Product Code: P016561L
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With the legendary Leica name and Panasonic’s technical expertise users can expect superb performance across the board with this kit which pairs the Panasonic Lumix GH6 with Leica DG Vario-Elmarit 12-60mm f/2.8-4 Lens. The GH6 camera packs a series of updated technology into the compact micro four thirds flagship body while the Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 ASPH Power O.I.S Lens brings a bright variable aperture and comprehensive wide to short telephoto zoom range. Results are superb whether shooting stills or video thanks to excellent build quality high quality optics and strong combined stabilisation between the camera and lens.
An effective focal range of 24mm to 120mm lends itself to a wide range of subjects including anything from landscapes to portraits while many upgrades in the camera deliver professional content capabilities.
The camera boasts a new high resolution 25.2MP sensor new Venus imaging engine new stabilisation unit and much more to provide creators with the best ever MFT camera from Panasonic. Improved heat dissipation allows you to capture true no limit video in-camera across all options including 5.7K 30p 4:2:0 10-bit 4K 120p and 4:2:2 10bit FHD 240p HFR. V-log captures a wide dynamic range with boost mode up to 13+ stops of light together with a lower native ISO 100. You’ll also be able to handhold to capture 100 megapixel High Res images with the updated 8-image feature for unparalleled resolution with low noise from MFT.
This premium quality wide to short telephoto zoom lens is the perfect pairing with the updated camera delivering an equivalent focal width of 24mm-120mm in full frame format. The zoom lens captures extremely detailed results with well controlled distortion and chromatic aberration with good light gathering capabilities even in relatively low light. Key features include:
Panasonic’s Lumix GH Series meet professional quality levels and standards of video recording. The new Lumix GH6 continues this with 5.7K 30p internal video recording available in ProRes 422 HQ and ProRes 422 for the first time in the Lumix series using a CFexpress Type B card which enables non-linear editing without transcoding. With 5.7K 4:2:0 10-bit 60p/50p and 5.8K 30p/25p/24p 4:2:0 10-bit anamorphic 4:3 modes recorded utilising the full area of the sensor the Lumix GH6 offers higher resolution and higher bit rates than ever before while delivering the latest in high image quality versatility and range needed for film TV and all types of video production.
The Lumix GH6 also captures 4:2:2 10-bit Cinema 4K 60p internal recording as well as simultaneous output in 4:2:2 10-bit Cinema 4K 60p over HDMI to an external recorder.
5x slow motion 4:2:0 10-bit 4K 120p and 4:2:2 10bit FHD 240p HFR (High Frame Rate) video recording with audio is available to enable creativity such as speed ramping. FHD maximum 300fps (equivalent to 12.5x slow motion) VFR (Variable Frame Rate) enables dynamic motion of a subject.
Overheating can be a fatal issuer videographers who shoot continuous video recording especially when the resolution and the frame rates are increased. The Lumix GH6 achieves unlimited video recording time in all modes by optimising the heat-dissipating path with a forced-cooling fan mechanism.
For agile handheld shooting the Lumix GH6 adopts a new high-precision 5-axis gyro sensor with a new algorithm to achieve 7.5 stops of Body I.S. and Dual I.S.2.
The 5-axis Dual I.S. 2 works seamlessly to record natural shake-free video footage by applying appropriate compensation according to the type of movement regardless of whether it was generated by panning tilting or shake. The B.I.S. compensates for camera movement even when an interchangeable lens without O.I.S. such as a MFT cine lens is being used.
With this powerful image stabilisation 100-megapixel high-resolution images can be shot using the High Resolution mode without needing a tripod.
In High Resolution mode eight consecutive images are automatically captured while shifting the sensor using the Body I.S. mechanism. The images are synthesised into a 100-megapixel equivalent (11552 x 8672-pixel) image which faithfully reproduces precise details as beautiful highly realistic images not only in RAW but also in JPEG.
The Lumix GH6 captures 12+ stops of dynamic range with pre-installed V-Log recording expanding to 13+ stops when using Dynamic Range Boost mode. With this new Boost mode a highly saturated image is generated resulting in a clear and smooth HDR video with rich gradation.
The Lumix GH6 also contains V-Log/V-Gamut for the first time in the Lumix G Series Micro Four Thirds camera line-up which delivers a high dynamic range with broad colours. V-Log renders a very flat image while maintaining all colour information within the image which allows for a greater level of flexibility during post-production. The GH6’s Live MOS sensor achieves a wide colour gamut known as V-Gamut which is the GH6’s optimum colour space and wider than BT.2020.
