotography landscape photography weddings and interior shots to new heights.</p><p>With advanced chromatic aberration and coma flare control this <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/l-mount/><font color=#0066cc>Leica L mount mirrorless lens</font></a> delivers breathtaking edge-to-edge performance across all apertures ensuring exceptional clarity and detail even when shooting the most challenging subjects such as the night sky.</p><p><img alt=sigma-14mm-lens-sample-01 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-14mm-lens-sample-01.webp onerror=getImage(this); title=sigma-14mm-lens-sample-01 /></p><p>Beyond its optical capabilities the Sigma 14mm F1.4 DG DN   Art boasts an array of advanced features tailored to enhance your creative process. The aperture ring offers both lock and de-click functions and also features a customisable AFL button allowing you to swiftly access preferred settings. A Manual Focus Lock switch ensures your focal point remains locked after gaining precise focus without accidentally changing your focal point. This L mount version also supports linear and non linear focus throw adjustment to suit your style of focusing.</p><p>Additionally a rear filter holder provides the option to add filters and with a built-in Lens Heater Retainer your heat strip remains securely in place in order to indulge in captivating outdoor adventures. Sigma has also redesigned the front cap providing a secure lock onto the lens and featuring two compartments for storage of sheet-type rear filters.</p><p><img alt=sigma-14mm-lens-sample-02 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-14mm-lens-sample-02.webp onerror=getImage(this); title=sigma-14mm-lens-sample-02 /></p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/cpOA0ZIhAAk?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/cpOA0ZIhAAk?rel=0></iframe></div></div><h3>Key Sigma 14mm f/1.4 DG DN   Art&nbsp; Features</h3><ul>	<li>World&rsquo;s first 14mm f/1.4 aperture prime lens for <a href=https://www.parkcameras.com/cameras/sigma/><font color=#0066cc>Sigma cameras</font></a> <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/panasonic-lumix/><font color=#0066cc>Panasonic S</font></a> and <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/leica-sl-cl-tl/><font color=#0066cc>Leica L</font></a></li>	<li>Ultra wide prime for astrophotography landscapes weddings and interiors</li>	<li>Excellent chromatic aberration and coma flare control</li>	<li>Edge-to-edge performance for challenging subjects</li>	<li>Aperture ring with lock and de-click function</li>	<li>Supports switching between linear focus / non-linear focus ring</li>	<li>Customisable AFL button</li>	<li>Built-in Lens Heater Retainer for cold nights</li>	<li>Redesigned front cap with compartments for storing sheet-type rear filters</li>	<li>New High-response Linear Actuator (HLA) motor</li>	<li>Includes an Arca-Swiss compatible TS-141 Tripod Socket</li>	<li>Dust and Splash Resistant Structure with Art Series build quality</li>	<li>Front element includes water and oil repellent coating</li>	<li>Super Multi-Layer Coating reduces flare and ghosting</li></ul><p><img alt=sigma-14mm-lens-sample-03 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-14mm-lens-sample-03.webp onerror=getImage(this); title=sigma-14mm-lens-sample-03 /></p><h2>Sigma 14mm f/1.4 DG DN Art Lens for L Mount in More Detail</h2><p>The groundbreaking Sigma 14mm F1.4 DG DN   Art lens is the world&#39;s first f/1.4 mirrorless lens with such an expansive angle-of-view. With a brighter aperture it outshines its predecessor the 14mm F1.8 DG HSM   Art for DSLRs allowing 58% more light onto the sensor. This exceptional optic excels in capturing the night sky and delivers remarkable handheld performance in low-light environments.</p><h3>Optimised for astrophotography</h3><p>Designed with astrophotography in mind the <a href=https://www.parkcameras.com/lenses/sigma/><font color=#0066cc>Sigma lens</font></a> boasts an advanced optical configuration featuring 1 SLD 3 FLD and 4 aspherical elements. This meticulous design ensures exceptional optical quality at infinity focus effectively minimising aberrations and sagittal coma flare.</p><p>As a result brilliant points of light remain impeccably round and sharp across the entire frame even at wide apertures. Leveraging in-camera optical aberration control profiles distortion and vignetting are corrected effortlessly. Furthermore the lens&#39;s sophisticated optical design eliminates corner softness and chromatic aberration reducing the need for digital corrections. This selective approach to optical aberration control provides a relatively compact and lightweight lens for its type without compromising on image quality.</p><p><img alt=sigma-14mm-lens-sample-04 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-14mm-lens-sample-04.webp onerror=getImage(this); title=sigma-14mm-lens-sample-04 /></p><h3>Professional features with superb build quality</h3><p>The Sigma 14mm f/1.4 DG DN Art Lens for L mount has a professional set of features which makes it easier for photographers and filmmakers to achieve the best results possible. An aperture ring is built into the barrel which can be set to <em>auto</em> for aperture control on the camera. With a very precise action the ring can also be de-clicked if preferred or locked in place to prevent it from being accidentally knocked.</p><h3>Heat retainer for cold night shooting</h3><p>At the front of the barrel is a Lens Heater Retainer which was a feature introduced on the <a href=https://www.parkcameras.com/shop/sigma-20mm-f14-dg-dn-art-lens-for-l-mount_g242257l><font color=#0066cc>Sigma 20mm F1.4 DG DN   Art</font></a>. This helps to hold a heat strip in place to prevent condensation build-up on the front element which are often used by astrophotographers when shooting in cold conditions.</p><p><img alt=sigma-14mm-lens-sample-05 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-14mm-lens-sample-05.webp onerror=getImage(this); title=sigma-14mm-lens-sample-05 /></p><h3>Rear filter holder with new lens storage cap</h3><p>The lens features a rear filter holder that allows sheet-type filters to be attached with ease. Soft type filters are often preferred by astrophotographers as they make stars appear softer larger and brighter and you can also use other types of sheet-type filter.</p><p>Sigma has specially designed a new front lens cap with rear sheet filters in mind. Two filter slots are available to store pre-cut sheet-type filters allowing them to be carried with the lens at all times. Previous lenses such as the 14mm F1.8 DG HSM   Art used a push fit type cap. The new front cap now features a secure lock mechanism to prevent it from falling off unintentionally.</p><p><img alt=sigma-14mm-lens-sample-06 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-14mm-lens-sample-06.webp onerror=getImage(this); title=sigma-14mm-lens-sample-06 /></p><h3>Manual focus lock and customisable AFL button</h3><p>A MFL (manual focus lock) switch on the side of the lens barrel allows astrophotographers to find infinity then switch the MFL switch to <em>Lock</em> which completely disables the focus ring. This means that even if the ring is knocked the focus will remain at infinity preventing accidental out-of-focus results when least expected.</p><p>An AFL button is also included on the lens barrel which can be customised depending on your particular camera.</p><h3>Included tripod collar</h3><p>With a hefty weight to the lens Sigma has negated the typical front-heavy shooting experience when mounted to stable <a href=https://www.parkcameras.com/tripods/><font color=#0066cc>tripod</font></a> by including the TS-141 Tripod Socket which ensures a more balanced set-up closer to the centre of gravity when mounted on a tripod.</p><h3>Fast smooth focusing</h3><p>The 14mm f/1.4 DG DN Art Lens for L mount is fitted with Sigma&rsquo;s new High-response Linear Actuator (HLA) motor which delivers faster smoother quieter and more accurate focusing than a stepping motor. This is only the third Sigma lens to be designed with this technology ensuring very responsive focusing in all shooting situations.</p><h3>USB Dock compatibility</h3><p>When attached to the compatible <a href=https://www.parkcameras.com/shop/sigma-usb-dock---l-mount_g249941a><font color=#0066cc>Sigma USB Dock for L-Mount</font></a> you can fine-tune and customise lens settings as well as update firmware conveniently.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Sigma 14mm f/1.4 DG DN Art Lens for Leica L Mount</li>	<li>Cover Lens Cap LC1014-01</li>	<li>Rear Cap LCR II</li>	<li>Tripod Socket TS-141</li>	<li>Protective Cover PT-41</li></ul><h3>Sigma 14mm f/1.4 DG DN Art Lens for L Mount Specifications</h3><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td>			<p>Lens construction</p>			</td>			<td>			<p>19 elements 15 groups (1 SLD 3 FLD and 4 aspherical elements)</p>			</td>		</tr>		<tr>			<td>			<p>Angle-of-view</p>			</td>			<td>			<p>114.2&deg;</p>			</td>		</tr>		<tr>			<td>			<p>Number of diaphragm blades</p>			</td>			<td>			<p>11 (rounded diaphragm)</p>			</td>		</tr>		<tr>			<td>			<p>Minimum aperture</p>			</td>			<td>			<p>F16</p>			</td>		</tr>		<tr>			<td>			<p>Minimum focusing distance</p>			</td>			<td>			<p>30cm</p>			</td>		</tr>		<tr>			<td>			<p>Maximum magnification ratio</p>			</td>			<td>			<p>1:11.9</p>			</td>		</tr>		<tr>			<td>			<p>Filter size</p>			</td>			<td>			<p>N/A</p>			</td>		</tr>		<tr>			<td>			<p>Dimensions (max diameter x length)</p>			</td>			<td>			<p>&phi;101.4 &times; 149.9mm</p>			</td>		</tr>		<tr>			<td>			<p>Weight</p>			</td>			<td>			<p>1170g</p>			</td>		</tr>	</tbody></table> 

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Sigma 14mm f/1.4 DG DN Art Lens for L Mount

The Sigma 14mm f/1.4 DG DN Art Lens for L Mount is the world's brightest lens of its type for full-frame mirrorless cameras with superb results for astro landscapes interiors and more.

<h2>Sigma 28-45mm f/1.8 DG DN Art Lens for L-Mount Summary</h2><p>With a unique focal range the Sigma 28-45mm f/1.8 DG DN Art Lens for L-Mount is a unique addition to Sigma&rsquo;s professional level Art Series lenses. It is the world&rsquo;s first full-frame f/1.8 aperture zoom lens offering a constant bright aperture throughout the wide to standard zoom range. This makes an excellent option for videographers and photographers who need a combination of exceptional low-light performance the ability to shoot handheld and the convenience of a zoom lens in one.</p><p>A high-speed AF mechanism utilises the well-known High-response Linear Actuator (HLA) ensuring that the lens provides fast and precise autofocus similar to the system found in the recently released <a href=https://www.parkcameras.com/shop/sigma-24-70mm-f28-dg-dn-ii-art-lens-for-l-mount_g247549c><font color=#0066cc>24-70mm f/2.8 DG DN II Art Lens For L-Mount</font></a>.</p><p>Thanks to <a href=https://www.parkcameras.com/brand/sigma/><font color=#0066cc>Sigma&#39;s</font></a> advanced optical design the lens delivers excellent detail maintaining professional image quality with high levels of sharpness and detail. Results are so strong that the quality of the 28-45mm f/1.8 DG DN rivals that of prime lenses ensuring stunning results for both stills and video shooters.</p><p>Other innovative features enhance the versatility of this <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/l-mount/><font color=#0066cc>L-mount lens</font></a> for Leica L content creators. These include an inner zoom mechanism which maintains the lens&#39;s length making it perfect for <a href=https://www.parkcameras.com/video/gimbals-stabilisers-and-video-rigs/><font color=#0066cc>gimbals and video rigs</font></a> while the constant 30cm minimum focusing distance across the zoom range added to a 1:4 maximum magnification ratio at the telephoto end allows for impressive close-ups and dynamic compositions.</p><p>Whether you capture sweeping cityscapes and landscapes detailed close-ups or environmental portraits the Sigma 28-45mm f/1.8 DG DN Art Lens is a powerful tool. Due to the L-mount it can be used for stills and video creation with full-frame <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/leica-sl-cl-tl/><font color=#0066cc>Leica SL cameras</font></a> <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/panasonic-lumix/><font color=#0066cc>Panasonic Lumix S</font></a> and <a href=https://www.parkcameras.com/cameras/sigma/><font color=#0066cc>Sigma Fp L cameras</font></a>.</p><h3>Key Sigma 28-45mm F1.8 DG DN   Art Features</h3><ul>	<li>World&#39;s first full-frame f/1.8 aperture zoom lens</li>	<li>Excellent optical performance comparable to prime lenses (5 SLD 3 aspherical elements)</li>	<li>High-speed AF mechanism with HLA (High-response Linear Actuator)</li>	<li>Support for switching between linear and non-linear focus ring settings</li>	<li>Inner zoom mechanism maintains length</li>	<li>30cm minimum focusing distance across the zoom range</li>	<li>Maximum magnification ratio of 1:4 at the telephoto end</li>	<li>Lightweight with premium build quality</li>	<li>Focus breathing is suppressed</li>	<li>11-blade rounded diaphragm</li>	<li>Nano Porous and Super Multi-Layer Coatings suppress ghost and flare</li>	<li>Accurate MF with a bi-wire driven focus ring</li>	<li>Two customisable AFL buttons</li>	<li>Dust and splash-resistant body</li>	<li>82mm filter thread</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Sigma 28-45mm f/1.8 DG DN Art Lens Review</p><p class=sub style=text-align: center;>Learn more about the impressive features which can help elevate your photography in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/sigma-28-45mm-f18-dg-dn-art-lens-review_s-03-06 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><h2>Sigma 28-45mm f/1.8 DG DN Art Lens for L-Mount in More Detail</h2><h3>World&#39;s first full-frame f/1.8 maximum aperture zoom lens</h3><p>Despite weighing less than 1kg Sigma has developed the world&rsquo;s first full-frame zoom lens with a maximum f/1.8 aperture throughout the zoom range. The lens also includes an inner zoom mechanism benefits from a close and constant 30cm minimum focus distance plus offers a regular 82mm filter thread making it a valuable option for both handheld and gimbal content creation.</p><p>Once reserved for prime lenses the bright maximum aperture combined with an 11-blade rounded diaphragm facilitates beautiful bokeh shallow depth of field and handheld shooting in low light while creators enjoy the flexibility of a zoom lens.</p><p>This exceptional accomplishment results from Sigma&#39;s extensive optical design expertise and advanced production technology developed exclusive at the production facility in Aizu Japan.</p><h3>High-Speed AF and advanced features</h3><p>The Sigma 28-45mm F1.8 DG DN   Art offers a range of professional features that match its exceptional optical performance. It boasts high-speed adaptable autofocus a durable weather-resistant structure a de-clickable aperture ring smooth manual focusing and on-barrel AFL control buttons. These combine to create a versatile photographic tool capable of handling any situation.</p><h3>Faster Focus with a Linear Motor</h3><p>The lens&rsquo;s autofocus mechanism utilises an HLA (High-response Linear Actuator) first developed for the <a href=https://www.parkcameras.com/shop/sigma-50mm-f12-dg-dn-art-lens-for-l-mount_g242221e><font color=#0066cc>Sigma 50mm f/1.2 DG DN Art Lens for L-Mount</font></a> in order to achieve faster focusing speed with exquisite precision. The near-silent motor is ideal for video recording ensuring focus adjustments are made without generating noise.</p><h3>Precise and Comfortable Manual Focusing</h3><p>For delicate and accurate manual focus the lens employs a bi-wire driven focus ring with an optimal torque setting high resolution and an adjustable rotation angle between 90&deg; and 720&deg;. This setup allows filmmakers to pull focus with organic smoothness and photographers to achieve outstanding manual focus accuracy for L-mount only.</p><h3>Aperture Ring Refinements</h3><p>Equipped with an aperture ring an aperture ring click switch and an aperture ring lock switch the lens offers flexible aperture operation for various shooting situations. These refinements enhance usability allowing photographers and videographers to adapt quickly to changing conditions.</p><h3>Inner zoom mechanism</h3><p>The Sigma 28-45mm f/1.8 DG DN Art Lens features a practical inner zoom mechanism that keeps its overall length constant regardless of changes in focal length or focus distance. This makes the lens easy to use for handheld shooting highly stable when mounted on a tripod or gimbal and more resistant to dust and water ingression.</p><h3>30cm minimum focus throughout the zoom range</h3><p>A minimum focusing distance of 30cm is maintained throughout the entire zoom range with a maximum magnification ratio of 1:4 at the telephoto end. This ensures excellent close-up shooting capabilities while also allowing precise focus in confined spaces. The 30cm distance enables you to shoot closer to subjects without sacrificing sharpness when using the zoom.</p><h3>Lightweight yet premium build quality</h3><p>Despite being a fast zoom lens&nbsp; at less than 1kg the 28-45mm remains impressively lightweight. Additionally its rigidity and durability safeguard the advanced optical design without adding bulk while using a versatile 82mm filter size. This ensures that there are no compromises in portability or convenience making it a reliable and convenient photographic tool.</p><h3>Optical performance comparable to a prime lens</h3><p>The Sigma 28-45mm F1.8 DG DN   Art achieves optical performance that rivals prime lenses with each optical aberration corrected throughout the zoom range. Advanced coatings ensure clear images even in backlit conditions while focus breathing is thoroughly suppressed enhancing expressive power for filmmakers and photographers alike.</p><h3>Premium optical quality in a zoom</h3><p>By effectively arranging 5 SLD elements and 3 aspherical elements aberrations are throughly corrected while axial chromatic aberration which is often noticeable in large-aperture lenses is thoroughly suppressed. The optical formula ensures crystal clear images with minimal coloration sharply focused details and smooth large bokeh.</p><h3>Well suppressed Focus Breathing</h3><p>Focus breathing &ndash; where the angle of view changes as focus shifts from near to far is minimised in the Sigma 28-45mm lens. This allows for natural focus pulls when recording video maintaining precise composition and enhancing the overall cinematic quality. It also helps when focus stacking photographs ensuring the angle of view doesn&rsquo;t make it difficult to amalgamate images in post.</p><h3>Minimal Flare and Ghosting</h3><p>Advanced simulation technology has largely eliminated flare and ghosting in the lens which can degrade image quality. As a high-end Art lens it features Sigma&rsquo;s Nano Porous and Super Multi-Layer Coatings providing superior resistance to backlighting. This delivers rich high-contrast results in all lighting conditions producing clear saturated results regardless of lighting challenges.</p><h3>Two AFL buttons</h3><p>Located on the side and on top of the barrel two customisable* AFL buttons can be easily reached in either horizontal or vertical shooting positions.&nbsp;</p><h3>Built to withstand the elements</h3><p>In addition to a dust and splash-resistant body the frontmost surface of the lens is coated with a water- and oil-repellent coating so that it can be used safely even in harsh outdoor environments.</p><h3>Includes locking petal-type hood</h3><p>A petal-type hood is included to shield the lens from light. It has a locking mechanism for secure attachment and can be reversed for easier storage.</p><h3>Additional features</h3><ul>	<li>Lens construction: 18 elements in 15 groups (including 5 SLD and 3 aspherical elements)</li>	<li>Inner zoom with an inner focus system</li>	<li>Compatible with Lens Aberration Correction with compatible cameras</li>	<li>Supports DMF and AF+MF</li>	<li>Nano Porous Coating + Super Multi-Layer Coating</li>	<li>Water and Oil-Repellent Coating (front element)</li>	<li>Aperture ring with click switch and lock switch</li>	<li>Focus Mode switch</li></ul><h3>What&rsquo;s in the box</h3><ul>	<li>Sigma 28-45mm f/1.8 DG DN Art Lens for L-Mount</li>	<li>Case</li>	<li>Lens Hood LH878-06</li>	<li>Front Cap LCF-82 III</li>	<li>Rear Cap LCR II</li></ul><h2>Sigma 28-45mm F1.8 DG DN   Art Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td>			<p>Product Name</p>			</td>			<td>			<p>Sigma 28-45mm F1.8 DG DN   Art (A024)</p>			</td>		</tr>		<tr>			<td>			<p>Lens Construction</p>			</td>			<td>			<p>18 elements in 15 groups (including 5 SLD Glass and 3 Aspherical Elements)</p>			</td>		</tr>		<tr>			<td>			<p>Angle of View (full-frame)</p>			</td>			<td>			<p>75.4&deg;-51.3&deg;</p>			</td>		</tr>		<tr>			<td>			<p>Aperture design</p>			</td>			<td>			<p>11 rounded Diaphragm Blades</p>			</td>		</tr>		<tr>			<td>			<p>Aperture range</p>			</td>			<td>			<p>f/2.8 - f/16</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Focusing Distance</p>			</td>			<td>			<p>30cm</p>			</td>		</tr>		<tr>			<td>			<p>Maximum Magnification Ratio</p>			</td>			<td>			<p>1:4 at f=45mm</p>			</td>		</tr>		<tr>			<td>			<p>AF actuator</p>			</td>			<td>			<p>HLA (High-response Linear Actuator)</p>			</td>		</tr>		<tr>			<td>			<p>Filter Size</p>			</td>			<td>			<p>82mm</p>			</td>		</tr>		<tr>			<td>			<p>Dimensions (Diameter x Length)</p>			</td>			<td>			<p>&phi;87.8mm x 151.4mm</p>			</td>		</tr>		<tr>			<td>			<p>Weight (approx)</p>			</td>			<td>			<p>960g</p>			</td>		</tr>	</tbody></table> 

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Sigma 28-45mm f/1.8 DG DN Art Lens for L-Mount

The Sigma 28-45mm f/1.8 DG DN Art Lens for L-Mount is the world's first full-frame f/1.8 aperture zoom which also offers fast AF and excellent image quality for both stills and video creators.

<h2>Sigma 16mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;Summary</h2><p>With an ultra wide equivalent focal length of 24mm the Sigma 16mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;is ideal for a variety of subjects including landscapes and interiors. This Contemporary lens delivers excellent optical performance and is remarkably portable for a crop-sensor prime lens.</p><p>Its wide angle of view combined with an ultra wide f/1.4 aperture makes it perfect for street photography weddings events situational portraits landscapes and video applications including vlogging. The bright aperture not only allows for a shallow depth-of-field creating beautifully blurred backgrounds but also aids in capturing sharp blur-free images in low-light conditions when shooting handheld.</p><p>Lightweight at just over 400g the 16mm f/1.4 from Sigma is notably light for its aperture size making it an excellent choice for photographers and videographers who prioritise both performance and portability.</p><h3>Key Sigma 16mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;Features</h3><ul>	<li>APS-C coverage for crop format mirrorless Canon cameras</li>	<li>Maximum f/2.8 aperture enables shallow depth of field</li>	<li>1:9.9 maximum magnification for close-up shots</li>	<li>Lightweight 415g design</li>	<li>92.3mm length with a compact 67mm filter</li>	<li>TSC construction</li>	<li>Stepping motor</li>	<li>Made in Aizu Japan to the highest standards</li></ul> 

Sigma 16mm f/1.4 DC DN Contemporary Lens for Canon RF Mount

Register your interest for the Sigma 16mm f/1.4 DC DN Contemporary Lens for Canon RF Mount which is a crop format wide angle prime for mirrorless creators who shoot with the RF system.