Users will enjoy the GH6’s accurate colour reproduction with subtle gradations from dark areas to highlights and precise control of colour data in post-production.
The camera imports colorimetry from Panasonic’s pro video camera VariCam line-up of cinema cameras with V709 LUT (Look Up Table) with Rec.709 standard available in the camera by default. For the first time V-Log View Assist (which can apply LUTs in real-time) supports the import of .CUBE as well as .VLT file formats.
The Lumix GH6 delivers greatly improved audio performance with 4ch 48kHz or 96kHz 24-bit recording possible when an XLR microphone adaptor is attached. This provides greater flexibility when shooting outdoors where multiple audio sources are present or when recording backup audio. 2ch 48kHz 24-bit recording is also supported with the built-in mic as well as 2ch 96kHz 24-bit high-resolution recording with an external microphone.
The channel to use for headphones can also be switched during video recording and audio menus can be directly accessed with the Fn1 button on the top of the camera to easily check sound levels during 4-channel audio recording.
The Lumix GH6 offers a host of practical features to enhance content creation workflows. There are a variety of settings in Photo Style including different Cinelike gamma presets such as ‘Cinelike D2’ and ‘Cinelike V2’ which have similar gamma setting characteristics for film production.
Video assist functions such as Waveform Monitor Zebra Pattern Luminance Spot Meter Frame Marker Anamorphic Desqueeze Display Red REC Frame Indicator and Tally lamps are also available following requests from professional users.
A Safety Zone Marker has also been added which shows a guide of 95% 90% or 80% recording area while the Centre Marker allows you to choose the type of the marker. In the Colour Temperature Setting kelvin values can now be displayed on the recording screen. 4K 60p timelapse videos can also be produced in-camera. With the Exposure Levelling function the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames to produce equable timelapse footage. MF assist during video recording is now supported enabling the user to enlarge the screen up to 6x to check the focus culminating in a host of new advanced and practical features.
Panasonic has developed a brand new 25.2-megapixel Live MOS Sensor without a Low-pass Filter which boasts higher resolution and a high-speed signal readout which reduces rolling shutter and achieves a wide dynamic range.
The new Venus Engine has also been upgraded with advanced image processing technologies to render high-resolution imagery with natural noise and rich colour reproduction for which Lumix cameras are renowned.
The engine delivers approximately twice the processing power enabling even higher-speed processing of the new sensor's higher pixel counts and higher-resolution together with higher-bit-rate video. This evolution includes three key technologies: New Intelligent Detail Processing New 2D Noise Reduction and High Precision 3D Noise Reduction for video. The new Intelligent Detail Processing detects the flat detailed and edged elements in a frame more accurately to produce a highly realistic image. The new 2D Noise Reduction suppresses chromatic noise and improves the texture of luminance noise to achieve clear and natural images even when shot at high sensitivity. With the High Precision 3D Noise Reduction for video the detection capability of still and moving parts has been advanced making it possible to optimise noise reduction while minimising afterimages. As a result the image quality of video with dynamic motion is enhanced. In addition high-precision Dual 3D Colour Control enhances colour reproduction by brightness level saturation level and hue level for rich faithful colour expression.
The combination of the new advanced sensor with enhanced saturation performance and the new engine makes it possible to render a clearer image even in 25.2-megapixel high resolution and lower minimum ISO sensitivity at ISO 100 [Photo: ISO 50 (Extended) - 25600 / Video: ISO 50 (Extended) -12800].
The Lumix GH6 is robust enough to withstand heavy use with its magnesium alloy full die-cast front / rear frame. The body is not only splash-resistant but dust-resistant and freeze-resistant down to -10º Celsius and the shutter unit is durable for approximately 200000 actuations. The Rec button is located on both the top and front of the camera which makes it easy to start and stop recording even when shooting at a low angle or with a shoulder rig.
The Lumix GH6 is equipped with two memory card slots. A CFexpress card (Type B) supports internal recording of high bitrate video at 800Mbps or more including 5.7K 30p ProRes 422 HQ and C4K 60p ALL-I.
The SD Memory Card UHS II V90 supports internal recording of video at 600Mbps or less and it is also possible to choose between Relay Recording Backup Recording or Allocation Recording using both SD Memory Card and CFexpress Card.