<h2>Samyang VDSLR 135mm T2.2 MK2 for Canon M Summary</h2><h3>Features at a glance</h3><p><strong>Weather Sealing </strong><br />The new VDSLR MK2 series includes a weather-sealing feature to protect the most vulnerable gap between the lens and camera mount and prevent dust light rain and snow from penetrating. It provides the ability to capture stunning images in less than perfect conditions</p><p><strong>9 Aperture Blades for exceptional Bokeh and Starburst effects</strong><br />This series is updated with 9 aperture blades across all 6 focal lengths to provide unified smooth and circular bokeh. It adds a three-dimensional quality and pleasing effect to out-of-focus backgrounds. 18-ray starburst highlights can also be created by stopping down to small apertures.</p><p><strong>Updated design with Side Scales</strong><br />The Samyang VDSLR MK2 models have a sleek new design: Black and matte finish boosts usability and professionalism on the set. They are lightweight but sturdy and fully equipped for numerous projects. The distance scales are readable from both sides as are the focal lengths. These features support focus pullers and assistant cinematographers to operate more intuitively.</p><h3>Samyang VDSLR 135mm T2.2 MK2 for Canon M in detail</h3><p><strong>Expansion of Compact Cine Lens Set with 6 Most Used Focal Lengths</strong><br />Inheriting the renowned image quality of the original Samyang VDSLR series the updated MK2 series is developed to be the foundational cine lens set for filmmakers. Samyang pioneered the entry-point cine lens line-up by launching its VDSLR range back in 2014 and it has been a staple set for independent filmmakers and low-budget project directors to broaden their horizons of creativity. During those 6 years Samyang has worked in partnership with the market and introduced the updated VDSLR MK2 series with useful new features.</p><p><strong>Compact Professional Cine Lens Covering Full Frame Sensor Size</strong><br />The compact size of Samyang&#39;s VDSLR lenses makes them perfect for hand-holding and gimbal shooting. The new VDSLR 135mm T2.2 MK2 is only 12.2cm in length and weighs just 866.4g. In contrast to their compact size the VDSLR MK2 lenses cover full frame sensors (36x24mm) and are ready for the high-quality video making environment.</p><p><strong>Most Popular Focal Lengths - Available in 6 Different Mounts</strong><br />The VDSLR MK2 range now has 6 focal lengths: 14mm 24mm 35mm 50mm 85mm and 135mm. These are the essential and most popular focal lengths for any creative or commercial projects. All 6 lenses are available and fully compatible with 6 different mounts: Canon EF Sony E Nikon F Canon M Fuji X and MFT. They are suitable for both DSLR and mirrorless systems and ready to support all types of filmmakers around the globe.</p><p><strong>Long Focus Throw and De-Clicked Aperture Ring</strong><br />Even though the VDSLR MK2 series is compact in size it is fully-featured with declicked aperture and focus gear rings. The long focus throw of 190&deg; enables cinematographers to focus precisely on their subjects creating a more professional feel to video footage than with autofocus photo lenses.</p><p><strong>Fast Aperture for Low-Light Situations</strong><br />For independent filmmakers a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures across 24mm 35mm 50mm to 85mm T3.1 for 14mm and T2.2 for the new 135mm. This benefits filmmakers and allows them to concentrate more on the scene and creativity without having to concern themselves about image quality even in low-light situations. Also the shallow depth of field available blurs out the background and highlights the subject adding depth to the story.</p><h3>What&#39;s in the box</h3><ul>	<li>Lens</li>	<li>Front &amp; Rear Lens Caps</li>	<li>Lens Hood</li>	<li>Lens Pouch</li></ul><h3>Samyang VDSLR 135mm T2.2 MK2 for Canon M Specifications</h3><table>	<tbody>		<tr>			<td>Closest Focusing Distance</td>			<td>0.80m</td>		</tr>		<tr>			<td>Diagonal Angle of View</td>			<td>12.6&deg; (APS-C sensor)</td>		</tr>		<tr>			<td>Dimensions</td>			<td>148.0mm</td>		</tr>		<tr>			<td>Filter Size</td>			<td>77mm</td>		</tr>		<tr>			<td>Lens Type</td>			<td>Telephoto</td>		</tr>		<tr>			<td>Maximum Aperture</td>			<td>T2.2</td>		</tr>		<tr>			<td>Minimum Aperture</td>			<td>T22</td>		</tr>		<tr>			<td>Mount Type</td>			<td>Canon M</td>		</tr>		<tr>			<td>No. Diaphragm Blades</td>			<td>9</td>		</tr>		<tr>			<td>Sensor Coverage</td>			<td>Full-Frame 36x24mm</td>		</tr>		<tr>			<td>Weather Proof</td>			<td>Yes (at mount)</td>		</tr>		<tr>			<td>Weight</td>			<td>913.2g (without lens cap)</td>		</tr>	</tbody></table> 

Samyang VDSLR 135mm T2.2 MK2 for Canon M

The Samyang VDSLR 135mm T2.2 MK2 for Canon M videographers provides a compact lightweight video lens with long focus throw de-clicked aperture and a unified design throughout the range.

<p><a href=/canon-lens-reward/ target=_blank><img alt=canon lens reward src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/canon-lens-reward-sep-2023/lens-reward-on-lens-page-100.jpg width=100% /></a></p><h2>Canon RF-S 3.9mm f/3.5 STM Dual Fisheye VR Lens Summary</h2><p>The<strong> </strong>Canon RF-S 3.9mm f/3.5 STM Dual Fisheye VR Lens is designed to meet the growing needs of 3D and VR content creators using <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/><font color=#0066cc>EOS-R mirrorless cameras</font></a>. It is compatible with crop format sensors found in cameras such as the <a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r><font color=#0066cc>EOS R7</font></a>.</p><p>It follows the form factor of the previously launched <a href=https://www.parkcameras.com/shop/canon-rf-52mm-f28l-dual-fisheye-vr-lens_1242015k><font color=#0066cc>RF 5.2mm F/2.8L Dual Fisheye VR Lens</font></a> (for full-frame cameras) with an innovative dual fisheye design that offers a wide 140&ordm; angle of view. The inter-pupillary distance is made to resemble human eyes to create a more realistic 3D viewing experience and the mirrorless lens combines high image quality with fast focusing and convenient operation.</p><p>Canon has utilised two Ultra Low Dispersion glass elements to reduce aberrations and achieve higher image quality along with using the premium Air Sphere Coating to prevent ghosting and flare. This was previously seen in lenses such as the <a href=https://www.parkcameras.com/shop/canon-rf-14-35mm-f4l-is-usm-lens_1242505l><font color=#0066cc>RF 14-35mm F4L IS USM</font></a> and delivers high contrast in backlit and difficult lighting conditions.</p><p>Focusing is quick and quiet from the RF-S 3.9mm thanks to tried-and-tested STM technology allowing you to <em>focus on the story</em> rather than worry about keeping sharp focus on your subject.</p><p>A customary control / focus ring enables you to assign various functions to the lens and match other <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>RF lenses</font></a> through personalised customisation to streamline the creative process. Capturing 3D images for VR storytelling has never been easier especially with the bright f/3.5 aperture which allows you to shoot in low light situations inside and out in the field.</p><h3>Key Canon RF 4.2mm Dual Fisheye VR Features</h3><ul>	<li>Innovative dual fisheye lens design for 3D VR content creation</li>	<li>140&ordm; wide angle of view for crop sensor EOS-R cameras</li>	<li>60mm inter-pupillary distance</li>	<li>High quality results from UD lenses and Air Sphere Coating</li>	<li>Smooth and quiet STM focus system</li>	<li>Customisable control/focus ring</li></ul><h2>Canon RF-S 3.9mm f/3.5 STM Dual Fisheye VR Lens in More Detail</h2><p>The revolutionary dual fisheye 3D VR lens specifically made for APS-C mirrorless cameras and features smooth STM autofocus a broad 144&ordm; field of view and a 60mm inter-pupillary distance that closely mimics human vision. Designed to captivate your audience with remarkably lifelike scenes this addition to the EOS VR lineup enables a broader spectrum of creators to engage in immersive 3D VR storytelling.</p><ul>	<li><strong>Innovative dual fisheye design: </strong>Perfectly synced left and right perspectives create realistic 3-dimensional imagery.</li>	<li><strong>Wide angle 144&deg; view: </strong>Viewers have the freedom to look around while taking in the focal point of the story.</li>	<li><strong>STM autofocus: </strong>Faster set-up so you can focus more on the story.</li>	<li><strong>60mm inter-pupillary distance: </strong>Resembles human eyes to create a realistic 3D viewing experience.</li>	<li><strong>f3.5 aperture: </strong>Delivers solid performance in indoor and outdoor lighting conditions.</li>	<li><strong>Air sphere coating:</strong> Premium coating protects against flare and ghosting.</li>	<li><strong>2x UD lenses: </strong>Ultra Low Dispersion glass ensures high image quality and prevents aberrations.</li>	<li><strong>Control/focus ring: </strong>Conveniently assign the control/focus ring to another function and streamline your process.</li>	<li><strong>Gel filter compatible:</strong> Built-in gel filter holder in the rear lets you upgrade your creativity easily.</li>	<li><strong>Screw-on filter compatible:</strong> Includes 30.5mm rear filter thread for neutral density filters or other effects.</li></ul><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF-S 3.9mm f/3.5 STM Dual Fisheye VR Lens</li>	<li>Lens Cap 3.9</li>	<li>LS1014 case</li>	<li>Lens Dust Cap RF</li></ul> 

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Canon RF-S 3.9mm f/3.5 STM Dual Fisheye VR Lens

The Canon RF-S 3.9mm f/3.5 STM Dual Fisheye VR Lens is the first APS-C lens for 3D content creation which offers high image quality and a 60mm inter-pupillary distance for a realistic 3D viewing experience.

<h2>Canon RF-S 7.8mm f/4 STM Dual Fisheye VR Lens Summary</h2><p>The Canon RF-S 7.8mm f/4 STM Dual Fisheye VR Lens is designed to help you take the next step in 3D content creation. This APS-C format <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>RF lens</font></a> is ideal for anyone who has their own VR headset and are planning to create VR content or for existing <a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r><font color=#0066cc>Canon EOS R7</font></a> users who want to break into 3D content creation.</p><p>This dual lens is very simple to use making VR content creation more accessible than ever for innovative 3D storytelling. The 7.8mm focal length provides a 60&ordm; field of view with a natural perspective and the RF-S 7.8mm lens is able to focus as close as 0.15m for creative close-ups and dynamic compositions.</p><p><a href=https://www.parkcameras.com/brand/canon/><font color=#0066cc>Canon&rsquo;s</font></a> STM autofocus motor achieves sharp results while the f/4 aperture performs well for various lighting conditions both indoors and out. This dual lens allows you to create stereoscopic 3D results which appear as though you are looking into a 3D world and Virtual Reality 3D for viewers who wear headsets and step into 3D worlds.</p><h3>Key Canon RF-S 7.8mm f/4 STM Dual Lens Features</h3><ul>	<li>Simple to use 3D dual lens for APS-C cameras</li>	<li>Captures a natural perspective with 60&ordm; FOV</li>	<li>0.15m minimum focus distance</li>	<li>STM autofocus motor</li>	<li>f/4 maximum aperture</li></ul><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF-S 7.8mm f/4 STM Dual Fisheye VR Lens</li></ul> 

Canon RF-S 7.8mm f/4 STM Dual Fisheye VR Lens

The Canon RF-S 7.8mm f/4 STM Dual Fisheye VR Lens brings immersive 3D virtual reality content creation to life with a natural 60º field of view and is designed for Canon APS-C cameras such as the EOS R7.

<h2>Sigma 23mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;Summary</h2><p>With a 35mm equivalent full-frame focal width the Sigma 23mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;mount is the perfect standard lens for crop format Canon mirrorless cameras. It is designed to be light sharp and fast which is ideal for street photography landscapes wide-angle portraits weddings and travel.</p><p>Its maximum f/1.4 aperture allows for faster shutter speeds which is essential for handheld shooting especially in low light and this prime lens from Sigma delivers a shallow depth-of-field for beautifully blurred backgrounds.</p><p>Despite its large aperture the lens remains impressively lightweight at just 340g making it perfect for day-long use without unnecessary fatigue. The design is not only sleek but also sturdy ensuring durability thanks to use of a thermally stable TSC material.</p><p>Optical performance is outstanding providing crisp clear images across the entire frame at all aperture values. This lens complements other DC DN primes well all of which share the f/1.4 aperture enhancing its versatility and utility in various photographic situations.</p><h3>Key Sigma 23mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;Features</h3><ul>	<li>Crop format APS-C coverage for Canon mirrorless cameras</li>	<li>Maximum f/1.4 aperture enables shallow depth of field</li>	<li>1:7.3 maximum magnification for frame-filling compositions</li>	<li>Lightweight 340g design</li>	<li>76.9mm length with an ultra compact 52mm filter</li>	<li>TSC construction</li>	<li>Stepping motor</li>	<li>Made in Aizu Japan to the highest standards</li></ul> 

Sigma 23mm f/1.4 DC DN Contemporary Lens for Canon RF Mount

The Sigma 23mm f/1.4 DC DN Contemporary Lens for Canon RF Mount crop format mirrorless cameras is due to be released please register your interest with us and be amongst the first in the UK to get your hands on this release.

<h2>Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount Summary</h2><p>The Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount arrives following a great deal of anticipation in the photographic community. It is the first <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>RF mount lens</font></a> designed exclusively for APS-C crop format <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/><font color=#0066cc>Canon mirrorless cameras</font></a> by the legendary brand <a href=https://www.parkcameras.com/brand/sigma/><font color=#0066cc>Sigma</font></a>.</p><p>With Canon&rsquo;s 1.6x crop factor the 18-50mm creates an 28.8-80mm zoom range (full-frame equivalent) and the lens boasts a constant wide f/2.8 aperture throughout ensuring this is a truly versatile workhorse zoom for EOS R creators.</p><p>Along with the generous zoom range is a versatile close focusing distance of 12.1cm at the wide end and 30cm at the zoom end with a maximum of 1:2.8 magnification. This adds the versatility to capture dynamic close-up shots and macro-type images alongside portraits landscapes street photography travel and a huge variety of other subjects. The bright aperture makes it easier to handhold in low light too and creates a shallow depth of field with impressive subject separation.</p><p>The extending lens design is incredibly compact weighing in at 300g and measuring just 74.5mm in length (before zooming). This complements bodies like the compact <a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r><font color=#0066cc>Canon EOS R7</font></a> providing a lightweight and versatile pairing that you can leave on your camera all day.</p><p>Sigma has adjusted the autofocus for the 18-50mm f/2.8 DC DN Lens for Canon RF which is exceptionally fast and quiet thanks to the stepping motor. This is particularly useful when shooting moving subjects and video and the lens is fully compatible with Canon&rsquo;s AF systems such as Dual Pixel CMOS AF II.</p><h3>Key Sigma 18-50mm F2.8 DC DN   Contemporary Features</h3><ul>	<li>Versatile zoom designed specifically for APS-C Canon RF Mount</li>	<li>Full-frame equivalent zoom range of 28.8-80mm</li>	<li>Wide f/2.8 aperture throughout the zoom range</li>	<li>High-speed AF mechanism</li>	<li>Weighs just 300g and measures 74.5mm long</li>	<li>Compatible with in-camera aberration correction</li>	<li>Minimum focusing distance of 12.1cm and maximum magnification of 1:2.8 at the wide end</li>	<li>Rubber-sealed mount</li>	<li>7 rounded diaphragm blades</li>	<li>Compact 55mm filter thread</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our Sigma 18-50mm Rf mount lens review</p><p class=sub style=text-align: center;>Learn more about the impressive features which can help elevate your photography in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/sigma-18-50mm-f28-for-canon-rf-mount-review_rfs-25-6 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><h2>Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount in More Detail</h2><h3>Large f/2.8 aperture and superb image quality</h3><p>The Sigma 18-50mm F2.8 DC DN   Contemporary spans a zoom range of 28.8mm to 80mm in full-frame format and has a wide aperture f/2.8 throughout the entire zoom range. This makes it easier to achieve blurry backgrounds which can enhance portraits close-ups and other subject-driven genres. Bokeh rendered by the 7-bladed diaphragm is also smooth and attractive without distracting from the subject.</p><p>The lens&rsquo;s three high-precision glass-moulded aspherical elements yield high optical quality without needing to make the lens excessively heavy and the use of in-camera aberration correction (where available) reduces optical imperfections such as distortion and vignetting.</p><p>This is made possible by the latest optical design technology at Sigma&rsquo;s production facility in Aizu where all <a href=https://www.parkcameras.com/lenses/sigma/><font color=#0066cc>Sigma lenses</font></a> are manufactured.</p><h3>Exceptionally compact and lightweight</h3><p>The 18-50mm F2.8 DC DN   Contemporary for Canon&nbsp;is particularly compact matching the portability of APS-C mirrorless camera bodies including the <a href=https://www.parkcameras.com/shop/canon-eos-r100-with-rf-s-18-45mm-lens-kit_1012190k><font color=#0066cc>EOS R100</font></a> <a href=https://www.parkcameras.com/shop/canon-eos-r50-mirrorless-camera-body-black_1012185k><font color=#0066cc>R50</font></a> and <a href=https://www.parkcameras.com/shop/canon-eos-r10-mirrorless-camera-body_1012180r><font color=#0066cc>R10</font></a>. This makes it a perfect lens for everyday general use. It is also the smallest and lightest zoom in its class boasting dimensions of 69.2mm &times; 74.5mm with a 300g weight despite the bright aperture and high optical quality.</p><p>Sigma constructed the lens from carefully selected materials in order to reduce the weight including Thermally Stable Composite (TSC) which was used for the barrel. This is used across many Sigma lenses thanks to being robust and because of a thermal conductivity close to that of aluminium. This similarity ensures stable performance and good operation when used in changing temperatures. By deliberately using metal for some of the internal structure the parts could be much thinner and have a higher rigidity ensuring the lens can stand up to frequent heavy use.</p><h3>Supports various shooting situations</h3><p>The lens features fast and near-silent autofocus making it suitable for various applications such as quiet event photography video recording and capturing fast-moving subjects. This is achieved through the use of a stepping motor as the AF actuator.</p><p>Its compact and lightweight design allows for flexible use in handheld shooting shooting from a <a href=https://www.parkcameras.com/video/gimbals-stabilisers-and-video-rigs/><font color=#0066cc>gimbal or stabiliser</font></a> solo video recording and vlogging.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount</li>	<li>Petal-type hood LH582-02</li>	<li>Front cap LCF-55 III</li>	<li>Rear cap LCR II</li></ul><h2>Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td>			<p>Lens Construction</p>			</td>			<td>			<p>10 groups 13 elements (1 SLD and 3 aspherical lenses)</p>			</td>		</tr>		<tr>			<td>			<p>Angle of View (APS-C)</p>			</td>			<td>			<p>73.4&deg;(Wide) - 30.0&deg;(Tele)</p>			</td>		</tr>		<tr>			<td>			<p>Number of Diaphragm Blades</p>			</td>			<td>			<p>7 (rounded diaphragm)</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Aperture</p>			</td>			<td>			<p>f/22</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Focusing Distance</p>			</td>			<td>			<p>12.1 (Wide) -30 (Tele) cm</p>			</td>		</tr>		<tr>			<td>			<p>Maximum Magnification Ratio</p>			</td>			<td>			<p>1:2.8 (Wide) -1:5(Tele)</p>			</td>		</tr>		<tr>			<td>			<p>Filter size</p>			</td>			<td>			<p>&phi;55mm</p>			</td>		</tr>		<tr>			<td>			<p>Dimensions (Diameter x Length)</p>			</td>			<td>			<p>&phi;69.2mm &times; 74.5mm</p>			</td>		</tr>		<tr>			<td>			<p>Weight</p>			</td>			<td>			<p>300g</p>			</td>		</tr>	</tbody></table> 

Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount

The Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount is the first autofocus mirrorless zoom from a third party offering fast AF excellent low light performance and high image quality in a lightweight form.

<h2>Sigma 30mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;Summary</h2><p>Despite being super compact the Sigma 30mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;is a mighty prime lens which combines exceptional image quality with an ultra-wide f/1.4 aperture in a lightweight body.</p><p>At just 265g (approx.) it stands out as one of the lightest f/1.4 lenses available for mirrorless cameras making it an excellent choice for photographers and videographers who value performance as much as portability. This RF-S&nbsp;lens from Sigma is particularly suited to street photography portraits weddings travel and as a walk around option for everyday shooting with quick autofocus also making it ideal for video recording.</p><p>The wide f/1.4 aperture not only provides a shallow depth-of-field for beautifully blurred backgrounds but also helps you capture clear sharp images in low-light conditions when shooting handheld.</p><p>The Sigma 30mm f/1.4 lens for Canon RF mount is a key member of a lineup of lightweight crop-sensor primes featuring the same bright aperture which are designed for portability and optical excellence.</p><h3>Key Sigma 30mm f/1.4 DC DN Contemporary Lens for Canon RF Mount&nbsp;Features</h3><ul>	<li>Crop format APS-C coverage for Canon mirrorless cameras</li>	<li>Maximum f/1.4 aperture enables shallow depth of field and low light shooting</li>	<li>1:7 maximum magnification for frame-filling compositions</li>	<li>Lightweight 280g design</li>	<li>Compact 52mm filter</li>	<li>TSC construction</li>	<li>Inner zoom mechanism and an AFL button on the barrel</li>	<li>Stepping motor</li>	<li>Made in Aizu Japan to the highest standards</li></ul> 

Sigma 30mm f/1.4 DC DN Contemporary Lens for Canon RF Mount

Register your interest with us and be the first in the UK to hear about the release of the Sigma 30mm f/1.4 DC DN Contemporary Lens for Canon RF mount a forthcoming prime for mirrorless camera users.

<h2>Canon RF 50mm f/1.4L VCM Lens Summary</h2><p>Completing Canon&rsquo;s trio of unified RF hybrid primes is the <strong>Canon RF 50mm f/1.4L VCM Lens</strong> which combines rugged L-series build quality with professional-level optics. It joins the <a href=https://www.parkcameras.com/shop/canon-rf-24mm-f14l-vcm-lens_1242022v><font color=#0066cc>Canon RF 24mm f/1.4L VCM Lens</font></a> and <a href=https://www.parkcameras.com/shop/canon-rf-35mm-f14l-vcm-lens_1242050z><font color=#0066cc>RF 35mm F/1.4L VCM</font></a> providing users with a versatile set of fast primes for their creative content. All three models feature a Voice Coil Motor (VCM) for fast accurate and near-silent autofocus making them ideal for hybrid creators working with both stills and video.</p><p>The RF 50mm f/1.4L VCM offers an extremely popular standard field of view which is well suited to all manner of subjects and genres. Its durable L-series construction provides reliability even in demanding conditions and the lens balances well thanks to internal focusing whether handheld or mounted on a <a href=https://www.parkcameras.com/video/gimbals-stabilisers-and-video-rigs/><font color=#0066cc>camera rig or stabiliser</font></a> which is ideal for on-location shoots.</p><p>The <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>RF lens</font></a> is equipped with a dedicated iris ring for smooth and silent aperture adjustments which benefits filmmakers who need to make seamless exposure transitions. A customisable control ring and function button further enhance versatility allowing users to customise the lens to suit their workflow.</p><p>When paired with a full-frame <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/><font color=#0066cc>Canon mirrorless camera</font></a> or <a href=https://www.parkcameras.com/video/pro-video-cameras/><font color=#0066cc>cinema camera</font></a> the RF 50mm f/1.4L VCM&rsquo;s advanced optical design with aspherical elements and UD glass minimises aberrations and distortions for high-resolution results. Super Spectra SWC and ASC coatings reduce flare and ghosting ensuring superb colour accuracy and contrast even in challenging lighting conditions.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/DbQXWXGxmSk?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/DbQXWXGxmSk?rel=0></iframe></div></div><h3>Key Canon RF 50mm f/1.4L VCM Features</h3><ul>	<li>F/1.4 standard hybrid prime lens</li>	<li>Fast aperture gathers light while handholding</li>	<li>Dual VCM and Nano USM focus motors</li>	<li>High-end optical design for professional image quality</li>	<li>11-blade aperture design</li>	<li>Well-controlled focus breathing and a dedicated aperture ring</li>	<li>Customisable button and control ring</li>	<li>Fluorine coating</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our CanonRF 24mm and 50mm f1.4 lens review</p><p class=sub style=text-align: center;>Learn more about the impressive features which can help elevate your photography in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/canon-rf-24mm-and-rf-50mm-f14-review_rf-30-101 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><h2>Canon RF 50mm f/1.4L VCM Lens in More Detail</h2><h3>High image quality</h3><p>Canon&rsquo;s RF 50mm f/1.4L VCM lens offers high image quality through a combination of aspherical elements and Ultra-Low Dispersion (UD) lenses both designed to minimise common optical issues. These elements work to correct spherical aberrations and reduce chromatic aberrations resulting in sharpness and contrast that remains consistent across the entire frame even when shooting wide open at the wider f/1.4 aperture.</p><p>The optical design also ensures crisp details from centre to edge which is ideal for capturing accurate colours and high contrast results even in challenging lighting or backlit conditions.</p><p>Unlike existing RF 50mm lenses from <a href=https://www.parkcameras.com/brand/canon/><font color=#0066cc>Canon</font></a> which include the more affordable f/1.8 and the ultra-high-end f/1.2 options the f/1.4 strikes a balance between professional quality and accessibility.&nbsp;</p><p>With its 11-blade aperture the lens delivers smooth rounded bokeh adding a cinematic feel to portrait and video work and offers superb subject separation. The wide aperture also enhances low-light shooting capabilities making it versatile for everything from street photography to events.</p><h3>Easy handling for hybrid use</h3><p>This RF 50mm f/1.4 lens includes hybrid-friendly features such as the fast and silent focusing achieved through its Nano USM and VCM system. This makes it a valuable tool for video creators offering reduced focus breathing and smooth transitions during filmmaking. Its intuitive controls including a dedicated iris ring and customisable control options streamline the user experience.</p><h3>Fast precise focus</h3><p>A dual Nano USM and a Voice Coil Motor deliver fast accurate autofocus with the added benefit of reduced focus breathing making the lens particularly well-suited for video.</p><p>VCM technology allows you to capture spontaneous moments and achieve smooth silent focus transitions during filmmaking due to the system&rsquo;s ability to move large lens elements more quickly.</p><h3>Durable build quality</h3><p>The robust build of Canon&rsquo;s L-series ensures durability even when shooting in harsh environments. A Fluorine coating protects against dust moisture and fingerprints and the 50mm f/1.4 also incorporates internal focusing and enhanced parfocal performance ensuring it fits seamlessly into your workflow alongside the RF 24mm and 35mm VCM lenses.&nbsp;</p><p>A unified design allows for quick rig swaps and integration into professional video productions whether shooting on a mirrorless EOS R camera or a dedicated cinema camera.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF 50mm f/1.4L VCM Lens</li></ul> 

Canon RF 50mm f/1.4L VCM Lens

The Canon RF 50mm f/1.4L VCM Lens is a hybrid prime for stills and video creators which features voice coil focus technology rugged L-series build quality and a host of features for streamlined content creation.

<h2>Canon RF 24mm f/1.4L VCM Lens Summary</h2><p>Joining the growing <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>mirrorless RF lens lineup</font></a> is the highly anticipated <strong>Canon RF 24mm f/1.4L VCM Lens</strong> which is a wide-angle prime designed for both stills and video content creators. This hybrid lens completes the trio of fast RF primes alongside the <a href=https://www.parkcameras.com/shop/canon-rf-35mm-f14l-vcm-lens_1242050z><font color=#0066cc>RF 35mm F/1.4L VCM</font></a> and <a href=https://www.parkcameras.com/shop/canon-rf-50mm-f14l-vcm-lens_1242101v><font color=#0066cc>RF 50mm f/1.4L VCM lens</font></a>. All of these feature Canon&#39;s Voice Coil Motor (VCM) for fast accurate and near-silent autofocus which is perfect for hybrid shooting.</p><p>The RF 24mm f/1.4L VCM provides L-series rugged build-quality with superb reliability and offers intuitive handling whether shooting handheld or while mounted on a <a href=https://www.parkcameras.com/video/gimbals-stabilisers-and-video-rigs/><font color=#0066cc>camera rig or stabiliser</font></a>. This makes the 24mm RF wide angle lens a great choice for outdoor shoots and any demanding environment.</p><p>Canon&rsquo;s lens includes a dedicated iris ring allowing for seamless and silent aperture adjustments which is a useful feature for filmmakers who need to make smooth exposure transitions during recording. A customisable control ring and function button further enhance the lens&rsquo; versatility enabling users to customise it to suit their personal workflow.</p><p>To render the best possible image quality on a full-frame <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/><font color=#0066cc>EOS R camera</font></a> or <a href=https://www.parkcameras.com/video/pro-video-cameras/><font color=#0066cc>cinema camera</font></a> <a href=https://www.parkcameras.com/brand/canon/><font color=#0066cc>Canon</font></a> has utilised aspherical elements and UD glass which minimise aberrations and distortions resulting in sharp low distortion high-resolution images. Coatings such as <em>Super Spectra</em> <em>SWC</em> and <em>ASC</em> also reduce flare and ghosting helping to deliver superb colour and contrast even in backlighting or demanding lighting conditions.</p><h3>Key Canon RF 24mm f/1.4L VCM Features</h3><ul>	<li>F/1.4 wide angle hybrid prime lens</li>	<li>Fast aperture gathers light for handholding&nbsp;</li>	<li>Dual VCM and Nano USM AF motors</li>	<li>Pro-level image quality from a high-end optical design</li>	<li>11-blade aperture</li>	<li>Well-controlled focus breathing and a dedicated aperture ring</li>	<li>Customisable button and control ring</li>	<li>Fluorine coating</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our CanonRF 24mm and 50mm f1.4 lens review</p><p class=sub style=text-align: center;>Learn more about the impressive features which can help elevate your photography in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/canon-rf-24mm-and-rf-50mm-f14-review_rf-30-101 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><h2>Canon RF 24mm f/1.4L VCM Lens in More Detail</h2><h3>Incredibly sharp optics</h3><p>Canon has included aspheric elements and Ultra-Low Dispersion (UD) lenses which enhance image quality by reducing common optical imperfections. Multiple lens coatings are also employed in the optical design with Super Spectra SWC and ASC.</p><p>Aspheric elements correct spherical aberrations improving sharpness and contrast across the entire image even at wide apertures like f/1.4. This results in images that maintain excellent resolution from the centre to the edges. UD elements work by reducing chromatic aberration which occurs when different wavelengths of light fail to converge at the same point. This correction ensures natural colour reproduction and sharp detail without unwanted colour fringing for high-quality true-to-life results even in difficult backlighting.</p><h3>Wide aperture for depth in any light</h3><p>With its wide f/1.4 aperture the RF 24mm lens excels at capturing sharp subjects with impressive depth of field even in low-light conditions. This also allows you to experiment with shallow depth of field and subject separation making it ideal for filming street photography and any scene where isolating your subject is key.</p><p>An 11-blade aperture renders smooth defocus areas in the image with pleasing rounded bokeh to enhance results where a shallow depth of field is desirable.</p><h3>Fast and precise focus</h3><p>A combination of Nano USM and a Voice Coil Motor delivers fast accurate autofocus with the added benefit of reduced focus breathing making the lens particularly well-suited for video.</p><h3>Intuitive handling</h3><p>A dedicated Iris Ring allows for smooth manual control when needed while a control ring and function button offer personalised settings ideal for creators on the go.</p><h3>Superb reliability</h3><p>Canon&rsquo;s L-series build quality combined with a Fluorine coating ensures the lens can withstand tough conditions while reducing maintenance on the front element.</p><h3>Voice Coil Motor</h3><p>VCM technology makes it easier to capture spontaneous moments and achieve smooth silent focus transitions during filmmaking due to the system&rsquo;s ability to move large lens elements more quickly.</p><h3>Unified hybrid design</h3><p>This model includes common features and a unified design which complement the 35mm and 50mm VCM lenses in the range. These include:</p><ul>	<li>Internal zooming</li>	<li>Electronic parfocal performance</li>	<li>Allow the use of power zooms</li>	<li>Easy rigging swaps and follow focus</li>	<li>Optical focus breathing control</li></ul><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF 24mm f/1.4L VCM Lens</li></ul> 

Canon RF 24mm f/1.4L VCM Lens

The Canon RF 24mm f/1.4L VCM is a wide angle hybrid prime lens for stills and video content which features voice coil AF technology and superb reliability to help you tell the broader story.

<p><strong>RF Mount cinema lenses for professional productions</strong></p><p style=margin: 0cm 0cm 8pt;><b><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font size=3><font color=#000000>CN-R</font><span style=color: rgb(192 0 0);>14mm</span><font color=#000000> T3.1 L F</font></font></span></b></p><p style=margin: 0cm 0cm 8pt;><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font color=#000000 size=3>At 14mm this ultra-wide angle fixed length lens delivers spectacular 8K image quality with superb speed and great creative control perfect for music videos and documentaries. </font></span></p><p style=margin: 0cm 0cm 8pt;>&nbsp;</p><p>Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast real-time metadata capture plus all-new features such as in-camera electronic distortion correction.</p><p><strong>Uncompromised full frame creativity</strong></p><p>Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.</p><p><strong>Exceptional optical performance</strong></p><p>Meet the demanding requirements of professional 4K 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing alongside authentic warm colour and skin tone reproduction.</p><p><strong>Mechanical precision in a compact design</strong></p><p>With a smooth and consistent 300-degree focus rotation consistent gear positions / front diameter and a compact robust and drip-proof design offering a no-compromise lightweight solution for professional productions.</p><p><strong>Refined ergonomics redefined handling</strong></p><p>Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design CN-R Prime lenses make handheld operation more comfortable intuitive and efficient.</p><p align=left>&nbsp;</p><p align=left><strong>Top Feature icons</strong></p><ul>	<li>	<p><strong>RF Mount: </strong>Faster communication and expanded functionality</p>	</li>	<li>	<p><strong>Cinematic Optical Performance: </strong>Capture exceptional clarity with accurate colour for 4K 8K and HDR productions</p>	</li>	<li>	<p><strong>11-blade iris: </strong>Cinematic bokeh and softly diffused highlights</p>	</li>	<li>	<p><strong>Bright T-number: </strong>Offering shallow depth-of-field and powerful low light capabilities</p>	</li>	<li>	<p><strong>Advanced Electronic Functionality: </strong>Support for Dual Pixel Focus Guide Peripheral Illumination Distortion Correction and lens metadata.</p>	</li></ul> 

Canon CN-R 14mm T3.1 L F  RF mount Cine Lens

Offering exceptional optical performance excellent colour reproduction professional robust design and ultra-fast lens data communication Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama documentaries and music videos.

<p><strong>RF Mount cinema lenses for professional productions</strong></p><p style=margin: 0cm 0cm 8pt;><b><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font size=3><font color=#000000>CN-R</font><span style=color: rgb(192 0 0);>20mm</span><font color=#000000> T1.5 L F</font></font></span></b></p><p style=margin: 0cm 0cm 8pt;><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font color=#000000 size=3>At 20mm this super-wide prime lens combines stunning 8K image quality with exceptional speed and control ideal for broad scene-setting sweeping views. </font></span></p><p>Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast real-time metadata capture plus all-new features such as in-camera electronic distortion correction.</p><p><strong>Uncompromised full frame creativity</strong></p><p>Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.</p><p><strong>Exceptional optical performance</strong></p><p>Meet the demanding requirements of professional 4K 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing alongside authentic warm colour and skin tone reproduction.</p><p><strong>Mechanical precision in a compact design</strong></p><p>With a smooth and consistent 300-degree focus rotation consistent gear positions / front diameter and a compact robust and drip-proof design offering a no-compromise lightweight solution for professional productions.</p><p><strong>Refined ergonomics redefined handling</strong></p><p>Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design CN-R Prime lenses make handheld operation more comfortable intuitive and efficient.</p><p align=left>&nbsp;</p><p align=left><strong>Top Feature icons</strong></p><ul>	<li>	<p><strong>RF Mount: </strong>Faster communication and expanded functionality</p>	</li>	<li>	<p><strong>Cinematic Optical Performance: </strong>Capture exceptional clarity with accurate colour for 4K 8K and HDR productions</p>	</li>	<li>	<p><strong>11-blade iris: </strong>Cinematic bokeh and softly diffused highlights</p>	</li>	<li>	<p><strong>Bright T-number: </strong>Offering shallow depth-of-field and powerful low light capabilities</p>	</li>	<li>	<p><strong>Advanced Electronic Functionality: </strong>Support for Dual Pixel Focus Guide Peripheral Illumination Distortion Correction and lens metadata.</p>	</li></ul> 

Canon CN-R 20mm T1.5 L F RF mount Cine Lens

<div class=parks_opinion>	<table class=parks_optable>		<tr><td class=parks_heading><h2>Samyang 85mm T1.5 VDSLR MK2 - Canon M</h2></td></tr>		<tr><td class=park_specs>			<p>The Samyang VDSLR 85mm T1.5 MK2 is a compact high quality fast prime cine lens available in several mounts. It has full-frame coverage and is optimised for use on video DSLR and mirrorless cameras.<br /><br />Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass the MK2 version inherits the superb optics and build quality from the previous model but has several added features for enhanced performance and handling.<br /><br />All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage focus scales apertures and focal lengths are visible on both sides of the lenses.<br /><br />The new 9-bladed aperture delivers smooth and circular bokeh which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures.<br /><br />Weather-sealing now protects the most vulnerable gap between the lens and camera mount to prevent dust light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions.<br /><br />Due their compact dimensions and light weight Samyang VDSLR MK2 lenses are ideal for use handheld with gimbal on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget for high quality video making. They are especially popular with YouTubers.<br /><br />Samyang VDSLR MK2 lenses are available in 7 mounts: Nikon Canon Canon RF Canon-M Sony E Fuji-X and Micro Four-Thirds.</p><p>Features</p><ul>	<li>Image Sensor Size: Full-Frame Coverage (36x24mm)</li>	<li>Focal length: 85mm</li>	<li>Maximum aperture: T1.5</li>	<li>Filter Diameter: 72mm</li>	<li>Weather Sealing - Protective design for dependability when shooting outdoors</li>	<li>Minimum focus distance: 1.1m</li>	<li>Unified Gear Position for focus and aperture - Change lens without adjusting follow focus system</li>	<li>Focus Rotation Angle: 140&deg; Aperture Rotation Angle: 48&deg;</li>	<li>Number of diaphragm blades: 9</li>	<li>Dimensions (max): 84.0mm (diameter) x 100.6 mm (length)</li></ul>		</td></tr>	</table></div> 

Samyang 85mm T1.5 VDSLR MK2 - Canon M

<h2>Voigtlander 75mm f/1.5 Nokton Aspherical Lens for Canon RF Summary</h2><p>The NOKTON 75mm F1 .5 Aspherical RF mount is a large-aperture medium-telephoto lens for full-frame mirrorless cameras with Canon RF mount. Despite its large aperture with a maximum aperture of F1.5 it is both compact and high-performance. By adopting an aspherical lens excellent descriptive power is demonstrated from the wide aperture.</p><h3>Designed specifically for Canon RF mounts</h3><p>Implemented with an optical system optimized for the image sensor of a mirrorless camera that uses a Canon RF mount. This lens has a full-frame image circle and can be used with both full-frame and APS-C mirrorless cameras.</p><h3>Manual focus for reliable focus operation</h3><p>The all-metal helicoid unit which is machined and adjusted with high precision and the use of high-quality grease that produces moderate torque achieve smooth focusing with a sense of operation. It allows for subtle focus adjustment.</p><h3>Beautiful bokeh with 12 diaphragm blades</h3><p>In order to make the holes formed by the diaphragm blades closer to a circular shape a 12-element diaphragm is adopted. The out-of-focus part is a natural depiction and the point light source is not a polygon but a round and soft bokeh.</p><h3>Information communication with the body by means of electronic contacts</h3><p>The lens mount is equipped with electronic contacts to enable telecommunication between the lens and the body*1. In combination with the body of the Canon EOS R system it supports Exif information in-body image stabilization (3-axis)*2 and three types of focus assist functions (magnification peaking and focus guide*3).</p><h3>Minimum aperture set up to F32</h3><p>Although it is a large-aperture lens with a maximum aperture of F1.5 the minimum aperture can be set up to F32. At f/1.5 with the maximum aperture you can enjoy a large bokeh while at f/32 at the smallest aperture you can get deep focus.</p><h3>Aperture click switching mechanism</h3><p>The aperture ring has a click switching mechanism and it is possible to open and close the aperture steplessly without being affected by clicks when recording videos or adjusting the fine depth of focus.</p><p>*1 Since the aperture value in the user interface of the Canon EOS R system is expressed in 1/3 step the maximum aperture value of the Exif information other than the lens name is displayed as &quot;F1.6&quot;.<br />*2 Valid only on bodies equipped with in-body image stabilization.<br />*3 Excludes EOS RP.</p><h3>Specifications</h3><table class=respon-tab>	<tbody>		<tr>			<td>Focal Length</td>			<td>75mm</td>		</tr>		<tr>			<td>Aperture Range</td>			<td>f1.5 - f32</td>		</tr>		<tr>			<td>Elements / Groups</td>			<td>7 / 6</td>		</tr>		<tr>			<td>Angle of View</td>			<td>32.6&deg;</td>		</tr>		<tr>			<td>Focusing Range</td>			<td>0.5m - &infin;</td>		</tr>		<tr>			<td>Lens Type</td>			<td>Telephoto</td>		</tr>		<tr>			<td>Lens Coverage</td>			<td>Full Frame / 35mm</td>		</tr>		<tr>			<td>Lens Focus Mechanism</td>			<td>Manual</td>		</tr>		<tr>			<td>Thread Size</td>			<td>62mm</td>		</tr>		<tr>			<td>Compatible Lens Hood</td>			<td>Included</td>		</tr>		<tr>			<td>Colour</td>			<td>Black</td>		</tr>		<tr>			<td>Dimensions</td>			<td>74.0 &times; 71.9mm</td>		</tr>		<tr>			<td>Weight</td>			<td>525g</td>		</tr>	</tbody></table> 

Voigtlander 75mm f/1.5 Nokton Aspherical Lens for Canon RF

The Voigtlander 75mm f/1.5 Nokton Aspherical Lens for Canon RF is a manual focus full-frame prime which captures beautiful bokeh and a shallow depth of field thanks to the 12-bladed diaphragm.

<h2>Canon RF 28-70mm f/2.8 IS STM Lens Summary</h2><p>With its lightweight design and built-in optical image stabilisation the <strong>Canon RF 28-70mm f/2.8 IS STM Lens&nbsp;</strong>offers enhanced image quality and more advanced features than any kit lens available. Designed for full-frame <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/><font color=#0066cc>EOS R mirrorless cameras</font></a> it provides a versatile zoom range with a constant bright f/2.8 aperture throughout.</p><p>The <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>Canon RF lens</font></a> features a fast and quiet STM motor for smooth autofocus during both stills and video creation with breathing correction for focus pulls when filming. Its wide-angle to short telephoto zoom range is ideal for landscapes cityscapes portraits and candid photography amongst many more general purpose everyday subjects.</p><p><img alt=canon-rf-28-70mm-lens-01 dog photo class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-28-70mm-lens-01.jpg onerror=getImage(this); title=canon-rf-28-70mm-lens-01 /></p><p><em>Sample dog portrait with Canon R5. Camera settings: 1/80 sec. f/2.8. ISO 320</em></p><p>Measuring under 10cm long and with a weight of just 490g this zoom is perfect for all-day shooting and travel while a weather-sealed design is ready for harsh shooting conditions in rain dust and snow. When paired with a Canon camera that has body stabilisation such as the <a href=https://www.parkcameras.com/shop/canon-eos-r6-mark-ii-mirrorless-digital-camera-body_1012106k><font color=#0066cc>R6 II</font></a> IS performance increases to 7.5 stops ensuring consistently sharper results which are rendered by the special UD and aspherical lens elements.</p><p>Whether you&#39;re a beginner or an enthusiast the Canon RF 28-70mm f/2.8 IS STM is a versatile compact lens for everyday use that&rsquo;s suitable for a broad range of subjects.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/QpeHx277Fso?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/QpeHx277Fso?rel=0></iframe></div></div><h3>Key Canon RF 28-70mm f/2.8 IS STM Features</h3><ul>	<li>Versatile zoom lens for photo and video content</li>	<li>Ideal for a wide variety of subjects</li>	<li>Better than any kit lens going</li>	<li>Constant f/2.8 aperture throughout the zoom range</li>	<li>5.5 stops of optical image stabilisation (IS)</li>	<li>Great image quality with high sharpness</li>	<li>Fast and quiet STM focus motor</li>	<li>Focus breathing correction for moviemaking</li>	<li>Weather sealed design</li>	<li>67mm filter thread</li>	<li>Weighs only 490g and is less than 10cm long</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our new lens Review</p><p class=sub style=text-align: center;>Learn more about the features which can transform your content in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/canon-rf-28-70mm-f28-is-stm-lens-review_rf-12-9 style=margin-right: auto; margin-left: auto; target=_blank>Read the Review</a></p></div></div><h2>Canon RF 28-70mm f/2.8 IS STM Lens in More Detail</h2><h3>Compact zoom you can take anywhere</h3><p>With a weight of 490g and a length of 92.2mm the RF 28-70mm f/2.8 is compact enough to take on any photo mission. Its clever retracting mechanism keeps the size down during transport and it&rsquo;s also weather-sealed for extra protection even in challenging outdoor conditions.</p><p><img alt=canon-rf-28-70mm-lens-02 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-28-70mm-lens-02.jpg onerror=getImage(this); title=canon-rf-28-70mm-lens-02 /></p><p><em>Sample bird @70mm with Canon R5. Camera settings: 1/1000 sec. f/5. ISO 160</em></p><h3>Outstanding stability for sharp images</h3><p>Capture sharp stills and video handheld even at slower shutter speeds thanks to the 5.5-stop image stabiliser. When combined with a Canon EOS R camera with IBIS stabilisation increases to 7.5 stops for excellent low-light and slow-shutter compensation.</p><p>The optical design also includes UD and aspherical elements for sharp results across the zoom range which complements even high-resolution cameras in the lineup.</p><p><img alt=canon-rf-28-70mm-lens-03 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-28-70mm-lens-03.jpg onerror=getImage(this); title=canon-rf-28-70mm-lens-03 /></p><p><em>Sample beach @70mm with Canon R5. Camera settings: 1/1000 sec. f/5. ISO 160</em></p><h3>Great for photos and movies</h3><p>This lens caters to hybrid creators with its focus breathing compensation fast quiet and accurate AF from the STM motor and a customisable control/focus ring to suit any workflow.</p><p><img alt=canon-rf-28-70mm-lens-04 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-28-70mm-lens-04.jpg onerror=getImage(this); title=canon-rf-28-70mm-lens-04 /></p><p><em>Sample 04 ocean @70mm with Canon R5. Camera settings: 1/1250 sec. f/5. ISO 500</em></p><h3>Upgrade from a kit zoom lens</h3><p>For those using an <a href=https://www.parkcameras.com/shop/canon-rf-24-50mm-f45-63-is-stm-zoom-lens_1242520k><font color=#0066cc>RF 24-50mm F/4.5-6.3 IS STM</font></a> or <a href=https://www.parkcameras.com/shop/canon-rf-24-105mm-f4-71-is-stm-zoom-lens_1242549><font color=#0066cc>RF 24-105mm F/4-7.1 IS STM</font></a> kit lens the 28-70mm is a worthy upgrade. It provides a constant f/2.8 aperture improved image quality and better stabilisation for sharper shots overall. It also features a customisable Control/Focus ring for quick adjustments to shutter speed aperture or ISO on the fly. Additionally an AF/MF/CONTROL switch places full focus control in your hands with just a click of the switch.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF 28-70mm f/2.8 IS STM Lens</li>	<li data-stringify-border=0 data-stringify-indent=0 style=margin-bottom: 0px; margin-left: 28px; box-sizing: inherit;>Lens Dust Cap RF</li>	<li data-stringify-border=0 data-stringify-indent=0 style=margin-bottom: 0px; margin-left: 28px; box-sizing: inherit;>Lens Cap E-67 II</li>	<li data-stringify-border=0 data-stringify-indent=0 style=margin-bottom: 0px; margin-left: 28px; box-sizing: inherit;>User Manual</li></ul><h2>Canon RF 28-70mm f/2.8 IS STM Lens Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td>			<p>Image size</p>			</td>			<td>			<p>Full Frame</p>			</td>		</tr>		<tr>			<td>			<p>Angle of view (horzntl vertl diagnl)</p>			</td>			<td>			<p>46&deg; - 19&deg; 30&#39; 75&deg; - 34&deg;</p>			</td>		</tr>		<tr>			<td>			<p>Lens construction (elements/groups)</p>			</td>			<td>			<p>15/12</p>			</td>		</tr>		<tr>			<td>			<p>Special optics&nbsp;</p>			</td>			<td>			<p>2x UD 2x GMo Aspherical</p>			</td>		</tr>		<tr>			<td>			<p>No. of diaphragm blades</p>			</td>			<td>			<p>9</p>			</td>		</tr>		<tr>			<td>			<p>Minimum aperture</p>			</td>			<td>			<p>f/22</p>			</td>		</tr>		<tr>			<td>			<p>Closest focussing distance (m) Maximum magnification (x) Control Ring&nbsp;</p>			</td>			<td>			<p>0.24 (at 70mm)</p>			</td>		</tr>		<tr>			<td>			<p>Image stabiliser OIS</p>			</td>			<td>			<p>5.5</p>			</td>		</tr>		<tr>			<td>			<p>Image stabiliser IBIS x OIS</p>			</td>			<td>			<p>7.5</p>			</td>		</tr>		<tr>			<td>			<p>AF actuator</p>			</td>			<td>			<p>STM</p>			</td>		</tr>		<tr>			<td>			<p>Coatings&nbsp;</p>			</td>			<td>			<p>Super Spectra</p>			</td>		</tr>		<tr>			<td>			<p>Max. diameter x length (mm)</p>			</td>			<td>			<p>76.5 x 92.2</p>			</td>		</tr>		<tr>			<td>			<p>Weight (g)</p>			</td>			<td>			<p>490</p>			</td>		</tr>	</tbody></table> 

Canon RF 28-70mm f/2.8 IS STM Lens

The Canon RF 28-70mm f/2.8 IS STM Lens is a compact and lightweight general purpose zoom with great image quality weather sealing and optical image stabilisation for full-frame mirrorless cameras.