A full size HDMI Type A has been added along with a cable lock holder for the HDMI/USB cable to prevent unplugging issues. The camera also supports USB 3.2 Gen 2 for high-speed writing and readout.
The 2200mAh high-capacity battery can be recharged either via AC or USB and complies with USB PD (Power Delivery) when the corresponding Battery Charger DMW-BTC15 is used. The Lumix GH6 is also compatible with Time Code IN/OUT synchronisation through the flash synchro terminal and bundled BNC converter cable with BNC cable. This makes non-linear editing of footage shot with multiple cameras easy.
Both Wi-Fi 5-GHz (IEEE802.11ac) and 2.4-GHz (IEEE802.11b/g/n) are available as required. This provides a secure and stable connection with a smartphone/tablet and also with other devices on location for smooth remote control. Compatibility with Bluetooth 5.0 enables a constant connection with a smartphone or tablet with minimum power consumption. Camera settings can be copied and transmitted wirelessly to other GH6 cameras when using multiple cameras on set. The Lumix Sync application for iOS/Android devices allows remote control of the camera using a smartphone or a tablet via easy wireless connection. In addition to wireless control via a Remote Shutter DMW-RS2 (available separately) application software Lumix Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB letting them view the image on a large PC screen while shooting.
Panasonic continues its commitment to continuous improvement of its Lumix range via performance-enhancing firmware updates. In the future a firmware update for GH6 will be released to support:
The Lumix GH6 has a 3.0-inch tilt and free-angle touch-control monitor with 3:2 aspect and 1840K-dot resolution. The screen provides greater flexibility and convenient rotation even with an HDMI cable and USB cable connected to the camera.
To support high precision focusing the camera now includes practical options for manual focusing which includes linear and non-linear focusing. Sensitivity can be selected from 90 to 360º by 30º increments to customise the focus operation.
The 3680k-dot 0.76x live viewfinder uses a highly responsive bright OLED display to capture even fast-moving subjects in fine detail. In addition the high contrast display (approx. 10000:1) presents the subject with fine gradations and high clarity throughout.
With the new sensor’s higher readout speed and the new Venus Engine’s superior processing power the Lumix GH6 also delivers AFS burst shooting in electronic shutter at 75fps (frames per second) with full 25.2 megapixel resolution. The sensor’s higher readout speed also minimises rolling shutter distortion capable of capturing images which are too fast for the naked eye to process.
Sensor | Live MOS sensor (17.3 x 13.0 mm) |
Camera effective pixels / Total pixels | 25.21 megapixels / 26.52 megapixels |
AR (Anti Reflection) coating | Yes |
Aspect ratio / Color filter | 4:3 / Primary color filter |
Dust reduction system | Image sensor shift type |
Recording file format | JPEG (DCF Exif 2.31) RAW |
Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 |
Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard |
Color space | sRGB AdobeRGB |
System frequency | 59.94Hz / 50.00Hz / 24.00Hz |
Image area of video | Full / Pixel by Pixel |
Type | OLED Live View Finder |
Pixels | Approx. 3.68 million dots |
Eye point / Diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt) |
Eye sensor | Yes |
Type | TFT LCD monitor with static touch control |
Monitor size | Tilt free-angle 3.0-inch (7.6cm) 3:2 aspect |
Pixels | Approx. 1.84 million dots |
Field of view | Approx. 100% |
Type | Contrast AF system |
DFD technology | Yes |
Focus mode | AFS (Single) / AFC (Continuous) / MF |
AF detective range | EV -4 - 18 (F2.0 ISO100 equivalent AFS) |
AF custom setting | AF Sensitivity AF Area Switching Sensitivity Moving Object Prediction |
AF assist light | Yes |
AF lock | Set the Fn button in custom menu to AF lock |
Light metering system | 1728-zone multi-pattern sensing system |
Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted |
Metering range | EV0-18 (F2.0 lens ISO100 equivalent) |
White balance adjustment | Blue/Amber bias Magenta/Green bias |
Color temperature setting | 2500-10000K in 100K |
Self timer | 10sec 3 images / 2sec / 10sec / Custom Time |
Remote control | Remote control by DMW-RS2 (sold separately) |
Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
AE bracket | 3 5 7 images in 1/3 2/3 or 1 EV step max. ±3 EV single/burst |
Aperture bracket | 3 5 or all positions |
Focus bracket | 1 to 999 images focus steps can be set in 10 levels |