<p><strong>RF Mount cinema lenses for professional productions</strong></p><p style=margin: 0cm 0cm 8pt;><b><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font size=3><font color=#000000>CN-R</font><span style=color: rgb(192 0 0);>35mm</span><font color=#000000> T1.5 L F</font></font></span></b></p><p style=margin: 0cm 0cm 8pt;><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font color=#000000 size=3>At 35mm this flattering wide-angle fixed length lens delivers 8K image quality with superb speed and control making it ideal for corporate documentaries.</font></span></p><p>Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast real-time metadata capture plus all-new features such as in-camera electronic distortion correction.</p><p><strong>Uncompromised full frame creativity</strong></p><p>Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.</p><p><strong>Exceptional optical performance</strong></p><p>Meet the demanding requirements of professional 4K 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing alongside authentic warm colour and skin tone reproduction.</p><p><strong>Mechanical precision in a compact design</strong></p><p>With a smooth and consistent 300-degree focus rotation consistent gear positions / front diameter and a compact robust and drip-proof design offering a no-compromise lightweight solution for professional productions.</p><p><strong>Refined ergonomics redefined handling</strong></p><p>Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design CN-R Prime lenses make handheld operation more comfortable intuitive and efficient.</p><p align=left>&nbsp;</p><p align=left><strong>Top Feature icons</strong></p><ul>	<li>	<p><strong>RF Mount: </strong>Faster communication and expanded functionality</p>	</li>	<li>	<p><strong>Cinematic Optical Performance: </strong>Capture exceptional clarity with accurate colour for 4K 8K and HDR productions</p>	</li>	<li>	<p><strong>11-blade iris: </strong>Cinematic bokeh and softly diffused highlights</p>	</li>	<li>	<p><strong>Bright T-number: </strong>Offering shallow depth-of-field and powerful low light capabilities</p>	</li>	<li>	<p><strong>Advanced Electronic Functionality: </strong>Support for Dual Pixel Focus Guide Peripheral Illumination Distortion Correction and lens metadata.</p>	</li></ul> 

Canon CN-R 35mm T1.5 L F RF mount Cine Lens

<p><strong>RF Mount cinema lenses for professional productions</strong></p><p style=margin: 0cm 0cm 8pt;><b><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font size=3><font color=#000000>CN-R</font><span style=color: rgb(192 0 0);>50mm</span><font color=#000000> T1.3 L F2</font></font></span></b></p><p><font color=#000000><span lang=EN-US style=line-height: 107%; font-family: &quot;Century Gothic&quot;sans-serif; font-size: 11pt; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;>With a natural angle-of-view this 50mm lens combines 8K image quality with superb speed and great creative control ideal for weddings and documentaries</span></font></p><p>Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast real-time metadata capture plus all-new features such as in-camera electronic distortion correction.</p><p><strong>Uncompromised full frame creativity</strong></p><p>Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.</p><p><strong>Exceptional optical performance</strong></p><p>Meet the demanding requirements of professional 4K 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing alongside authentic warm colour and skin tone reproduction.</p><p><strong>Mechanical precision in a compact design</strong></p><p>With a smooth and consistent 300-degree focus rotation consistent gear positions / front diameter and a compact robust and drip-proof design offering a no-compromise lightweight solution for professional productions.</p><p><strong>Refined ergonomics redefined handling</strong></p><p>Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design CN-R Prime lenses make handheld operation more comfortable intuitive and efficient.</p><p align=left>&nbsp;</p><p align=left><strong>Top Feature icons</strong></p><ul>	<li>	<p><strong>RF Mount: </strong>Faster communication and expanded functionality</p>	</li>	<li>	<p><strong>Cinematic Optical Performance: </strong>Capture exceptional clarity with accurate colour for 4K 8K and HDR productions</p>	</li>	<li>	<p><strong>11-blade iris: </strong>Cinematic bokeh and softly diffused highlights</p>	</li>	<li>	<p><strong>Bright T-number: </strong>Offering shallow depth-of-field and powerful low light capabilities</p>	</li>	<li>	<p><strong>Advanced Electronic Functionality: </strong>Support for Dual Pixel Focus Guide Peripheral Illumination Distortion Correction and lens metadata.</p>	</li></ul> 

Canon CN-R 50mm T1.3 L F RF mount Cine  Lens

<p><strong>RF Mount cinema lenses for professional productions</strong></p><p style=margin: 0cm 0cm 8pt;><b><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font size=3><font color=#000000>CN-R</font><span style=color: rgb(192 0 0);>24mm </span><font color=#000000>T1.5 L F</font></font></span></b></p><p style=margin: 0cm 0cm 8pt;><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font color=#000000 size=3>At 24mm this wide-angle prime brings you pleasing wide views with 8K image quality and great creative control ideal for documentaries and weddings. </font></span></p><p>Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast real-time metadata capture plus all-new features such as in-camera electronic distortion correction.</p><p><strong>Uncompromised full frame creativity</strong></p><p>Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.</p><p><strong>Exceptional optical performance</strong></p><p>Meet the demanding requirements of professional 4K 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing alongside authentic warm colour and skin tone reproduction.</p><p><strong>Mechanical precision in a compact design</strong></p><p>With a smooth and consistent 300-degree focus rotation consistent gear positions / front diameter and a compact robust and drip-proof design offering a no-compromise lightweight solution for professional productions.</p><p><strong>Refined ergonomics redefined handling</strong></p><p>Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design CN-R Prime lenses make handheld operation more comfortable intuitive and efficient.</p><p align=left>&nbsp;</p><p align=left><strong>Top Feature icons</strong></p><ul>	<li>	<p><strong>RF Mount: </strong>Faster communication and expanded functionality</p>	</li>	<li>	<p><strong>Cinematic Optical Performance: </strong>Capture exceptional clarity with accurate colour for 4K 8K and HDR productions</p>	</li>	<li>	<p><strong>11-blade iris: </strong>Cinematic bokeh and softly diffused highlights</p>	</li>	<li>	<p><strong>Bright T-number: </strong>Offering shallow depth-of-field and powerful low light capabilities</p>	</li>	<li>	<p><strong>Advanced Electronic Functionality: </strong>Support for Dual Pixel Focus Guide Peripheral Illumination Distortion Correction and lens metadata.</p>	</li></ul> 

Canon CN-R 24mm T1.5 L F RF mount Cine  Lens

<div class=parks_opinion>	<table class=parks_optable>		<tr><td class=parks_heading><h2>Samyang 24mm T1.5 VDSLR MK2 - Canon M</h2></td></tr>		<tr><td class=park_specs>			<p>The Samyang VDSLR 24mm T1.5 MK2 is a compact high quality fast prime cine lens available in several mounts. It has full-frame coverage and is optimised for use on video DSLR and mirrorless cameras.<br /><br />Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass the MK2 version inherits the superb optics and build quality from the previous model but has several added features for enhanced performance and handling.<br /><br />All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage focus scales apertures and focal lengths are visible on both sides of the lenses.<br /><br />The new 9-bladed aperture delivers smooth and circular bokeh which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures.<br /><br />Weather-sealing now protects the most vulnerable gap between the lens and camera mount to prevent dust light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions.<br /><br />Due their compact dimensions and light weight Samyang VDSLR MK2 lenses are ideal for use handheld with gimbal on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget for high quality video making. They are especially popular with YouTubers.<br /><br />Samyang VDSLR MK2 lenses are available in 7 mounts: Nikon Canon Canon RF Canon-M Sony E Fuji-X and Micro Four-Thirds.</p><p>Features</p><ul>	<li>Image Sensor Size: Full-Frame Coverage (36x24mm)</li>	<li>Focal length: 24mm</li>	<li>Maximum aperture: T1.5</li>	<li>Filter Diameter: 77mm</li>	<li>Weather Sealing - Protective design for dependability when shooting outdoors</li>	<li>Minimum focus distance: 0.25m</li>	<li>Unified Gear Position for focus and aperture - Change lens without adjusting follow focus system</li>	<li>Focus Rotation Angle: 130&deg; Aperture Rotation Angle: 48&deg;</li>	<li>Number of diaphragm blades: 9</li>	<li>Dimensions (max): 84.0mm (diameter) x 123.0 mm (length)</li></ul>		</td></tr>	</table></div> 

Samyang 24mm T1.5 VDSLR MK2 - Canon M

<p>The Samyang VDSLR 14mm T3.1 MK2 is a compact high quality fast prime cine lens available in several mounts. It has full-frame coverage and is optimised for use on video DSLR and mirrorless cameras.</p><p>Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass the MK2 version inherits the superb optics and build quality from the previous model but has several added features for enhanced performance and handling.</p><p>All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage focus scales apertures and focal lengths are visible on both sides of the lenses.</p><p>The new 9-bladed aperture delivers smooth and circular bokeh which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures.</p><p>Weather-sealing now protects the most vulnerable gap between the lens and camera mount to prevent dust light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions.</p><p>Due their compact dimensions and light weight Samyang VDSLR MK2 lenses are ideal for use handheld with gimbal on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget for high quality video making. They are especially popular with YouTubers.</p><p>Samyang VDSLR MK2 lenses are available in 7 mounts: Nikon Canon Canon RF Canon-M Sony E Fuji-X and Micro Four-Thirds.</p><h3>Features</h3><p>&nbsp;</p><ul>	<li>Image Sensor Size: Full-Frame Coverage (36x24mm)</li>	<li>Focal length: 14mm</li>	<li>Maximum aperture: T3.1</li>	<li>Filter Diameter: n/a</li>	<li>Weather Sealing - Protective design for dependability when shooting outdoors</li>	<li>Minimum focus distance: 0.28m</li>	<li>Unified Gear Position for focus and aperture - Change lens without adjusting follow focus system</li>	<li>Focus Rotation Angle: 250&deg; Aperture Rotation Angle: 36&deg;</li>	<li>Number of diaphragm blades: 9</li>	<li>Dimensions (max): 87.0 mm (diameter) x 123.0 mm (length)</li></ul> 

Samyang 14mm T3.1 VDSLR MK2 Cine Lens Canon M Mount

Designed for videographers the Samyang 14mm T3.1 VDSLR MK2 Cine Lens for Canon mirrorless M Mount provides pro video features including weather sealing a clickless aperture and unified gear position.

<div class=parks_opinion>	<table class=parks_optable>		<tr><td class=parks_heading><h2>Samyang 35mm T1.5 VDSLR MK2 - Canon M</h2></td></tr>		<tr><td class=park_specs>			<p>The Samyang VDSLR 35mm T1.5 MK2 is a compact high quality fast prime cine lens available in several mounts. It has full-frame coverage and is optimised for use on video DSLR and mirrorless cameras.<br /><br />Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass the MK2 version inherits the superb optics and build quality from the previous model but has several added features for enhanced performance and handling.<br /><br />All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage focus scales apertures and focal lengths are visible on both sides of the lenses.<br /><br />The new 9-bladed aperture delivers smooth and circular bokeh which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures.<br /><br />Weather-sealing now protects the most vulnerable gap between the lens and camera mount to prevent dust light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions.<br /><br />Due their compact dimensions and light weight Samyang VDSLR MK2 lenses are ideal for use handheld with gimbal on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget for high quality video making. They are especially popular with YouTubers.<br /><br />Samyang VDSLR MK2 lenses are available in 7 mounts: Nikon Canon Canon RF Canon-M Sony E Fuji-X and Micro Four-Thirds.</p><p>Features</p><ul>	<li>Image Sensor Size: Full-Frame Coverage (36x24mm)</li>	<li>Focal length: 35mm</li>	<li>Maximum aperture: T1.5</li>	<li>Filter Diameter: 77mm</li>	<li>Weather Sealing - Protective design for dependability when shooting outdoors</li>	<li>Minimum focus distance: 0.3m</li>	<li>Unified Gear Position for focus and aperture - Change lens without adjusting follow focus system</li>	<li>Focus Rotation Angle: 140&deg; Aperture Rotation Angle: 48&deg;</li>	<li>Number of diaphragm blades: 9</li>	<li>Dimensions (max): 84.0mm (diameter) x 137.4 mm (length)</li></ul>		</td></tr>	</table></div> 

Samyang 35mm T1.5 VDSLR MK2 - Canon M

<h2>Samyang VDSLR 35mm T1.5 MK2 Lens for Canon RF Mount Summary</h2><p>The Samyang VDSLR 35mm T1.5 MK2 is a compact high quality fast prime cine lens available in several mounts. It has full-frame coverage and is optimised for use on video DSLR and mirrorless cameras.</p><p>Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass the MK2 version inherits the superb optics and build quality from the previous model but has several added features for enhanced performance and handling.</p><p>All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage focus scales apertures and focal lengths are visible on both sides of the lenses.</p><p>The new 9-bladed aperture delivers smooth and circular bokeh which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures.</p><p>Weather-sealing now protects the most vulnerable gap between the lens and camera mount to prevent dust light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions.</p><p>Due their compact dimensions and light weight Samyang VDSLR MK2 lenses are ideal for use handheld with gimbal on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget for high quality video making. They are especially popular with YouTubers.</p><p>Samyang VDSLR MK2 lenses are available in 7 mounts: Nikon Canon Canon RF Canon-M Sony E Fuji-X and Micro Four-Thirds.</p><h3>Features at a Glance</h3><ul>	<li>Full-frame mirrorless RF-mount 35mm Prime Cine Lens</li>	<li>Bright T1.5 aperture with 9-bladed iris</li>	<li>Weather sealed</li>	<li>Multilayer coating to reduce flare</li>	<li>Standard focus and de-clicked aperture gearing</li>	<li>High quality Lens Elements</li>	<li>Manual Focus and Aperture</li></ul><h3>What&rsquo;s in the box</h3><ul>	<li>Lens</li>	<li>Lens Caps</li>	<li>Lens Hood</li>	<li>Lens Pouch</li></ul> 

Samyang VDSLR 35mm T1.5 MK2 Cine Lens Canon RF Mount

The full-frame Canon RF mount Samyang VDSLR 35mm T1.5 MK2 Cine Lens provides numerous video features for Youtubers and Vloggers including high quality optics with multi-coatings and a bright aperture.

<div class=parks_opinion>	<table class=parks_optable>		<tr><td class=parks_heading><h2>Samyang 50mm T1.5 VDSLR  MK2 - Canon M</h2></td></tr>		<tr><td class=park_specs>			<p>The Samyang VDSLR 50mm T1.5 MK2 is a compact high quality fast prime cine lens available in several mounts. It has full-frame coverage and is optimised for use on video DSLR and mirrorless cameras.<br /><br />Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass the MK2 version inherits the superb optics and build quality from the previous model but has several added features for enhanced performance and handling.<br /><br />All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage focus scales apertures and focal lengths are visible on both sides of the lenses.<br /><br />The new 9-bladed aperture delivers smooth and circular bokeh which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures.<br /><br />Weather-sealing now protects the most vulnerable gap between the lens and camera mount to prevent dust light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions.<br /><br />Due their compact dimensions and light weight Samyang VDSLR MK2 lenses are ideal for use handheld with gimbal on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget for high quality video making. They are especially popular with YouTubers.<br /><br />Samyang VDSLR MK2 lenses are available in 7 mounts: Nikon Canon Canon RF Canon-M Sony E Fuji-X and Micro Four-Thirds.</p><p>Features</p><ul>	<li>Image Sensor Size: Full-Frame Coverage (36x24mm)</li>	<li>Focal length: 50mm</li>	<li>Maximum aperture: T1.5</li>	<li>Filter Diameter: 77mm</li>	<li>Weather Sealing - Protective design for dependability when shooting outdoors</li>	<li>Minimum focus distance: 0.45m</li>	<li>Unified Gear Position for focus and aperture - Change lens without adjusting follow focus system</li>	<li>Focus Rotation Angle: 140&deg; Aperture Rotation Angle: 48&deg;</li>	<li>Number of diaphragm blades: 9</li>	<li>Dimensions (max): 84.0mm (diameter) x 100.6 mm (length)</li></ul>		</td></tr>	</table></div> 

Samyang 50mm T1.5 VDSLR  MK2 - Canon M

<h2>Tamron 11-20mm f/2.8 Di III-A RXD Lens for Canon RF-S Summary</h2><p>Arriving due to high demand the Tamron 11-20mm f/2.8 Di III-A RXD Lens for Canon RF-S mount is the first autofocus <a href=https://www.parkcameras.com/lenses/tamron/><font color=#0066cc>lens from Tamron</font></a> for Canon&rsquo;s mirrorless RF system. The 11-20mm f/2.8 offers a dynamic ultra wide angle zoom range equivalent to approximately 18-32mm (full-frame) while maintaining a constant f/2.8 aperture throughout its focal range.</p><p>It combines a surprisingly compact and lightweight build with fast aperture capabilities making this a well-balanced choice for compact APS-C mirrorless RF-S mount cameras such as the <a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r><font color=#0066cc>EOS R7</font></a> or <a href=https://www.parkcameras.com/shop/canon-eos-r50-mirrorless-camera-body-black_1012185k><font color=#0066cc>Canon R50</font></a>. Ideal for everyday use the lens&rsquo;&rsquo; small size doesn&#39;t compromise on high-end imaging performance thanks to an uncompromising optical design from <a href=https://www.parkcameras.com/brand/tamron/><font color=#0066cc>Tamron</font></a>.</p><p>At 11mm the lens supports wide macro shooting with a Minimum Object Distance (MOD) of 0.15m and a maximum magnification ratio of 1:4. This provides creative close-up shooting opportunities offering a range of opportunities to manipulate perspective at the wide end.</p><p>The Tamron 11-20mm f/2.8 Di III-A RXD Lens for Canon RF-S includes an RXD (Rapid-eXtra-silent stepping Drive) motor for incredibly quick and quiet autofocus performance ensuring it&#39;s suitable for capturing both stills and video.</p><p>Additionally it is equipped with moisture resistant construction and a Fluorine Coating among other features enhancing its effectiveness for your outdoor adventures. This combined with an ability to deliver stellar image quality at a large aperture of f/2.8 makes it an excellent tool for photographers looking to push their creative boundaries.</p><h3>Key Tamron 11-20mm f/2.8 Di III-A RXD Lens for Canon RF-S Features</h3><ul>	<li>Fast-aperture ultra wide-angle zoom lens fro Canon crop format mirrorless cameras</li>	<li>Compact and portable lightweight design</li>	<li>Outstanding optical performance</li>	<li>MOD of 0.15m (Minimum Object Distance) and maximum magnification ratio of 1:4</li>	<li>High performance RXD stepping motor for stills and video autofocus</li></ul> 

Tamron 11-20mm f/2.8 Di III-A RXD Lens for Canon RF Mount

Register with us and be amongst the first in the UK to hear about the launch of the newly announced Tamron 11-20mm f/2.8 Di III-A RXD Lens for Canon RF-S an ultra wide angle zoom for APS-C format mirrorless.

<p><strong>RF Mount cinema lenses for professional productions</strong></p><p style=margin: 0cm 0cm 8pt;><b><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font size=3><font color=#000000>CN-R</font><span style=color: rgb(192 0 0);>85mm</span><font color=#000000> T1.3 L F</font></font></span></b></p><p style=margin: 0cm 0cm 8pt;><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font color=#000000 size=3>At 85mm this short telephoto delivers exceptional 8K image quality with excellent speed and great control ideal for flattering close-ups of faces. </font></span></p><p>Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast real-time metadata capture plus all-new features such as in-camera electronic distortion correction.</p><p><strong>Uncompromised full frame creativity</strong></p><p>Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.</p><p><strong>Exceptional optical performance</strong></p><p>Meet the demanding requirements of professional 4K 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing alongside authentic warm colour and skin tone reproduction.</p><p><strong>Mechanical precision in a compact design</strong></p><p>With a smooth and consistent 300-degree focus rotation consistent gear positions / front diameter and a compact robust and drip-proof design offering a no-compromise lightweight solution for professional productions.</p><p><strong>Refined ergonomics redefined handling</strong></p><p>Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design CN-R Prime lenses make handheld operation more comfortable intuitive and efficient.</p><p align=left>&nbsp;</p><p align=left><strong>Top Feature icons</strong></p><ul>	<li>	<p><strong>RF Mount: </strong>Faster communication and expanded functionality</p>	</li>	<li>	<p><strong>Cinematic Optical Performance: </strong>Capture exceptional clarity with accurate colour for 4K 8K and HDR productions</p>	</li>	<li>	<p><strong>11-blade iris: </strong>Cinematic bokeh and softly diffused highlights</p>	</li>	<li>	<p><strong>Bright T-number: </strong>Offering shallow depth-of-field and powerful low light capabilities</p>	</li>	<li>	<p><strong>Advanced Electronic Functionality: </strong>Support for Dual Pixel Focus Guide Peripheral Illumination Distortion Correction and lens metadata.</p>	</li></ul> 

Canon CN-R 85mm T1.3 L F RF mount Cine  Lens

<p><strong>RF Mount cinema lenses for professional productions</strong></p><p style=margin: 0cm 0cm 8pt;><b><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font size=3><font color=#000000>CN-R</font><span style=color: rgb(192 0 0);>135mm</span><font color=#000000> T2.2 L F</font></font></span></b></p><p style=margin: 0cm 0cm 8pt;><span lang=EN-US style=font-family: &quot;Century Gothic&quot;sans-serif;><font color=#000000 size=3>At 135mm this medium telephoto lens offers a greater reach for frame-filling views and delivers spectacular 8K image quality with superb speed and control. </font></span></p><p>Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast real-time metadata capture plus all-new features such as in-camera electronic distortion correction.</p><p><strong>Uncompromised full frame creativity</strong></p><p>Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility.</p><p><strong>Exceptional optical performance</strong></p><p>Meet the demanding requirements of professional 4K 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing alongside authentic warm colour and skin tone reproduction.</p><p><strong>Mechanical precision in a compact design</strong></p><p>With a smooth and consistent 300-degree focus rotation consistent gear positions / front diameter and a compact robust and drip-proof design offering a no-compromise lightweight solution for professional productions.</p><p><strong>Refined ergonomics redefined handling</strong></p><p>Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design CN-R Prime lenses make handheld operation more comfortable intuitive and efficient.</p><p align=left>&nbsp;</p><p align=left><strong>Top Feature icons</strong></p><ul>	<li>	<p><strong>RF Mount: </strong>Faster communication and expanded functionality</p>	</li>	<li>	<p><strong>Cinematic Optical Performance: </strong>Capture exceptional clarity with accurate colour for 4K 8K and HDR productions</p>	</li>	<li>	<p><strong>11-blade iris: </strong>Cinematic bokeh and softly diffused highlights</p>	</li>	<li>	<p><strong>Bright T-number: </strong>Offering shallow depth-of-field and powerful low light capabilities</p>	</li>	<li>	<p><strong>Advanced Electronic Functionality: </strong>Support for Dual Pixel Focus Guide Peripheral Illumination Distortion Correction and lens metadata.</p>	</li></ul> 

Canon CN-R 135mm T2.2 L F RF mount Cine Lens

<h2>Laowa 8-16mm f/3.5-5 Zoom CF Lens for Canon RF Summary</h2><p>Laowa 8-16mm f3.5-5.0 Zoom CF lens is made to be small lightweight and easy to carry making it the ideal addition to your travel gear. Whether you&#39;re exploring stunning landscapes or capturing the bustling energy of cities this lens lets you take photos with feasibility and creativity.</p><ul>	<li>Wide Angle of View Covering 82.8&deg; to 120.9&deg;</li>	<li>Lightweight and Compact (463g)</li>	<li>Designed for Mirrorless Cameras</li>	<li>Filter Thread Availability (86mm)</li>	<li>10-point Sunstar Effect with 5 Aperture Blades</li>	<li>20cm Close Focusing Distance</li>	<li>Aperture Ring Declicking Feature for Video Shooting</li></ul><p>Wide Angle of View<br />Covers a range from 82.8 degrees to 120.9 degrees allowing for expansive and versatile framing which makes it ideal for landscape photography architecture and wide portrait photography.</p><p>Lightweight and Compact</p><p>Weighing just 463 grams this lens is designed to be lightweight and compact. Its compact size also makes it a great choice for travel and on-the-go photography.</p><p>Designed for Mirrorless</p><p>Mirrorless cameras are known for their portability and this lens is optimized to provide optimal image quality while maintaining the compact form factor that mirrorless camera users appreciate.</p><p>Filter Compatibility</p><p>Features an 86mm filter thread (with the lens hood attached) providing flexibility for various photographic needs.</p> 

Laowa 8-16mm f/3.5-5 Zoom CF Lens for Canon RF

The Laowa 8-16mm f/3.5-5 Zoom CF Lens for Canon RF is a manual focus ultra wide zoom which features an expansive 82.8-120.9º field of view which is ideal for capturing landscapes architecture and video.

<h2>Laowa 90mm f/2.8 2x Ultra Macro APO Lens for Canon RF Summary</h2><p>Designed exclusively for full-frame mirrorless cameras the Laowa 90mm f/2.8 2x Ultra Macro APO Lens for Canon RF delivers exceptional image quality from a compact and lightweight 619g design. The apochromatic optical design (APO) works even when using the high 2:1 magnification at infinity resulting in sharp well controlled images showing minimal chromatic aberration purple fringing or ghosting.</p><p>You can capture beautiful close-ups of insects flowers or any suitable subjects with excellent low light performance from the wide maximum f/2.8 aperture. Sharpness is noticeably high even wide open and all the way through to f/8 and f/11 which is ideal for macro work. <a href=https://www.parkcameras.com/lenses/laowa/>Laowa</a> included 13 aperture blades in the design which help to render smooth out of focus areas and rounded bokeh. At 90mm this f/2.8 2x Ultra Macro APO Lens is also ideal for portraits and similar short telephoto subjects where sharpness and control over depth of field are desirable.</p><h3>Key Features</h3><ul>	<li>Compact lens design exclusively for <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/>mirrorless cameras</a></li>	<li>2x magnification for extreme close-ups</li>	<li>Apochromat APO design</li>	<li>Outstanding sharpness</li>	<li>Smooth bokeh from 13 aperture blades</li>	<li>Focusing from 20.5cm to infinity</li>	<li>Internal focusing (MF)</li>	<li>13 lens elements in 10 groups with 3 ED elements</li>	<li>67mm thread for <a href=https://www.parkcameras.com/lenses/lens-filters/>lens filters</a></li></ul><h2>Laowa 90mm f/2.8 2x Ultra Macro APO Lens for Canon RF in More Detail</h2><h3>2x Magnification</h3><p>With double the magnification ratio more details of the subject are shown clearly and the lens is suitable for capturing tiny insects and doing super close-up shots. Lens magnification ranges from 0.1x to 2x while focusing as close as 20.5cm to infinity with the maximum 2:1 ratio. This allows you to conveniently capture objects of different sizes and astonishing images can be more easily created.</p><h3>Apochromatic APO Design</h3><p>The apochromatic APO optical design ensures impeccable results throughout the focal range aperture range and across all magnifications resulting in:</p><ul>	<li>Chromatic Aberration (CA) at both in-focus and out-of-focus areas</li>	<li>Purple fringing and ghosting are controlled to minimum</li>	<li>Achieve high image quality</li>	<li>Reduce post-editing time</li></ul><h3>Designed exclusively for mirrorless cameras</h3><p>Laowa designed the 90mm f/2.8 2x Ultra Macro APO Lens exclusively for mirrorless systems with a shorter flange distance including this version for full-frame <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>Canon RF cameras</a>. The resulting design weighs around 619g and measures approximately 120mm long making it the most compact macro of this focal length found in the <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/>RF lens range</a>.</p><h3>Outstanding sharpness</h3><p>Three extra-low dispersion elements are included within 13 elements in total providing high optical quality with outstanding results from corner to corner. Sharpness is perceptible even when wide open right through to f/8 and even f/11 and the lens demonstrates great contrast and resolution.</p><h3>Beautiful bokeh rendition</h3><p>With an aperture design which features 13 blades the Laowa 90mm f/2.8 2x Ultra Macro APO Lens for Canon RF mount renders pleasing rounded bokeh balls and smooth out of focus areas. This is ideal for capturing both close-ups and portraits when used as a short telephoto prime lens. The&nbsp; internal focusing design also helps to maintain lens length and reduces the chances of bumping your subject whilst reducing the chance of dust from entering the lens.</p><h3>Laowa 90mm f/2.8 2x Ultra Macro APO Lens for Canon RF Sample photos</h3><p><img alt=laowa-90mm-2x-macro-samples-1 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-90mm-2x-macro-samples-1.webp onerror=getImage(this); title=laowa-90mm-2x-macro-samples-1 /></p><p>&copy;Nicolas Reusens</p><p><img alt=laowa-90mm-2x-macro-samples-2 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-90mm-2x-macro-samples-2.webp onerror=getImage(this); title=laowa-90mm-2x-macro-samples-2 /></p><p>&copy;John Hanson</p><p><img alt=laowa-90mm-2x-macro-samples-3 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-90mm-2x-macro-samples-3.webp onerror=getImage(this); title=laowa-90mm-2x-macro-samples-3 /></p><p>&copy;Wei Feng</p><p><img alt=laowa-90mm-2x-macro-samples-4 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-90mm-2x-macro-samples-4.webp onerror=getImage(this); title=laowa-90mm-2x-macro-samples-4 /></p><p>&copy;Wes Perry</p> 

Laowa 90mm f/2.8 2x Ultra Macro APO Lens for Canon RF

The Laowa 90mm f/2.8 2x Ultra Macro APO Lens for full-frame Canon RF mirrorless is compact and lightweight offers 2:1 magnification focus to infinity and exceptional image quality from an apochromatic design.

<div class=parks_opinion><table class=parks_optable>	<tbody>		<tr>			<td class=parks_heading>			<h2>Leica Elpro 52 Close Focus Lens</h2>			</td>		</tr>		<tr>			<td class=park_specs>			<p>Leica Camera expands its portfolio of accessories with the introduction of the Leica ELPRO 52 a closeup lens attachment that extends the capabilities of Leica M and TL-lenses for macro photography. The compact and lightweight Leica ELPRO 52 is easily transported quick to set up and easy to use on any compatible lens.<br />			<br />			The ELPRO 52 expands the photographer&#39;s capabilities and gets the photographer closer to the subjects by greatly reducing focusing distance. This allows for maximum magnifications as high as 1:1 depending on the lens it is paired with. ELPRO 52 expands the photographer&#39;s capabilities and gets the photographer closer to the subjects by greatly reducing focusing distance. Its optical construction comprises of two cemented lens elements with anti-reflective multi-coating. This ensures images are crisp sharp and practically free from chromatic aberrations. The ELPRO 52 makes it possible to capture impressively detailed close-up images with a newfound level of depth using lenses you already own.<br />			<br />			The close-up lens will natively fit all 52 mm filter threads and is supplied with two stepping ring adapters for 46 and 49mm sizes. This packaged combination of the native 52 mm size plus stepping rings allows the ELPRO 52 to be mounted on more than 20 different Leica M and TL-Lenses. The set comes packaged in a leather case. Other stepping rings can be purchased separately to adapt the ELPRO 52 to lenses smaller than 46mm though they must be purchased from other suppliers and at the user&#39;s discretion.</p>			</td>		</tr>	</tbody></table><table class=parks_optable cta_table>	<tbody>		<tr>			<td class=park_ctaprice>&nbsp;</td>		</tr>	</tbody></table></div> 

Leica Elpro 52 Close Focus Lens

<h2>Laowa 10mm f/2.8 Zero-D FF Lens for Canon RF Summary</h2><p><br />Laowa 10mm f/2.8 Zero-D FF lens is a game-changer in its class featuring a remarkable ultra-wide angle of view of 130.4&deg; while maintaining a weight of only 0.93 lb. / 420g.</p><p>The auto-focus performance of this lens is nothing short of superb rivaling some of the best in the market. With features like our signature Zero-D feature an ultra-short 12cm close focusing distance and versatility for ultra-wide portrait landscape and astrophotography the 10mm f/2.8 is set to redefine your photographic experience.</p><p>Auto Focus: Sony FE Nikon Z</p><p>Manual Focus: Canon RF L-mount</p><p>First Rectilinear 10mm Full-Frame Lens with f/2.8 Aperture</p><p>Breaking new ground in our product line this lens introduces auto-focus capabilities making it the world&rsquo;s first ultra-wide 10mm lens with f/2.8 large aperture.</p><p><br /><strong>Ultra-Wide Angle of View</strong></p><p>Immerse yourself in a wider perspective with a 130.4&deg; ultra-wide angle of view. From breathtaking landscapes to dynamic architecture this lens opens up new dimensions in visual storytelling.</p><p><br /><strong>Compact and Lightweight</strong></p><p>Designed with mobility in mind this lens remains compact and weighs&nbsp; just 0.93 lb / 420g  ensuring that you can effortlessly carry it wherever your creative journey takes you. Experience the freedom to capture stunning images without being weighed down by heavy gear.</p><p><br /><strong>Close-to-Zero Distortion</strong></p><p>The Zero-D feature embedded in this lens guarantees minimal distortion allowing you to capture scenes with absolute clarity and ensuring your images remain true to life. A lens in 10mm is usually a fisheye or heavily distorted. With an ingenious optical design Laowa is able to produce an ultra wide-angle lens with superior control of distortion both horizontal and vertical straight lines can be maintained on the image from corner to corner.</p><p><br /><strong>Built-in 77mm Filter Thread</strong></p><p><br />Unlike other ultra-wide-angle lenses the Laowa 10mm f/2.8 Zero-D FF features a ?77mm built-in filter thread granting you the freedom to effortlessly experiment with different filters be it a CPL filter or ND filter to achieve your desired photographic effects.</p><p><br /><strong>Close Focusing Capability</strong></p><p><br />Achieves a close focus as near as 12cm allowing you to effortlessly capture stunning images from a short distance which also unlocks a possibility to shoot wide-angle macro photographs.</p><p><br /><strong>Excellent Performance for Panorama and Astrophotography</strong></p><p><br />This lens is truly a versatile tool that consistently delivers outstanding results in a variety of shooting scenarios. Its exceptionally wide field of view makes it particularly adept at capturing expansive panoramas allowing you to tell stories on a grand scale. For the astrophotography enthusiasts among us this lens proudly stands out as an exceptional choice. Thanks to its f/2.8 aperture it embraces the challenge of capturing the beauty of the night sky with enhanced light-gathering capabilities.</p><p><br /><strong>Outstanding Optics</strong></p><p>The Laowa 10mm f/2.8 Zero-D FF is engineered with exceptional optics featuring 15 elements in 9 groups including 2 aspherical glasses and 3 ED glasses. This results in outstanding image quality ensuring that every detail is captured with precision and clarity.</p><p><br /><strong>Highlights</strong></p><ul>	<li>First Ultra-wide 10mm with f/2.8 large aperture with Auto Focus</li>	<li>(First Auto Focus lens in the Laowa Lineup)</li>	<li>Accurate and Reliable AF performance</li>	<li>Compact &amp; lightweight</li>	<li>Close-to-Zero Distortion (Zero-D)</li>	<li>Ultra-wide Angle of View of 130&deg;</li>	<li>Close Focusing Distance of 12cm</li>	<li>10-Point Sunstars</li>	<li>?77mm Filter thread</li>	<li>Outstanding Optics</li>	<li>Excellent performance for Panorama and Astrophotography</li></ul> 

Laowa 10mm f/2.8 Zero-D FF Lens for Canon RF

The manual focus Laowa 10mm f/2.8 Zero-D FF Lens for Canon RF is the world's widest f/2.8 full frame rectilinear lens which is ideal for astro photography architecture landscapes and more.

<div class=parks_opinion> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>Leica APO-SUMMICRON-M 50mm f/2 ASPH Black Anodised</h2></td></tr> <tr> <td class=park_specs> <p>More than 30 years after the launch of Summicron-M 1:2/50 mm which is still available the Leica APO Summicron-M&nbsp;1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than&nbsp;the Summicron-M 1:2/50 mm and with an almost identical diameter it provides visibly higher image quality.</p> <p>On the Leica APO&nbsp;Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negligible&nbsp;in digital photography. Its key features include excellent contrast rendition all the way to the corners of the image even with&nbsp;a fully open aperture. The use of a floating element ensures that this is retained even for close-up shots.</p> <p>Vignetting is limited to&nbsp;a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format or around 1 on the Leica M8 models.&nbsp;Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image with practically only the natural&nbsp;vignetting remaining.</p> <p>Distortion is very low at a maximum of just 0.4 % (pin cushion) which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance.</p> <p>To realize the apochromatic correction (resulting in a common&nbsp;focusing plane for three light wavelengths) three are made of glass types with high anomalous partial color dispersion while&nbsp;two of the others have a high refractive index. The aspherical surface of the first lens in the rear group helps to reduce spherical&nbsp;aberration and flatten the image field. While the optical construction in front of the aperture is a Gaussian type the arrangement&nbsp;of the lens elements behind it is similar to that in the Summilux-M 1:1.4/35 mm ASPH. This group comprises a floating element which is moved independently of the rest of the construction during focusing.</p></td></tr></tbody></table> <table class=parks_optable video_table> <tbody> <tr> </tr> <tr> </tr></tbody></table> <table class=parks_optable video_table> <tbody> <tr> </tr> <tr> </tr></tbody></table> <table class=parks_optable video_table> <tbody> <tr> </tr> <tr> </tr></tbody></table> <table class=parks_optable cta_table> <tbody> <tr> <td class=park_ctaprice> </td></tr></tbody></table></div> 

Leica APO Summicron M 50mm f/2 ASPH Lens Black Anodised

The advanced apochromatic design of the Leica APO-Summicron-M 50mm lens finished in black anodised metal virtually eliminates any colour aberrations with consistently exceptional results throughout.

<h2>Laowa Aurogon FF 10-50x NA0.5 Supermicro APO Lens for Canon RF Summary</h2><p>Laowa Aurogon FF 10-50X NA0.5 Supermicro APO covers<strong>&nbsp;full-frame sensors</strong>&nbsp;and can&nbsp;<strong>directly use on cameras</strong>. It features&nbsp;<strong>seamlessly interchangeable magnification tubes</strong> offering&nbsp;<strong>10X 20X 35X and 50X magnification</strong>&nbsp;options. The&nbsp;<strong>adjustable numerical aperture (NA)</strong>&nbsp;of this microscope lens ranges from 0.5 to 0.1 the high NA providing room for exceptional brightness and minimal diffraction. The lens is designed with a&nbsp;<strong>fixed 20mm long working distance</strong> ensuring both flexibility and convenience for the lighting setup. Aurogon delivers high performance with&nbsp;<strong>APO design</strong>&nbsp;and outstanding resolution. It is your ultimate companion for diving into the microscopic realm.</p><h3>Laowa Aurogon FF 10-50X NA0.5 Supermicro APO</h3><p>For years Laowa consistently&nbsp;impressed users with supreme macro lenses boasting magnification ratios from 0.5X to 5X.</p><h3>We are never satisfied.&nbsp;</h3><p>Today Laowa is taking a remarkable leap&nbsp;introducing the&nbsp;Aurogon FF 10-50x NA0.5 supermicro APO.&nbsp;This is a&nbsp;precise lens set for both professionals and hobbyists who are fond of high magnification photography to enjoy up to 50X magnification shooting directly on their own camera with rooms of flexibility.</p><p>Laowa Aurogon is ready to turn your camera into a microscope and more than a microscope.<br />Here comes a new era join us to capture what can&rsquo;t be seen with the naked eye.</p><h3>Switchable Magnifications from 10X to 50X</h3><p>Amplifying your joy from 10x20x35x&nbsp;to&nbsp;50x&nbsp;with the unseen beauty captured. The lens body are formed by 2 parts: the switchable magnification tubes mounting onto the camera and the objective lens at the front. With a fixed setup you can switch the magnification tubes at the back effortlessly without recalibration of setup.</p><p>This is a set favoring micro-photography beginners to start their microscopic journey with no cost-barrier. Enjoy clean and clear magnified details of your tiny insect under the 4 magnifications.&nbsp;Unlike the ordinary infinity-corrected objectives use as microscope only Laowa Aurogon provides high magnification shooting capability to your camera.</p><h3>Direct-use on camera</h3><p>At its core Laowa Aurogon is a compact photo lens that can be directly use on a camera. With a stable and bright setup you are welcomed to discover the micro beauty at your leisure having the set at home and even outdoor.</p><h3>Fixed 20mm long working distance for all magnifications</h3><p>Having a long working distance is essential for a microscopic lens in order to have sufficient light entering the lens for a clear image capturing. Laowa Aurogon provides 20 mm long and fixed working distance for all 4 magnifications&nbsp;no calibration is required for magnification changing providing a more convenient and consistent shooting experience undoubtedly.&nbsp;&nbsp;</p><h3>APO with extraordinary image quality</h3><p>Laowa Aurogon with promising APO design ensures extraordinary image results.&nbsp;Exceptional chromatic aberration control also provide superb image clarity.</p><h3>Adjustable high NA</h3><p>The 8 grade NA values of 0.5 &ndash; 0.15 indicated on the objective lens addresses the depth of field for microscopic shooting. The wide NA provided with ample lighting ensures that when capturing images a lower ISO value can be used resulting in a purer picture. With manual NA photographers can enjoy flexible aperture control with their own setup to create images with best quality.&nbsp;</p> 

Laowa Aurogon FF 10-50x NA0.5 Supermicro APO Lens for Canon RF

The Laowa Aurogon FF 10-50x NA0.5 Supermicro APO Lens for Canon RF enables you to capture incredible details with up to 50x magnification by turning your camera into a microscope and then some.

<h2>TTArtisan 10mm f/2 APS-C Lens for Canon RF Mount Summary</h2><p>The APS-C 10mm F2 ASPH lens boasts an ultra-wide-angle design perfect for landscapes architecture and portraits. Its meticulous construction minimizes distortions ensuring realistic and stunning visuals for various photography including indoor shots. The F2.0 aperture excels in low-light settings like starry skies and the 8 aperture blades create a captivating starburst effect. With a focal length equivalent to 15mm on a full frame this lens is a versatile choice for those seeking creativity and clarity in their photography.</p><ul>	<li>APS-C Frame</li>	<li>F2.0 Large Aperture</li>	<li>105&deg;Ultra-wide</li>	<li>Nearly Zero Distortion</li>	<li>Starburst with 8 Spikes</li>	<li>ASPH. Lens (Aspherical)</li>	<li>Full Metal Body</li>	<li>E/X/Z/M43/RF-mount</li>	<li>Comes with a Filter Holder and TPU Rubber Lens Cap</li></ul><p>Specifications</p><ul>	<li>Focal length: 10mm</li>	<li>Closest focus distance: 0.25m</li>	<li>Frame: APS-C Frame</li>	<li>Filter size: 72mm (external filter holder)</li>	<li>Angle of view: 105&deg;</li>	<li>Weight: Around 333~345g</li>	<li>Maximum aperture: F2</li>	<li>Minimum aperture: F16</li>	<li>Diaphragm Blades: 8pcs</li>	<li>Optical Design: 13 Elements in 10 Groups</li>	<li>Focus method: Manual</li>	<li>Mount: E / X / Z / M43 / RF</li></ul> 

TTArtisan 10mm f/2 APS-C Lens for Canon RF Mount

The TTArtisan 10mm f/2 APS-C Lens for Canon RF Mount is a manual focus ultra-wide aspherical lens which is perfect for astro photography landscapes and cityscapes that features virtually no distortion.

Panasonic DMW-LMCH37GU 37mm Protector

<h2>Leica Lens Hood Cap for M 16-18-21mm f/4 + 24mm f/3.8 + 28mm f/2 + 28mm f/2.8 + 35mm f/1.4 + 35mm f/2</h2><p>Replacement or spare Leica Lens Hood Cap <a href=https://www.parkcameras.com/lenses/lens-accessories/>accessory</a> which fits M Lenses as listed below.</p><p>Compatible cap for lens hood for the following <a href=https://www.parkcameras.com/lenses/digital-slr-lenses/leica-m-mount/>M-lenses</a>:</p><ul>	<li>Tri-Elmar-M 16-18-21 mm f/4 ASPH.</li>	<li>Elmarit-M 24 mm f/3.8 ASPH.</li>	<li>Summilux-M 35 mm f/1.4 ASPH. (11663)</li>	<li>Summicron-M 28 mm f/2 ASPH.</li>	<li>Elmarit-M 28 mm f/2.8 ASPH.</li>	<li>Summicron-M 35 mm f/2 ASPH. (No. 11673/11674)</li>	<li>Super-Elmar-M 21 mm f/3.4 ASPH. (11145)</li></ul> 

Leica Lens Hood cap for M series Lenses

<h2>Leica Lens Hood For SL Lenses 50 F/2 + 75 F/2 + 90 F/2</h2><p>Spare or replacement Leica Lens Hood For specific SL Lenses which reduces incidental light to maintain contrast when shooting backlit subjects. This <a href=https://www.parkcameras.com/lenses/lens-accessories/>lens accessory</a> also protects the front element from accidental damage.</p><p>Compatible with the following SL lenses:</p><ul>	<li><a href=https://www.parkcameras.com/shop/leica-apo-summicron-sl-50-f2-asph-lens-black-anodised_l242511a>Leica APO-Summicron-SL 50 f/2 ASPH.</a></li>	<li><a href=https://www.parkcameras.com/shop/leica-apo-summicron-sl-75mm-f2-asph-lens-black-anodised_l242512h>Leica APO-Summicron-SL 75 f/2 ASPH.</a></li>	<li><a href=https://www.parkcameras.com/shop/leica-apo-summicron-sl-90mm-f2-asph-lens-black-anodised_l242514h>Leica APO-Summicron-SL 90 f/2 ASPH.</a></li></ul> 

Leica Lens Hood for SL 50/75/90 f/2

The Leica Lens Hood for specific SL Lenses will reduce incidental light from ruining your shots particularly when shooting backlit subjects whilst also adding an element of protection against knocks and bumps.

<h2>Sigma 10-18mm f/2.8 DC DN Contemporary Lens For Canon RF Mount Summary</h2><p>The wait is over for Sigma&rsquo;s second RF mount lens with the launch of the <strong>Sigma 10-18mm f/2.8 DC DN Contemporary Lens for Canon RF Mount</strong>. This ultra-compact zoom lens is developed specifically for APS-C format <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>Canon RF Mount cameras</a> with optimised control and focus algorithms to support high-speed Servo AF while maintaining superb image quality.</p><p>The Sigma 10-18mm F2.8 DC DN is the world&rsquo;s smallest and lightest ultra-wide-angle zoom lens for APS-C mirrorless cameras with an f/2.8 aperture allowing creators to take it anywhere and capture stunning images and videos across a wide range of subjects. The compact lens provides an effective focal range of 15-27mm (35mm equivalent) which is ideal for anything from landscapes and travel to video and online content creation.</p><p><img alt=sigma-10-18mm-f2.8-sample-01 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-10-18mm-f2.8-sample-01.jpg onerror=getImage(this); title=sigma-10-18mm-f2.8-sample-01 /></p><p><em>Sample 01 &copy;Dave Brosha Taken with Canon R7. Camera settings: 1/800 sec. f/13. ISO 400</em></p><p>It features <a href=https://www.parkcameras.com/brand/sigma/>Sigma&rsquo;s</a> signature impressive optics rendering high-quality results across the frame with a constant maximum f/2.8 aperture throughout the range. Paired with a new push-on petal-type lens hood it enables photographers to capture images in the most challenging lighting conditions.</p><p>Users can capture close-up shots with this <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/>RF mount lens</a> from as little as 11.6cm thanks to the close minimum focusing distance. Combined with the large 1:4 magnification and photographers can explore creative frame-filling compositions with high levels of detail.</p><p>With such a lightweight design fast and quiet AF motor and minimal focus breathing this lens is perfect for mounting on a compact gimbal for filmmaking handheld content creation and more.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/avORMi8JEHA?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/avORMi8JEHA?rel=0></iframe></div></div><h3>Key Sigma 10-18mm F2.8 DC DN   Contemporary Features</h3><ul>	<li>APS-C zoom lens for crop sensor Canon mirrorless cameras</li>	<li>World&#39;s smallest and lightest ultra wide APS-C zoom lens with an f/2.8 aperture</li>	<li>Sharp across the entire frame</li>	<li>Ideal for landscapes travel video and online content creation</li>	<li>1:4 maximum magnification for close-up details and macro-style shots</li>	<li>Ultralight 270g weight</li>	<li>62mm long with a compact 67mm filter</li>	<li>Lightweight TSC construction</li>	<li>Stepping motor</li>	<li>Made in Aizu Japan to the highest standards</li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our lens Review</p><p class=sub style=text-align: center;>Learn more about the features which can transform your content in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/sigma-10-18mm-f28-lens-for-canon-rf-review_rf-05-9 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><p>Learn more about the impressive features which can transform your content creation in our latest review. <a href=https://www.parkcameras.com/blog/reviews/sigma-10-18mm-f28-lens-for-canon-rf-review_rf-05-9 target=_blank>Read our Lens Review</a></p><h2>Sigma 10-18mm f/2.8 DC DN Contemporary Lens For Canon RF Mount in More Detail</h2><h3>Super sharp optical design</h3><p>At under 300g this is an extremely lightweight lens yet the 10-18mm F2.8 DC DN   Contemporary delivers fantastic optical quality at all aperture values including when shooting wide open at f/2.8. Optical performance is maintained across the entire frame with excellent levels of detail right into the corners of the image.&nbsp;</p><p>The lens has an optical design made up of 13 elements in 10 groups including 4 aspherical elements 1 SLD element and 3 FLD elements. These deliver sharp results and work together with in-camera corrections to eliminate chromatic aberration flare distortion and vignetting.</p><p>Sigma&rsquo;s Super Multi-Layer Coating also helps to reduce flare and ghosting when shooting in bright sunlight and backlighting which is particularly important at the wider end of the zoom range.</p><p><img alt=sigma-10-18mm-f2.8-sample-02 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-10-18mm-f2.8-sample-02.jpg onerror=getImage(this); title=sigma-10-18mm-f2.8-sample-02 /></p><p><em>Sample 02 &copy;Kanamori Reina Taken with Canon R10. Camera settings: 1/400 sec. f/2.8. ISO 100</em></p><h3>Built tough for on-the-go creators</h3><p>As with other <a href=https://www.parkcameras.com/lenses/sigma/>Sigma lenses</a> the 10-18mm f/2.8 DC DN Contemporary has a barrel made from a Thermally Stable Composite (TSC). As well as being stylish and strong this material has a similar thermal expansion&nbsp;rate&nbsp;to aluminium meaning that the metal&nbsp;interior&nbsp;of the lens and the TSC exterior behave in the same way as temperature changes.</p><p>An internal focus mechanism ensures the lens always remains the same length when the subject distance changes. This makes it well suited to gimbal use due to a relatively constant centre of gravity and it also means the end of the lens doesn&rsquo;t rotate when focusing which is ideal when shooting with camera <a href=https://www.parkcameras.com/lenses/lens-filters/>lens filters</a>.</p><p><img alt=sigma-10-18mm-f2.8-sample-03 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-10-18mm-f2.8-sample-03.jpg onerror=getImage(this); title=sigma-10-18mm-f2.8-sample-03 /></p><p><em>Sample 03 &copy;Dave Brosha Taken with Canon R7. Camera settings: 1/1000 sec. f/16. ISO 200</em></p><h3>Fast quiet and accurate focus</h3><p>A stepping motor delivers smooth fast and accurate AF for both stills and video. The lens also features lighter glass elements in the focus lens group which ensure responsive autofocus that is fully compatible with all the latest camera technology found in Canon cameras. A durable brass mount is surrounded by a rubber seal to help keep out dust and moisture too resulting in the perfect ultra wide travel lens which you can vlog with and capture everyday snapshots.</p><h3>Great for close-up content</h3><p>The Sigma 10-18mm lens has a maximum magnification ratio of 1:4 giving it a minimum working distance (sensor to the front of the lens) of just 11.6cm. This makes it a great option for close-up photography to capture subjects like food insects flowers and other macro-style subjects.</p><p><img alt=sigma-10-18mm-f2.8-sample-04 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/sigma-10-18mm-f2.8-sample-04.jpg onerror=getImage(this); title=sigma-10-18mm-f2.8-sample-04 /></p><p><em>Sample 04 &copy;Kanamori Reina Taken with Canon R10. Camera settings: 1/80 sec. f/2.8. ISO 320</em></p><h3>Well controlled distortion</h3><p>Lens distortion is virtually eliminated across the whole zoom range in this Sigma Contemporary lens. A combination of optical correction and in-camera digital correction ensures that straight lines such as the horizon or the sides of buildings remain straight in your shots for a more realistic result.</p><h3>Complementary lenses</h3><p>When paired with the previously launched <a href=https://www.parkcameras.com/shop/sigma-18-50mm-f28-dc-dn-contemporary-lens-for-canon-rf-mount_g246269c>Sigma 18-50mm F/2.8 DC DN Contemporary Lens For Canon RF Mount</a> creators gain a lightweight duo of portable zooms covering ultra wide to short telephoto ranges. Between these two lenses you can capture virtually any subject including video and travel.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Sigma 10-18mm f/2.8 DC DN Contemporary Lens For Canon RF Mount</li>	<li>Lens hood LH706-02</li>	<li>Front cap LCF-67 III</li>	<li>Rear cap LCR II</li></ul><h2>Sigma 10-18mm f/2.8 DC DN Contemporary Lens For Canon RF Mount Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td>			<p>Lens Construction</p>			</td>			<td>			<p>13 elements in 10 groups (3 FLD 1 SLD and 4 aspherical lenses)</p>			</td>		</tr>		<tr>			<td>			<p>Angle of View (APS-C)</p>			</td>			<td>			<p>106.6&deg; (W) - 73.4&deg; (T)</p>			</td>		</tr>		<tr>			<td>			<p>Number of Diaphragm Blades</p>			</td>			<td>			<p>7 (rounded diaphragm)</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Aperture</p>			</td>			<td>			<p>F22</p>			</td>		</tr>		<tr>			<td>			<p>Minimum Focusing Distance</p>			</td>			<td>			<p>11.6cm (W) - 19.1cm (T)</p>			</td>		</tr>		<tr>			<td>			<p>Maximum Magnification Ratio</p>			</td>			<td>			<p>1:4 (W) - 1:6.9 (T)</p>			</td>		</tr>		<tr>			<td>			<p>Filter size</p>			</td>			<td>			<p>&phi;67mm</p>			</td>		</tr>		<tr>			<td>			<p>Dimensions (Diameter x Length)</p>			</td>			<td>			<p>&phi;72.2mm x 62.0mm</p>			</td>		</tr>		<tr>			<td>			<p>Weight</p>			</td>			<td>			<p>270g</p>			</td>		</tr>	</tbody></table> 

Sigma 10-18mm F2.8 DC DN Contemporary Lens for Canon RF Mount

The Sigma 10-18mm f/2.8 DC DN Contemporary Lens for Canon RF Mount is a versatile zoom designed exclusively for Canon's crop sensor cameras which offers superb results for both stills photo and video creators.

<div class=parks_optable><div class=summary><p>The MF 85mm F1.4 RF is a fast-aperture manual-focus short telephoto prime and is one of Samyang&#39;s first lenses for the Canon RF mount. It produces incredible vivid colours with soft pleasing out-of-focus areas (bokeh). This lens provides a tool that creative photographers dream about.<br /><br />The MF 85mm F1.4 RF is designed with a bright F1.4 maximum aperture and is perfect for low light photography. With its rounded aperture having 8 curved blades the MF 85mm F1.4 RF creates a luscious mood in your photographs with beautiful bokeh especially in portraits and city light shots where the background is out of focus.<br /><br />The use of Samyang&#39;s world-class optics technology and Hybrid-Aspherical lens elements produces extremely high resolution images. Flare and ghosting effects are also controlled by Samyang&#39;s ultra-multi-coating technology. The MF 14mm F2.8 RF incorporates weather sealing which provides protection from light rain and snow.</p><p>Features</p><ul>	<li>Image Sensor size: Full frame 35mm</li>	<li>Focal length: 85mm</li>	<li>Maximum aperture: f/1.4</li>	<li>Filter Diameter: 72mm</li>	<li>Angle of view: 28.3 degrees</li>	<li>Minimum focus distance: 1m</li>	<li>Focus type: manual</li>	<li>Lens construction: 9 elements in 7 groups (1 Hybrid-Aspherical)</li>	<li>Number of diaphragm blades: 8</li>	<li>Dimensions (max): 78mm diameter x 98.7mm</li></ul></div></div> 

Samyang MF 85mm f/1.4 Lens Canon RF Mirrorless

The Samyang MF 85mm lens for Canon mirrorless RF-mount produces vivid colours soft bokeh at fast f/1.4 aperture & boasts a hybrid aspherical element for high resolution results with contrast & clarity.

<h2>Laowa 58mm f/2.8 2x Ultra-Macro APO Lens for Canon RF Summary</h2><p>Joining three existing <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/>mirrorless RF lenses</a> is this Laowa&nbsp;58mm&nbsp;f/2.8&nbsp;2x&nbsp;Ultra-Macro&nbsp;APO Lens for Canon RF mount. It provides a standard 58mm focal width when mounted on full-frame <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>mirrorless EOS R cameras</a> with the ability to manual focus from 2:1 magnification to infinity. This allows you to capture up to 2x macro close-ups as well as portraits and other subjects suited to a standard 40.9&deg; field of view.</p><p>The 2x magnification renders incredible double life-sized macro images of anything from nature images to product photography and anything in between. Users can get as close as 18.5cm to their subject ensures you can fill the frame if desired while the bright f/2.8 aperture and 13-bladed aperture design capture smooth out of focus areas with pleasing rounded bokeh.</p><p>Results are detailed and sharp even at the minimum focusing distance with well-controlled pin cushioning minimal vignetting and chromatic aberration thanks to the apochromatic (APO) design by <a href=https://www.parkcameras.com/brand/laowa/>Laowa</a>.</p><h3>Key Laowa&nbsp;58mm&nbsp;f/2.8&nbsp;2x&nbsp;Ultra-Macro&nbsp;APO Lens Features</h3><ul>	<li>Full-frame manual focus standard focal width 2x magnification macro prime</li>	<li>Focus from 2:1 magnification to infinity</li>	<li>Well-controlled chromatic aberration from apochromatic (APO) design</li>	<li>Excellent build quality with metal parts and brushed black paint</li>	<li>Aperture ring with click stops and smooth metallic manual focus ring</li>	<li>Good contrast with sharp details even at extreme close minimum focus range</li>	<li>Minimal pin cushion distortion with low levels of vignetting</li>	<li>Smoothly rendered out of focus areas and pleasing bokeh</li>	<li>Compact 67mm thread for adding <a href=https://www.parkcameras.com/lenses/lens-filters/>lens filters</a></li></ul><h2>Laowa&nbsp;58mm&nbsp;f/2.8&nbsp;2x&nbsp;Ultra-Macro&nbsp;APO Lens for Canon RF in More Detail</h2><p>This lens is similar to other macro <a href=https://www.parkcameras.com/lenses/laowa/>Laowa lenses</a> which are able to focus from 2:1 magnification to infinity serving as both a macro and portrait lens. It has 14 elements in 11 groups which includes 3 extra-low dispersion (ED) glasses and 3 glasses with Ultra-High Refractive Index which produces pictures with outstanding sharpness and is lightweight enough at around 595g to be easily carried around.</p><h3>Up to 2x Magnification with Apochromat APO design</h3><p>This 58mm lens can focus infinity to 2x magnification along with a minimum focusing distance of 18.5cm so it can serve as a portrait lens with 40.9&deg; angle of view. Chromatic aberration (CA) at both <em>in-focus</em> and <em>out-of-focus areas</em> (Longitudinal CA) is especially well controlled reducing time spent editing and helping to get great results straight out of the camera.</p><h3>Excellent sharpness</h3><p>The optical design includes 3 ED glasses and 3 glasses with Ultra-High Refractive Index which delivers sharp details and high contrast perfect for high-resolution sensors found in Canon cameras.</p><h3>Deeper DOF (depth of field)</h3><p>With a shorter 58mm focal length than most macro lenses including Laowa&rsquo;s own <a href=https://www.parkcameras.com/shop/laowa-90mm-f28-2x-ultra-macro-apo-lens-for-canon-rf_l242990s>90mm F/2.8 2x Ultra Macro APO Lens For Canon RF</a> the 58mm&nbsp;f/2.8&nbsp;2x lens can create images with a deeper depth of field which is beneficial when the photographer hopes to create visual narratives through environmental close-ups by including more of the scene. It can also help to reduce the need for focus stacking thanks to fewer images being required as more of the subject is in focus.</p><h3>Internal Focusing</h3><p>The lens design is based around internal focusing which reduces the chance of collision between the lens and a subject as well as reducing the amount of dust from falling into the lens.</p><h3>Pleasing bokeh rendition</h3><p>With13 aperture blades the lens is able to create pleasing rounded bokeh balls with soft out of focus areas.</p><h3>Laowa&nbsp;58mm&nbsp;f/2.8&nbsp;2x&nbsp;Ultra-Macro&nbsp;APO Lens Sample photos</h3><p><img alt=laowa-58mm-lens-sample01 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-58mm-lens-sample01.webp onerror=getImage(this); title=laowa-58mm-lens-sample01 /></p><p>&copy; Dustin Abbot</p><p><img alt=laowa-58mm-lens-sample02 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-58mm-lens-sample02.webp onerror=getImage(this); title=laowa-58mm-lens-sample02 /></p><p>&copy; Dustin Abbot</p><p><img alt=laowa-58mm-lens-sample03 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-58mm-lens-sample03.webp onerror=getImage(this); title=laowa-58mm-lens-sample03 /></p><p>&copy; Dustin Abbot</p><p><img alt=laowa-58mm-lens-sample04 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-58mm-lens-sample04.webp onerror=getImage(this); title=laowa-58mm-lens-sample04 /></p><p>&copy; Micael Widell</p> 

Laowa 58mm f/2.8 2x Ultra-Macro APO Lens for Canon RF

The Laowa 58mm f/2.8 2x Ultra-Macro APO for Canon RF is a manual-only full-frame prime which captures unique double life-sized close-ups that can also be used for portraits and as a standard 58mm lens.

<h2>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount Summary</h2><p>Sigma continues to expand its lineup for Canon with the Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount bringing its longest-ever zoom range to APS-C <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>Canon mirrorless cameras</a>. With an extensive 18.8x zoom ratio this all-in-one zoom provides an equivalent focal length of 25.6-480mm which is one of the most versatile options available for crop sensor RF users. With wide angles you can capture landscapes through to medium telephoto portraits and even distant subjects like wildlife and sports ensuring that this superzoom covers it all in a single compact package.</p><p>Despite its extensive range the lens is lightweight and travel-friendly weighing in at just 550g. It also features Optical Stabilisation (OS2) which enables users to capture sharper handheld shots and shoot in low light situations while still getting keepers. Sigma&rsquo;s High-response Linear Actuator (HLA) motor provides fast quiet autofocus while a minimum focus distance of 39cm allows for close-up shots with a maximum magnification of 0.34x.</p><p>Sigma&rsquo;s optical design includes special elements including FLD SLD and aspherical elements in order to deliver strong optical performance while reducing chromatic aberrations and distortions across the whole zoom range. For Canon RF creators looking for an all-in-one lens with uncompromising reach the Sigma 16-300mm is an exciting addition to Sigma&rsquo;s growing RF lineup.</p><h3>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens Key Features</h3><ul> <li>18.8x zoom range from 16-300mm (24-450mm full-frame equivalent)</li> <li>Advanced optical design includes 1 FLD 4 SLD and 4 aspherical elements to control aberrations</li> <li>9 rounded diaphragm aperture blades</li> <li>Sigma&rsquo;s HLA motor for fast and precise focusing</li> <li>OS2 algorithm provides up to 6 stops of optical image stabilisation</li> <li>1:2 macro capability at 70mm</li> <li>Zoom Lock switch</li> <li>Weather-resistant construction</li> <li>Measures just 121.4mm</li> <li>Weighs 615g</li></ul><h2>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount in More Detail</h2><h3>Ultra Versatile Zoom Range</h3><p>The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary is the world&rsquo;s first APS-C mirrorless lens with an 18.8x zoom ratio. It covers an extensive focal length from wide-angle to super-telephoto allowing you to adapt to a variety of shooting situations from travel and landscapes to wildlife and sports with just this single all-in-one superzoom.</p><p>This versatility means that photographers can switch between capturing epic scenery at 16mm to incredible telephoto shots at 300mm without needing to change lenses.</p><h3>Outstanding Close-up Performance</h3><p>A key feature of this zoom is its 1:2 macro capability at 70mm which allows for frame-filling close-up photography and video content creation. A tele-macro is ideal for capturing detailed shots of flowers insects and more and the lens provides sharp and detailed results at short focusing distances of just 17cm at the wide end to 105cm at telephoto end of the range.</p><h3>Advanced Autofocus and Optical Stabilisation</h3><p>Fast and accurate autofocus is powered by Sigma&rsquo;s familiar High-response Linear Actuator (HLA) which ensures smooth subject tracking even when capturing fast-moving subjects like birds or sports and action.</p><p>The optical stabilisation system delivers 6 stops of shake compensation at 16mm and 4.5 stops at 300mm making handheld shooting far more effective particularly in low-light conditions or at long focal lengths.</p><h3>Portable and reliable</h3><p>Despite such extensive zoom capabilities the lens is very portable with a weight of just 615g. Its construction includes Sigma&rsquo;s signature dust and splash-resistant structure which provides the confidence to shoot outdoors during poor conditions. The front element is also coated with a water and oil-repellent coat which helps to keep the glass cleaner and free from dust and smears even in adverse weather.</p><h3>Optical Quality</h3><p>Sigma&rsquo;s advanced optical formula includes 1 FLD (low-dispersion) 4 SLD (super-low dispersion) and 4 aspherical elements. This combination reduces chromatic aberrations distortion and ghosting maintaining high image quality across the entire zoom range. The lens also includes a rounded diaphragm thanks to 9 aperture blades which allows you to capture smooth bokeh balls and create soft defocus effects when shooting wide open.</p><p>Additionally the lens is able to suppress focus breathing which is ideal for video work as well as stills photography when focus stacking.</p><h3>What&rsquo;s in the box</h3><ul> <li>Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount</li> <li>Lens Hood LH706-03</li> <li>Front Cap LCF-67 IV</li> <li>Rear Cap LCR III</li> <li>Pouch</li></ul> 

Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount

The Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount is a high-performance crop-sensor superzoom lens for EOS R mirrorless cameras which delivers stabilisation and uncompromising image quality.

<p><a href=/canon-lens-reward/ target=_blank><img alt=canon lens reward src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/canon-lens-reward-sep-2023/lens-reward-on-lens-page-200.jpg width=100% /></a></p><h2>Canon RF 24-105mm f/2.8 L IS USM Z Lens Summary</h2><p>In order to cater to the requirements of professional hybrid creators <a href=https://www.parkcameras.com/brand/canon/><font color=#0066cc>Canon</font></a> has introduced a new line of hybrid <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>mirrorless RF lenses</font></a>. This initiative begins with the <strong>Canon RF 24-105mm f/2.8 L IS USM Z Lens</strong> which combines professional image quality with a highly versatile standard zoom range.</p><p>The all-new hybrid lens boasts a constant f/2.8 aperture throughout the range along with highly flexible aperture control through an 11-blade rounded design which features 32 steps between stops and an auto position iris lock with release switch.</p><p>Aside from versatile aperture control and the ability to capture a truly cinematic look users gain an optical design with electronic parfocal feature which renders high image quality while reducing the effects of focus breathing. The lens is compatible with correction functions and transfers lens metadata for a more streamlined post production workflow.</p><p>Built-in optical image stabilisation provides a 5.5-stop advantage against camera shake while pairing with an IBIS equipped <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/><font color=#0066cc>Canon mirrorless camera</font></a> sees this increase up to an incredible 8-stops of coordinated IBIS stabilisation. Whether shooting handheld or with a <a href=https://www.parkcameras.com/video/gimbals-stabilisers-and-video-rigs/><font color=#0066cc>gimbal stabiliser</font></a> this level of IS provides a distinct advantage resulting in extremely stable images in any lighting conditions.</p><p>When shooting in AF the lens makes use of dual Nano USM motors for smooth fast and quiet autofocus and the AF system facilitates electronic parfocal stability. Additional pro-level features include two lens function buttons and a signature control ring for intuitive operation and user customisation.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/qG-NnVvGDk8?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/qG-NnVvGDk8?rel=0></iframe></div></div><h3>Key Canon RF 24-105mm f/2.8 IS USM Lens Features</h3><ul>	<li>Professional standard zoom lens for hybrid video and stills creators</li>	<li>Capture a cinematic look across a variety of scenes with a single lens</li>	<li>Preferred standard zoom range reduces the need to switch lenses</li>	<li>Electronic parfocal design and minimal focus breathing</li>	<li>Captures a cinematic look and records lens metadata for post production workflows</li>	<li>5.5-stop image stabiliser rising to 8-stops when coordinated with IBIS</li>	<li>11-blade circular aperture with auto position iris lock and stepless operation</li>	<li>Two lens function buttons and a customisable control ring</li>	<li>ASC Super Spectra and Fluorine Coating</li>	<li>Optional Power Zoom Grip <a href=https://www.parkcameras.com/shop/canon-pz-e2-power-zoom-adapter_1246053f>Canon PZ-E2</a> and&nbsp;Canon <a href=https://www.parkcameras.com/shop/canon-pz-e2b-power-zoom-adapter_1246053g>PZ-E2B</a></li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our 3 new Canon lenses Review</p><p class=sub style=text-align: center;>Learn more about the impressive features which can help elevate your photography in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/3-new-canon-mirrorless-lenses-launched-2023_rf-2-11 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><h2>Canon RF 24-105mm f/2.8 L IS USM Z Lens in More Detail</h2><h3>A new line in hybrid lenses</h3><p>The arrival of the Canon RF 24-105mm f/2.8 L IS USM Z Lens heralds a new era for Canon creators who capture stills and record video. The fast standard zoom amalgamates many of the best features from the RF lens range with those from broadcast and cinema lenses.</p><p>The result is a versatile user friendly and advanced zoom which is packed with technology capable of achieving equally professional results for filmmaking and photography. It offers exceptional image quality and benefits from the versatility to capture a cinematic look setting new standards for hybrid content creation.</p><p>In summary the lens provides the following hybrid features:</p><ul>	<li>Dual Nano USM motors</li>	<li>Image stabilisation</li>	<li>Power supplied via RF mount</li>	<li>Correction functions</li>	<li>Customisable control ring and function buttons</li>	<li>Electronic parfocal control</li>	<li>Minimal focus breathing</li>	<li>Stepless iris ring</li>	<li>Lens metadata</li>	<li>Servo control</li>	<li>Auto iris</li>	<li>Virtual system compatibility</li>	<li>Remote control</li></ul><h3>For professional photographers</h3><p>Professionals photographers benefit from a preferable 24-105mm zoom range which is matched by a constant f/2.8 aperture and 11-blade rounded diaphragm. This enables you to shoot creatively with a shallow depth of field to separate the subject while creating beautifully rounded bokeh and soft defocus areas in the image.</p><h3>Coordinated image stabilisation</h3><p>This lens takes advantage of up to 5.5-stops of optical image stabilisation which increases to 8-stops when combined with a compatible body which features IBIS. The benefits of improved IS are multifaceted with shake-free results at relatively slow speeds lower ISO and sharper results in low light.</p><p>Combined image stabilisation is effective even when recording from a gimbal stabiliser ensuring smooth footage is captured in virtually any scenario.</p><h3>Professional image quality</h3><p>Canon&rsquo;s optical design for the RF 24-105mm f/2.8 incorporates four UD (ultra-low dispersion) elements and three aspherical elements. UD glass shares characteristics with fluorite such as having a low refractive index and low dispersion properties. While it may not match the performance of fluorite its capabilities are notably superior to regular optical glass.</p><p>Canon&#39;s incorporation of UD glass has enabled them to produce a lens that delivers outstanding performance while remaining competitively priced compared to previous offerings.</p><p>The inclusion of aspherical lens elements helps to compensate for distortion at the wide end of the zoom range and compensate for spherical aberrations with the large maximum aperture. All of this know-how translates into stunning results for both stills and video with breathtaking clarity and effectively controlled image artefacts which will wow any audience.</p><h3>Iris ring control</h3><p>Although advantageous for photography advanced iris control will be of special interest for filmmaking projects where the RF 24-105mm f/2.8 IS USM lens provides highly flexible control. Smooth and silent operation with 32 steps between stops and a lock release switch for Auto setting allow you to take complete control over the aperture even in completely silent recording settings.</p><p>Whether you need to adjust exposure or depth of field you can do so with complete confidence with the RF 24-105mm f/2.8 lens.</p><h3>Dual Nano USM motor</h3><p>The newly developed hybrid lens adopts Canon&rsquo;s Dual Nano USM motor which was first seen in the groundbreaking <a href=https://www.parkcameras.com/shop/canon-rf-70-200mm-f28l-is-usm-telephoto-zoom-lens_1242590l><font color=#0066cc>Canon RF 70-200mm F/2.8L IS USM lens</font></a>. This system provides effective AF control with rapid and silent continuous focusing which is perfect for stills and video.</p><h3>Sample Images</h3><p><img alt=canon-rf-24-105mm-sample-01 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-24-105mm-sample-01.webp onerror=getImage(this); title=canon-rf-24-105mm-sample-01 /></p><p>Sample 01 seascape with EOS R5 @ 105mm. Camera settings: 1/500sec. f/4. ISO 100</p><p><img alt=canon-rf-24-105mm-sample-02 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-24-105mm-sample-02.webp onerror=getImage(this); title=canon-rf-24-105mm-sample-02 /></p><p>Sample 02 park with EOS R5 @ 60mm. Camera settings: 1/200sec. f/8. ISO 1600</p><p><img alt=canon-rf-24-105mm-sample-03 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-24-105mm-sample-03.webp onerror=getImage(this); title=canon-rf-24-105mm-sample-03 /></p><p>Sample 03 trees with EOS R5 @ 60mm. Camera settings: 1/160sec. f/4. ISO 640</p><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF 24-105mm f/2.8 L IS USM Z Lens</li>	<li>Canon EW-88E Lens Hood</li>	<li>Canon E-82 II Lens Cap</li>	<li>Canon Lens Dust Cap RF</li>	<li>Canon LZ1326B Lens Case</li></ul> 

Canon RF 24-105mm f/2.8 L IS USM Z Lens

With an all-new design the hybrid Canon RF 24-105mm f/2.8 L IS USM Z Lens merges professional stills and video capabilities into one zoom with a constant f/2.8 aperture and an 11-bladed diaphragm.

<p><a href=/canon-lens-reward/ target=_blank><img alt=canon lens reward src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/canon-lens-reward-sep-2023/lens-reward-on-lens-page-200.jpg width=100% /></a></p><h2>Canon RF 100-300mm f/2.8 L IS USM Lens Summary</h2><p><a href=https://www.parkcameras.com/brand/canon/><font color=#0066cc>Canon</font></a> is bolstering the professional <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>RF lens range</font></a> with the addition of this Canon RF 100-300mm f/2.8 L IS USM Lens a fast telephoto zoom which is lightest in its class. It arrives packed with features for professional indoor and outdoor sports photographers highlighting the benefits of the <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/><font color=#0066cc>Canon mirrorless camera</font></a> system combining the brightness of a prime with the flexibility of a zoom.</p><p>The newly developed telephoto lens boasts a bright constant aperture throughout the zoom range fast Dual Nano USM focus motors and 5.5-stops of optical image stabilisation which rises to 6-stops when paired with compatible EOS R cameras with IBIS. These include models such as full-frame <a href=https://www.parkcameras.com/shop/canon-eos-r3-mirrorless-digital-camera-body_1012101r><font color=#0066cc>R3</font></a> and <a href=https://www.parkcameras.com/shop/canon-eos-r5-mirrorless-digital-camera-body_1012102r><font color=#0066cc>R5</font></a> along with the formidable APS-C format <a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r><font color=#0066cc>R7</font></a> and its 1.6x crop factor.</p><p>The benefits for mirrorless shooters don&rsquo;t stop there as the RF 100-300mm f/2.8 L IS USM also includes a brand new lens function/focus preset button four further customisable buttons and extensive weather sealing of outdoor assignments. You can even extend the reach by using either of Canon&rsquo;s RF Extenders giving you the versatility of a 200-600mm telephoto zoom for wildlife surveillance and much more. This model is also proficient for video with minimised focus breathing and breathing correction compatibility.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/uDNZkvO2gzw?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/uDNZkvO2gzw?rel=0></iframe></div></div><h3>Key Canon RF 100-300mm f/2.8 L IS USM Lens Features</h3><ul>	<li>Fast telephoto zoom with constant f/2.8 aperture</li>	<li>Legendary L Series quality and durability</li>	<li>Lightest in its class at 2.59kg</li>	<li>Lightning quick Dual Nano USM focus motors</li>	<li>5.5-stops optical image stabilisation rising to 6-stops with compatible mirrorless cameras</li>	<li>Professional controls including a new lens function/focus preset button</li>	<li>Four customisable lens function buttons</li>	<li>Supports lens breathing correction</li>	<li>9-bladed aperture design</li>	<li>Comprehensive weather sealing and heat shield white coat.</li>	<li>Compatible with <a href=https://www.parkcameras.com/shop/canon-extender-rf-14x_1242740b><font color=#0066cc>Extender RF 1.4x</font></a> and <a href=https://www.parkcameras.com/shop/canon-extender-rf-20x_1242745b><font color=#0066cc>Extender RF 2x</font></a></li></ul><h2>Canon RF 100-300mm f/2.8 L IS USM Lens in More Detail</h2><h3>Smaller lighter and faster</h3><p>By using Fast Dual Nano focus motors Canon has improved the electronic floating control which alongside other developments provides a series of benefits. The size and weight has been reduced compared to its DSLR counterpart image quality is improved as well as focus speed which is lightning quick. For videography this zoom shows minimal focus breathing and is also compatible with lens breathing correction with real-time software alteration.</p><p><img alt=Sample 01 football @188mm with the R3 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/Canon-RF-100-300mm-sample-images/Canon-rf-100-300mm-lens-sample-01.jpg onerror=getImage(this); /></p><p><em>Sample 01 football @188mm with the <a href=https://www.parkcameras.com/shop/canon-eos-r3-mirrorless-digital-camera-body_1012101r>R3</a>. Camera settings: 1/2000 sec. f/2.8. ISO 125</em></p><h3>High performance optical design</h3><p>A series of special lens coatings and special glass elements have been adopted in the Canon RF 100-300mm f/2.8 L IS USM Lens optics in order to deliver impeccable results across the frame. These include:</p><ul>	<li><strong>4 ultra-low dispersion</strong> elements to control aberrations 1 Fluorite element and 1 glass moulded aspherical lens element.</li>	<li><strong>Air Sphere coating</strong> (ASC) has been added to reduce flare and reflections</li>	<li><strong>Super Spectra Coating</strong> minimises internal light refractions in order to achieve higher contrast</li></ul><h3>Big zoom smaller lens</h3><p>Despite offering a versatile 100-300mm telephoto zoom range the RF 100-300mm f/2.8 L IS USM remains compact and lightweight. At 128mm the diameter is the same as the notorious <a href=https://www.parkcameras.com/used/lenses/canon/used-canon-300mm-f-2-8l-is-usm-ii-ef-mount/><font color=#0066cc>EF 300mm F/2.8L IS II USM (used)</font></a> which facilitates 112mm <a href=https://www.parkcameras.com/lenses/lens-filters/><font color=#0066cc>lens filters</font></a> while the overall length is just 248mm. It also weighs a class-leading 2.59kg for handheld shooting and portability although many photographers will still harness the benefits of a <a href=https://www.parkcameras.com/tripods/monopods/><font color=#0066cc>monopod</font></a> when required.</p><p><img alt=Sample 02 swimming @300mm with the R3 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/Canon-RF-100-300mm-sample-images/Canon-rf-100-300mm-lens-sample-02.jpg onerror=getImage(this); /></p><p><em>Sample 02 swimming @300mm with the <a href=https://www.parkcameras.com/shop/canon-eos-r3-mirrorless-digital-camera-body_1012101r>R3</a>. Camera settings: 1/1600 sec. f/2.8. ISO 6400</em></p><h3>Professional controls at your fingertips</h3><p>As with all professional Canon RF lenses the RF 100-300mm offers extensive control and customisation in support of streamlined workflows. These include:</p><ol>	<li>A new lens function button which works with the existing AF stop buttons</li>	<li>A new lens function/focus preset button on the barrel can be reached while holding the grip</li>	<li>Four customisable lens function buttons at the front of the barrel can be assigned with camera functions</li>	<li>A de-clickable control ring</li></ol><h3>RF Extender compatible</h3><p>By adding one of Canon&rsquo;s RF Extenders you can reach 140-420mm with <a href=https://www.parkcameras.com/shop/canon-extender-rf-14x_1242740b><font color=#0066cc>Extender RF 1.4x</font></a> at f/4 and 200-600mm using the <a href=https://www.parkcameras.com/shop/canon-extender-rf-20x_1242745b><font color=#0066cc>Extender RF 2x</font></a> at f/5.6 with a full-frame camera.</p><p>When using an APS-C body the lens gives a reach of 160-480mm natively which rises to 224-672mm and 320-960mm with the 1.4x and 2x respectively for extremely distant subjects.</p><p><img alt=Sample 03 agency @300mm with the R3 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/Canon-RF-100-300mm-sample-images/Canon-rf-100-300mm-lens-sample-03.jpg onerror=getImage(this); /></p><p><em>Sample 03 agency @300mm with the <a href=https://www.parkcameras.com/shop/canon-eos-r3-mirrorless-digital-camera-body_1012101r>R3</a>. Camera settings: 1/250 sec. f/2.8. ISO 400</em></p><h3>Ready for the elements</h3><p>If you shoot outdoors you can be confident that this zoom is ready for the elements with weather sealing which matches Canon super telephoto L series lenses. Canon&rsquo;s signature heat shield white coat has also been employed to protect the lens when working in extremely hot environments.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF 100-300mm f/2.8 L IS USM Lens for EOS R mirrorless cameras</li>	<li>E112 lens cap</li>	<li>ET-124 lens hood</li>	<li>L100-300 soft lens case</li></ul><p><img alt=Sample 04 indoor  table tennis @300mm with the R3 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/Canon-RF-100-300mm-sample-images/Canon-rf-100-300mm-lens-sample-04.jpg onerror=getImage(this); /></p><p><em>Sample 04 table tennis @300mm with the <a href=https://www.parkcameras.com/shop/canon-eos-r3-mirrorless-digital-camera-body_1012101r>R3</a>. Camera settings: 1/2000 sec. f/2.8. ISO 6400</em></p><h2>Canon RF 100-300mm f/2.8 L IS USM Lens Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td>			<p>Maximum aperture</p>			</td>			<td>			<p>f/2.8</p>			</td>		</tr>		<tr>			<td>			<p>Optical IS</p>			</td>			<td>			<p>5.5-stop (6-stop with IBIS)</p>			</td>		</tr>		<tr>			<td>			<p>Minimum focusing distance</p>			</td>			<td>			<p>1.8m</p>			</td>		</tr>		<tr>			<td>			<p>Maximum magnification</p>			</td>			<td>			<p>0.16x</p>			</td>		</tr>		<tr>			<td>			<p>Aperture blades</p>			</td>			<td>			<p>9</p>			</td>		</tr>		<tr>			<td>			<p>Dimensions (L x W )</p>			</td>			<td>			<p>323.4 x 128mm</p>			</td>		</tr>		<tr>			<td>			<p>Weight</p>			</td>			<td>			<p>2590g</p>			</td>		</tr>	</tbody></table> 

Canon RF 100-300mm f/2.8 L IS USM Lens

The Canon RF 100-300mm f/2.8 L IS USM Lens is the lightest zoom in its class yet delivers a bright constant aperture fast Dual Nano USM focus motors and 5.5-stops IS with professional L series durability.

<h2>Canon RF 70-200mm f/2.8L IS Z Lens White Summary</h2><p>The Canon RF 70-200mm f/2.8L IS Z Lens White is a fast telephoto zoom designed for hybrid stills and video content creation which combines L-series quality with excellent image performance. This is Canon&rsquo;s first RF 70-200mm lens featuring an internal zoom mechanism which maintains the lens&#39; length while zooming in and out.</p><p>This <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/><font color=#0066cc>mirrorless RF lens</font></a> offers a uniquely short 70&ordm; zoom rotation for quick and precise adjustments and includes a manual <em>Iris Ring</em> and customisable controls which provide enhanced handling for enthusiast and professional workflows. Additionally the RF 70-200mm f/2.8L IS Z Lens includes 5.5 stops of optical image stabilisation increasing to 7.5 stops when paired with compatible Canon mirrorless cameras like the <a href=https://www.parkcameras.com/shop/canon-eos-r5-mark-ii-mirrorless-camera-body_1012103r><font color=#0066cc>EOS R5 Mark II</font></a> or <a href=https://www.parkcameras.com/shop/canon-eos-r6-mark-ii-mirrorless-digital-camera-body_1012106k><font color=#0066cc>R6 Mark II</font></a>.</p><p>Its optical formula incorporates Aspheric Super UD and UD elements which ensure sharp well-controlled images with minimal distortion while the 11-blade aperture renders smooth rounded bokeh and beautiful defocus areas enhancing subject separation and prominence in the frame.</p><p>With its versatile zoom range and bright aperture the Canon RF 70-200mm f/2.8L IS Z Lens is ideal for numerous subjects from <em>portraits</em> and <em>lifestyle</em> to <em>weddings</em> <em>sports</em> and indoor <em>action</em>. The lens&#39; smooth and silent AF dedicated aperture ring and zoom rotation also make it a great choice for video creators especially with focus breathing correction enabled.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/sI-kcX8x-dk?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/sI-kcX8x-dk?rel=0></iframe></div></div><h3>Key Canon RF 70-200mm f/2.8L IS Z Features</h3><ul>	<li>Wide aperture telephoto Z lens for stills and video</li>	<li>5.5-stops optical stabilisation up to 7.5-stops with camera IBIS</li>	<li>White version includes a thermal barrier</li>	<li>Manual Iris Ring with silent operation</li>	<li>L-series construction</li>	<li>Internal zoom mechanism</li>	<li>11-blade aperture</li>	<li>Customisable control ring and function button</li>	<li>Short 70&ordm; rotation</li>	<li>High image quality with maximum sharpness</li>	<li>Compatible with Canon RF extenders</li>	<li>Also available in black &ndash;&nbsp;<a href=https://www.parkcameras.com/shop/canon-rf-70-200mm-f28l-is-z-lens-black_1242590x><font color=#0066cc>RF 70-200mm f/2.8L IS Z Lens Black</font></a></li></ul><div class=book-appoint home-comp style=border: 1px solid rgba(0 0 0 0.1); border-image: none; padding-top: 20px; padding-bottom: 20px; margin-top: 30px; margin-bottom: 30px; background-color: rgba(45 77 156 0.05);><div class=cell large-8 medium-8 small-12 style=padding-right: 25px; padding-left: 25px;><p class=head style=text-align: center;>Read our CanonRF 70-200mm f2.8L lens review</p><p class=sub style=text-align: center;>Learn more about the impressive features which can help elevate your photography in our latest review. <a class=button comp-page href=https://www.parkcameras.com/blog/reviews/canon-rf-70-200mm-f28l-is-z-review_rf-30-10 style=margin-right: auto; margin-left: auto; target=_blank>Read our Review</a></p></div></div><h2>Canon RF 70-200mm f/2.8L IS Z Lens White in More Detail</h2><h3>Exceptional image quality</h3><p>Canon&rsquo;s RF 70-200mm f/2.8L IS Z lens offers very high image quality which is rendered by an optical arrangement of special aspherical Ultra-Low Dispersion (UD) lenses and UD lenses. Aspherical lenses are specially designed to correct optical issues like aberrations which can affect image quality. These lenses are particularly useful in wide-angle optics to compensate for distortion and in fast-aperture lenses to minimise spherical aberrations. Additionally aspherical lenses contribute to more compact and lightweight designs compared to conventional lenses.</p><p>UD (Ultra-Low Dispersion) lenses are made with glass that has a low refractive index and low dispersion which helps in reducing chromatic aberrations ensuring better colour accuracy and sharpness.</p><h3>Dual Nano USM AF</h3><p>Dual Nano USM (Ultrasonic Motor) autofocus is a sophisticated system made by Canon to provide smooth fast and near-silent focusing. It combines the strengths ring-type USM which is known for speed and STM (Stepping Motor) which delivers smooth and silent operation.</p><p>This makes the focus system in the RF 70-200mm f/2.8L IS Z ideal for both still photography and video recording allowing for precise and quick subject acquisition while maintaining quiet operation. This is advantageous when shooting video as it prevents unwanted focus noise from being picked up by the microphone as well as for events photographers who want silent operation during a wedding sports event or similar situation.</p><p>Users will appreciate the lens&rsquo; ability to achieve quick and accurate AF in a wide range of areas including sports and action portraits and events photography where these are essential.</p><h3>Extender ready</h3><p>Enjoy even greater reach and versatility with both the <a href=https://www.parkcameras.com/shop/canon-extender-rf-14x_1242740b><font color=#0066cc>Canon Extender RF 1.4x</font></a> and <a href=https://www.parkcameras.com/shop/canon-extender-rf-20x_1242745b><font color=#0066cc>Extender RF 2.0x</font></a> which provide 98-280mm and 140-400mm respectively with one or two stops of light penalty.</p><h3>Fast constant aperture</h3><p>With its fast f/2.8 maximum aperture the RF 70-200mm Z lens is excellent for capturing sharp subjects while achieving a shallow depth of field even in low-light environments. This wide aperture also lets you creatively play with subject separation making it particularly useful for filmmakers portrait photography and situations where isolating the subject is key.</p><p>An 11-blade aperture contributes to image quality overall with smooth defocus areas resulting in beautiful rounded bokeh that enhances images with a shallow depth of field.</p><h3>Intuitive handling</h3><p>The lens features a dedicated Iris Ring for precise manual control when required while a customisable control ring and function button allow for tailored settings perfect for content creators on the move.</p><h3>Exceptional reliability</h3><p>Built to Canon&rsquo;s L-series standards the telephoto zoom lens offers professional levels of reliability with a thermal barrier reflecting heat away on this white version. The addition of a Fluorine coating on the front element also protects against dirt and moisture which reduces the need for frequent cleaning and ensures the lens can endure the most challenging conditions.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF 70-200mm f/2.8L IS Z Lens White</li></ul> 

Canon RF 70-200mm f/2.8L IS Z Lens White

The Canon RF 70-200mm f/2.8L IS Z Lens White is a high-quality zoom for hybrid stills and video creators which achieves excellent results from advanced optics and accurate Dual Nano autofocus.

<div class=parks_opinion><table class=parks_optable><tbody><tr><td class=parks_heading><h2>Panasonic LUMIX S 1.4X DMW-STC14 TeleConverter</h2></td></tr><tr><td class=park_specs><p>Panasonic LUMIX has introduced a&nbsp;new teleConverter&nbsp;for the LUMIX S Series telephoto zoom lenses – a 1.4x teleConverter (DMW-STC14).</p><p>It can be attached to the LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)&nbsp;enabling use as a super telephoto lens with its extended zoom range up to a maximum of 280mm with high-speed high-precision AF. The rugged dust/splash-resistant&nbsp;design withstands use under harsh conditions even in 10 degrees below zero for high mobility.</p><ul><li>1.4X focal length magnification </li><li>7 lenses including 2 UHR lenses in 4 groups</li></ul></td></tr></tbody></table></div> 

Panasonic Lumix S 1.4x Teleconverter Lens DMW-STC14

can be attached to the LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200) enabling use as a super telephoto lens with its extended zoom range up to a maximum of 280mm

<h2>Laowa 12-24mm f/5.6 Zoom Lens for Canon RF Summary</h2><p>Designed for full-frame Canon mirrorless camera users the Laowa 12-24mm f/5.6 Zoom Lens for Canon RF combines portability with creative possibilities.</p><p>With an ultra wide 84&deg; to 121.9&deg; angle of view the 12-24mm f/5.6 for Canon creators delivers excellent results for a variety of subjects including interiors and architecture landscapes and travel. The compact zoom lens is designed for full-frame shooters and features a constant f/5.6 aperture throughout the zoom for good control over depth of field. A close 15cm minimum focusing distance lets you compose dynamic shots with exaggerated perspectives and large foreground elements in your scenes.</p><p>Despite delivering a number of advanced features and high quality optical design the Laowa 12-24mm f/5.6 Zoom Lens for Canon measures just 84mm long and weighs a fraction under 500g. You can also thread lens filters using the convenient 77mm filter thread which is especially useful for outdoor photography. When shooting into light sources you can achieve sharp 10-point sunstars creating dramatic lighting effects and the front element is coated with Laowa&rsquo;s protective Frog eye coat to reduce cleaning time.</p><h3>Key Features</h3><ul>	<li>Ultra wide 12mm to 24mm zoom range with 84</li>	<li>Manual lens designed for full-fr<a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>Canon mirrorless cameras</a></li>	<li>Constant aperture throughout the zoom range</li>	<li>Close 15cm minimum focusing distance from sensor p</li>	<li>Compact ?69.4 x 84mm and lightweight 497g design</li>	<li>77mm filter thread</li>	<li>10-point sunstars from a 5-bladed aperture</li>	<li>Protective Frog eye front element coating</li></ul><h2>Laowa 12-24mm f/5.6 Zoom Lens for Canon RF in More Detail</h2><h3>Ultra wide angle zoom range</h3><p>With a 12-24mm zoom range this versatile Laowa lens is ideal for landscape photography and travel allowing photographers to frame epic compositions and capture the grand scene with ease. Whether shooting tight interior spaces or a vast view you can now compose shots with flexibility and portability from this compact <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/>Canon RF lens</a>.</p><h3>Constant fixed aperture</h3><p>Despite its small physical size the Laowa 12-24mm f/5.6 Lens offers a constant fixed f/5.6 aperture throughout the zoom range. This provides good control over depth of field when changing focal lengths. When combined with the extremely close 15cm minimum focusing distance It can create some really interesting shots with shallow DoF and large foreground subjects.</p><h3>Compact and lightweight design for portability</h3><p>The Laowa zoom is compact measuring ?69.4 x 84mm and weighs 497g. This allows you to bring a versatile ultra wide option for landscapes travel and when capturing cityscape shots without carting too much extra weight around. This is also beneficial when handholding the lens although many photographers will no doubt shoot with a <a href=https://www.parkcameras.com/tripods/>tripod</a> where possible.</p><p>The compact nature of this zoom also provides a convenient 77mm filter thread which allows you to add <a href=https://www.parkcameras.com/lenses/lens-filters/polarising-filters/>polariser filters</a> as well as square filter systems from <a href=https://www.parkcameras.com/lenses/lens-filters/lee/>LEE</a> or <a href=https://www.parkcameras.com/lenses/lens-filters/cokin/>Cokin filters</a>. These are often considered essential when capturing landscapes seascapes and similar subjects where you need to control light and reflections.</p><h3>10-point Sunstars</h3><p>With a 5-bladed aperture design which is found in many <a href=https://www.parkcameras.com/lenses/laowa/>Laowa lenses</a> this 12-24mm f/5.6 Zoom Lens for Canon captures beautiful 10-point sunstars from any bright light source.</p><h3>Laowa Frog Eye Coating (FEC)</h3><p>A water and dust repelling <em>Frog Eye</em> coat on the front element adds a layer of protection from the elements and helps to keep your shots clean.</p><h3>High quality optical design</h3><p>Laowa&rsquo;s optical design renders good sharpness and detail across the frame and throughout the zoom range. The overall design includes 15 elements in 11 groups with 2 aspherical elements and 3 ED elements which deliver great results in a compact manual zoom.</p><h3>Sample Images</h3><p><img alt=laowa-12-24mm-zoom-lens-sample-1 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-12-24mm-zoom-lens-sample-1.webp onerror=getImage(this); title=laowa-12-24mm-zoom-lens-sample-1 /></p><p>&copy;Tristan Todd</p><p><img alt=laowa-12-24mm-zoom-lens-sample-2 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-12-24mm-zoom-lens-sample-2.webp onerror=getImage(this); title=laowa-12-24mm-zoom-lens-sample-2 /></p><p>&copy;Sabine Weise</p><p><img alt=laowa-12-24mm-zoom-lens-sample-3 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-12-24mm-zoom-lens-sample-3.webp onerror=getImage(this); title=laowa-12-24mm-zoom-lens-sample-3 /></p><p>&copy;Alberto Ghizzi Panizza</p><p><img alt=laowa-12-24mm-zoom-lens-sample-4 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/laowa-12-24mm-zoom-lens-sample-4.webp onerror=getImage(this); title=laowa-12-24mm-zoom-lens-sample-4 /></p><p>&copy;Alberto Ghizzi Panizza</p><h3>Specifications</h3><table class=respon-tab>	<tbody>		<tr>			<td>Focal Length</td>			<td>12-24mm</td>		</tr>		<tr>			<td>Aperture</td>			<td>5.6</td>		</tr>		<tr>			<td>Auto Aperture</td>			<td>/</td>		</tr>		<tr>			<td>Angle of view</td>			<td>84&deg; &ndash; 121.9&deg;</td>		</tr>		<tr>			<td>Format Capability</td>			<td>Full Frame</td>		</tr>		<tr>			<td>Focus</td>			<td>Manual</td>		</tr>		<tr>			<td>Lens structure</td>			<td>15 elements in 11 groups</td>		</tr>		<tr>			<td>Aperture blades</td>			<td>5</td>		</tr>		<tr>			<td>Min Focus distance</td>			<td>0.15m</td>		</tr>		<tr>			<td>Filter thread</td>			<td>&oslash;77mm</td>		</tr>		<tr>			<td>Weight</td>			<td>About 497g</td>		</tr>	</tbody></table> 

Laowa 12-24mm f/5.6 Zoom Lens for Canon RF

The highly portable Laowa 12-24mm f/5.6 Zoom Lens for Canon RF full-frame mirrorless users offers a fixed aperture with an ultra wide angle zoom range extremely close minimum focus and 10-point sunstars.

<div class=parks_opinion> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>Panasonic LUMIX S 2.0X DMW-STC20 TeleConverter</h2></td></tr> <tr> <td class=park_specs> <p>Panasonic LUMIX has introduced a&nbsp;new teleConverter&nbsp;for the LUMIX S Series telephoto zoom lenses – a 2.0x teleConverter (DMW-STC20).</p> <p>It can be attached to the LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)&nbsp;enabling use as a super telephoto lens with its extended zoom range up to a maximum of 400mm with high-speed high-precision AF. The rugged dust/splash-resistant&nbsp;design withstands use under harsh conditions even in 10 degrees below zero for high mobility.</p> <ul> <li>2.0X focal length magnification  </li><li>8 lenses including 2 UHR lenses in 4 groups</li></ul></td></tr></tbody></table></div> 

Panasonic Lumix S 2x Teleconverter Lens DMW-STC20

It can be attached to the LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200) enabling use as a super telephoto lens with its extended zoom range up to a maximum of 400mm

<p><a href=/canon-lens-reward/ target=_blank><img alt=canon lens reward src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/canon-lens-reward-sep-2023/lens-reward-on-lens-page-50.jpg width=100% /></a></p><h2>Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens Summary</h2><p>With an equivalent focal width of 29-240mm (full-frame format) the <strong>Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens</strong> offers a versatile ultra wide to telephoto zoom range. It arrives together with the <a href=https://www.parkcameras.com/shop/canon-rf-s-18-45mm-f45-63-is-stm-lens_1242515s>RF-S 18-45mm f/4.5-6.3 IS STM Lens</a> as native crop sensor APS-C format lenses joining Canon&rsquo;s newest APS-C <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>mirrorless EOS R cameras</a>. This crop format delivers 1.6x magnification perfect for sports action and wildlife photographers as well as content creators who capture video.</p><p>With a weight of just 310g this 8.3x optical zoom lens can be easily stowed in your camera bag or mounted on your camera all-day to capture the perfect shot. Canon&rsquo;s STM (Stepping Motor) technology offers fast accurate and quiet focusing particularly when combined with legendary Dual Pixel CMOS AF II which is featured in both the <a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r>EOS R7</a> and <a href=https://www.parkcameras.com/shop/canon-eos-r10-mirrorless-camera-body_1012180r>EOS R10</a> crop sensor camera bodies.</p><p>The RF-S 18-150mm lens also has 4.5-stops of built-in optical stabilisation which rises to 7-stops when mounted on a camera with body stabilisation such as the R7. This provides incredible stability for capturing handheld movie footage as well as stills even when light levels dip significantly.</p><p>Key Features</p><ul>	<li>Super lightweight 310g wide to</li>	<li>1.6x crop factor with 29-240mm full-frame equivalent</li>	<li>Optical image stabilisation with 4.5-stops and up to 7-stops combined with camera IBIS</li>	<li>Fast and quiet STM AF actuator</li>	<li>Canon Super Spectra lens coating</li>	<li>Shoot close-up m</li>	<li>High quality results from special elements including 1x UD 1 x PMo</li>	<li>Compact 55mm <a href=https://www.parkcameras.com/lenses/lens-filters/>lens filter</a> thread</li></ul><h2>Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens in More Detail</h2><h3>Flexible travel lens with amazing reach</h3><p>An 8.3x APS-C zoom packs a useful 29-240mm (35mm equivalent) focal range so you can capture virtually anything which catches your eye. The lens is ideal for landscapes garden wildlife sports and travel light enough at 310g to be stowed in your kit bag without the significant weight you might expect.</p><h3>Sharp handheld images and video</h3><p>Camera shake is a thing of the past with a 4.5-stop optical Image Stabiliser built into the lens. This results in smooth steady video and crisp clear stills when handholding raising to 7-stops with certain cameras using combined IS with IBIS.</p><h3>Smooth quiet focusing</h3><p>A 7-bladed circular f/3.5-6.3 aperture is great for creative out of focus highlights in your image and renders smooth bokeh for expressive shots. An STM motor allows smooth silent and speedy focusing whether shooting stills or movies.</p><h3>Manual focus and macro versatility</h3><p>The Canon RF-S 18-150mm IS STM Lens offers the perfect solution for capturing subjects in glorious detail allowing you to get extremely close to your subject. At 35mm it gives a maximum magnification of 0.59x for near 1:2 macro capabilities.</p><h3>Lightweight and compact</h3><p>The combined weight of the RF-S 18-150mm F3.5-6.3 IS STM and an APS-C mirrorless camera offers significant weight savings compared to a DSLR equivalent set-up. Considering its 8x magnification this has become one of the lightest telephoto zooms in the entire <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/>mirrorless lens range from Canon</a>. The lens is available in a kit combined with both of the new APS-C cameras. Choose between the flagship <a href=https://www.parkcameras.com/shop/canon-eos-r7-with-rf-s-18-150mm-is-stm-lens_1012170k>EOS R7 with RF-S 18-150mm IS STM Lens</a> or the all-rounder <a href=https://www.parkcameras.com/shop/canon-eos-r10-with-rf-s-18-150mm-is-stm-lens_1012180l>EOS R10 with RF-S 18-150mm IS STM Lens</a>.</p><h3>Great results from special lens elements</h3><p>The lens design is made up of 17 elements in 13 groups and includes 1x UD 1 x PMo Aspherical and 1x GMo Aspherical. These help to render excellent details sharpness and well controlled results while keeping the lens as lightweight as possible.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens (APS-C format)</li>	<li>Lens Cap E-55</li>	<li>Lens Dust Cap RF</li></ul><h3>Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens Sample Images</h3><p><img alt=eos-r7-with-18-150mm-lens-sample-1 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/eos-r7-with-18-150mm-lens-sample-1.webp onerror=getImage(this); title=eos-r7-with-18-150mm-lens-sample-1 /></p><p><a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r>EOS R7</a> with <a href=https://www.parkcameras.com/shop/canon-eos-r7-with-rf-s-18-150mm-is-stm-lens_1012170k>Canon RF-S 18-150mm IS STM Lens</a> at 18mm. Camera settings: 1/60 sec. f/11. ISO 25600</p><p><img alt=eos-r7-with-18-150mm-lens-sample-2 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/eos-r7-with-18-150mm-lens-sample-2.webp onerror=getImage(this); title=eos-r7-with-18-150mm-lens-sample-2 /></p><p><a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r>EOS R7</a>&nbsp;with <a href=https://www.parkcameras.com/shop/canon-eos-r7-with-rf-s-18-150mm-is-stm-lens_1012170k>Canon RF-S 18-150mm IS STM Lens</a> at 50mm. Camera settings: 1/25 sec. f/5.6. ISO 100</p><p><img alt=eos-r7-with-18-150mm-lens-sample-3 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/eos-r7-with-18-150mm-lens-sample-3.webp onerror=getImage(this); title=eos-r7-with-18-150mm-lens-sample-3 /></p><p><a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r>EOS R7</a>&nbsp;with <a href=https://www.parkcameras.com/shop/canon-eos-r7-with-rf-s-18-150mm-is-stm-lens_1012170k>Canon RF-S 18-150mm IS STM Lens</a> at 50mm. Camera settings: 1/30 sec. f/9. ISO 100</p><p><img alt=new-lens-sample-rf-s18-150mm-01 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/new-lens-sample-rf-s18-150mm-01.webp onerror=getImage(this); title=new-lens-sample-rf-s18-150mm-01 /></p><p><img alt=new-lens-sample-rf-s18-150mm-02 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/new-lens-sample-rf-s18-150mm-02.webp onerror=getImage(this); title=new-lens-sample-rf-s18-150mm-02 /></p><h2>Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens Specifications</h2><table class=respon-tab>	<tbody>		<tr>			<td>Image Size</td>			<td>APS-C</td>		</tr>		<tr>			<td>35mm Film Equivalent Focal Length (mm)</td>			<td>29-240mm</td>		</tr>		<tr>			<td>Angle of View</td>			<td>64&deg; 30&#39; - 8&deg; 40&#39;</td>		</tr>		<tr>			<td>(Horzntl Vertl Diagnl)</td>			<td>45&deg; 30&#39; - 5&deg; 45&#39;</td>		</tr>		<tr>			<td>&nbsp;</td>			<td>74&deg; 20&#39; - 10&deg; 25&#39;</td>		</tr>		<tr>			<td>Lens Construction (Elements/Groups)</td>			<td>17 / 13</td>		</tr>		<tr>			<td>Special Optics</td>			<td>1x UD 1 x PMo Aspherical  1x GMo Aspherical</td>		</tr>		<tr>			<td>Number of Diaphragm Blades</td>			<td>7</td>		</tr>		<tr>			<td>Minimum Aperture</td>			<td>22@ 18mm / 40@ 150mm</td>		</tr>		<tr>			<td>Closest Focusing Distance (m)</td>			<td>0.17 (18mm) (Manual Focus: 0.12)</td>		</tr>		<tr>			<td>&nbsp;</td>			<td>0.17 (35mm) (Manual Focus: 0.13)</td>		</tr>		<tr>			<td>&nbsp;</td>			<td>0.45 (150mm) (Manual Focus: 0.45)</td>		</tr>		<tr>			<td>Maximum Magnification (x)</td>			<td>0.2 (18mm) (Manual Focus: 0.44)</td>		</tr>		<tr>			<td>&nbsp;</td>			<td>0.36 (35mm) (Manual Focus: 0.59)</td>		</tr>		<tr>			<td>&nbsp;</td>			<td>0.31 (150mm) (Manual Focus: 0.31)</td>		</tr>		<tr>			<td>Control Ring</td>			<td>Combined Focusing/Control</td>		</tr>		<tr>			<td>Image Stabilizer OIS1</td>			<td>4.5</td>		</tr>		<tr>			<td>Image Stabilizer IBIS x OIS1</td>			<td>7</td>		</tr>		<tr>			<td>AF Actuator</td>			<td>STM</td>		</tr>		<tr>			<td>Coatings</td>			<td>Super Spectra</td>		</tr>		<tr>			<td>Fluorine</td>			<td>No</td>		</tr>	</tbody></table> 

Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens

The Canon RF-S 18-150mm f/3.5-6.3 IS STM Lens for APS-C mirrorless RF cameras offers a versatile zoom range 7-stop combined body stabilisation and smooth quiet focusing for stills and video.

<p><a href=/canon-lens-reward/ target=_blank><img alt=canon lens reward src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/canon-lens-reward-sep-2023/lens-reward-on-lens-page-20.jpg width=100% /></a></p><h2>Canon RF-S 55-210mm f/5-7.1 IS STM Zoom Lens Summary</h2><p>With a full-frame equivalent focal range of approximately 88-336mm the Canon RF-S 55-210mm f/5-7.1 IS STM Zoom Lens gets you closer to the action without needing to swap lenses. This compact and lightweight APS-C format telephoto zoom also includes optical image stabilisation and effective STM technology which is found across the range of <a href=https://www.parkcameras.com/lenses/mirrorless-camera-lenses/canon/>Canon mirrorless lenses</a>.</p><p>Stabilisation is rated at 4.5-stops on cameras such as the <a href=https://www.parkcameras.com/shop/canon-eos-r50-mirrorless-camera-body-black_1012185k>EOS R50</a> and <a href=https://www.parkcameras.com/shop/canon-eos-r10-mirrorless-camera-body_1012180r>R10</a> which increases to 7-stops when combined with the powerful <a href=https://www.parkcameras.com/shop/canon-eos-r7-mirrorless-camera-body_1012170r>Canon EOS R7</a> which feature in-body stabilisation. This ensures you can handhold yet still capture sharp images even in low light environments while shooting without a tripod.</p><p>Thanks to the newer RF mount the RF-S 55-210mm achieves high sharpness due to Canon&rsquo;s advanced optical formula which is common throughout all of their mirrorless lenses. When used in combination with effective Dual Pixel CMOS AF II you can quickly and quietly track a host of distant subjects.</p><div><div class=videoWrapper><input id=Video1Src type=hidden value=//www.youtube.com/embed/9Jfp2ucHcIY?rel=0 /><iframe allowfullscreen= frameborder=0 id=Video1 src=//www.youtube.com/embed/9Jfp2ucHcIY?rel=0></iframe></div></div><h3>Key Canon RF-S 55-210mm Lens Features</h3><ul>	<li>Lightweight APS-C format short to super telephoto zoom lens</li>	<li>Cost-effective option for both stills and video</li>	<li>Smooth fast and quiet STM stepping motor</li>	<li>5-stop lens-based image stabilisation rising to 7-stops with combined body IS</li>	<li>High quality results from an advanced optical design</li>	<li>Super compact 55mm front thread for adding filters</li></ul><h2>Canon RF-S 55-210mm f/5-7.1 IS STM Zoom Lens in More Detail</h2><h3>Compact and lightweight design</h3><p>The compact size and light weight of the RF-S 55-210mm lens makes this a great choice for bringing a portable zoom lens when travelling or hiking into nature. It&rsquo;s so compact that you can screw-in affordable 55mm filters in order to control your shots with <a href=https://www.parkcameras.com/lenses/lens-filters/nd/>neutral density filters</a> <a href=https://www.parkcameras.com/lenses/lens-filters/polarising-filters/>polarisers</a> and other useful <a href=https://www.parkcameras.com/lenses/lens-filters/>lens filters</a> which are used for stills and movies.</p><h3>Quick and quiet STM motor</h3><p>The quiet STM (Stepping Motor) in the RF-S 55-210mm IS STM Lens focuses quickly when shooting photos as well as being especially quiet for video recording. This ensures you can capture subjects with greater confidence and achieve more professional looking videos even from greater distances.</p><h3>Smooth results for stills and movies</h3><p>With 4.5-stops of optical image stabilisation for handheld shooting the Canon RF-S 55-210mm f/5-7.1 IS STM Lens is a great choice for photographers and filmmakers. The Optical Image Stabiliser allows longer shutter speeds to be used with smoother handheld photography and videography with even greater stabilisation available when mounted to a compatible EOS R series body with in-body stabilisation.</p><h3>Excellent sharpness</h3><p>The Canon RF-S 55-210mm f/5-7.1 IS STM Lens benefits from Canon&rsquo;s latest optical design which is found across many RF lenses. This combines special elements with lens coatings to deliver high quality images and video.</p><h3>What&rsquo;s in the box</h3><ul>	<li>Canon RF-S 55-210mm f/5-7.1 IS STM Zoom Lens</li></ul><h3>Canon RF-S 55-210mm f/5-7.1 IS STM Zoom Lens Sample</h3><p><img alt=canon-rf-s-55-210mm-sample-1 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-s-55-210mm-sample-1.webp onerror=getImage(this); title=canon-rf-s-55-210mm-sample-1 /></p><p><img alt=canon-rf-s-55-210mm-sample-2 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-s-55-210mm-sample-2.webp onerror=getImage(this); title=canon-rf-s-55-210mm-sample-2 /></p><p><img alt=canon-rf-s-55-210mm-sample-3 class=lazy data-src=https://dtz3um9jw7ngl.cloudfront.net/products/images/product-page/Sample-images/canon-rf-s-55-210mm-sample-3.webp onerror=getImage(this); title=canon-rf-s-55-210mm-sample-3 /></p> 

Canon RF-S 55-210mm f/5-7.1 IS STM Zoom Lens

The crop-format Canon RF-S 55-210mm f/5-7.1 IS STM mirrorless Lens is perfect as an all-in-one zoom option for all sorts of subjects including video and offers image stabilisation plus an excellent reach.

SALE10

<ul><li>Weather Resistant construction</li><li>Accepts two <a href="https://www.parkcameras.com/shop/fujifilm-np-w235-lithium-ion-rechargeable-battery_2090145b">NP-W235 rechargeable batteries</a></li><li>Hi-speed 802.11ac wireless</li><li>600Mbs wired network connectivity</li><li>includes a secondary shutter release button, focus lever, Q Button, AE-L button, AF-ON button, front and rear command dials</li></ul>

<div class="on-order">Awaiting stock</div>

<h2>Fujifilm FT-XH File Transmitter Grip for X-H2S Summary</h2><p>When you need to transfer files to your editor quickly and efficiently the Fujifilm FT-XH File Transmitter Grip for the <a href=https://www.parkcameras.com/shop/fujifilm-x-h2s-mirrorless-camera-body-black_2011575s>X-H2S camera</a> and high resoltion <a href=https://www.parkcameras.com/shop/fujifilm-x-h2-digital-camera-body_2011570s>Fujifilm X-H2</a> provides everything you need. You&rsquo;ll gain additional control and functionality when using the body in portrait orientation increased battery capacity with up to 1700 shots before recharging together with hi-speed file transfer capabilities over wired or wireless network connections. This dedicated <a href=https://www.parkcameras.com/accessories/battery-grips/>vertical battery grip</a> accepts two NP-W235 rechargeable lithium-ion batteries and includes a series of camera controls including&nbsp; shutter release for great ergonomics in vertical mode.</p><h3>Key Features</h3><ul>	<li>Weather Resistant construction</li>	<li>Accepts two <a href=https://www.parkcameras.com/shop/fujifilm-np-w235-lithium-ion-rechargeable-battery_2090145b>NP-W235 rechargeable batteries</a></li>	<li>Hi-speed 802.11ac wireless</li>	<li>600Mbs wired network connectivity</li>	<li>includes a secondary shutter release button focus lever Q Button AE-L button AF-ON button front and rear command dials</li></ul> 

Buy Fujifilm FT-XH File Transmitter Grip for X-H2S online at ParkCameras.

Fujifilm FT-XH File Transmitter Grip for X-H2S | ParkCameras

Fujifilm FT-XH File Transmitter Grip for X-H2S

The Fujifilm FT-XH File Transmitter Grip for the X-H2S camera delivers better ergonomics in vertical mode holds x2 NP-W235 batteries and offers high-speed 802.11ac wireless + 600Mbs wired network connectivity.

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Fujifilm FT-XH File Transmitter Grip for X-H2S

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