<h2>Sigma 18-35mm f/1.8 DC HSM - Canon fit Lens</h2><p>what makes a standard lens ideal for you? Certain important qualities are required such as fast maximum aperture versatility for snap shots portraiture and indoor photography plus a good combination of a wide range of focal lengths in a compact design. SIGMA 18-35mm F1.8 DC HSM is the first zoom lens ever to achieve a maximum aperture of f1.8 throughout the zoom range. It is a wide aperture standard zoom-lens for digital siangle lens reflex camera &#39;s with APS-C size sensor&#39;s. The lens has a focal range equivalent to 27mm - 52.5mm in a 35mm format and it can cover the angles of view of multiple fixed focal length lenses. This wide aperture standard zoom lens enables the photographer to expand creative possibilities on any occasion.</p><h2>Sigma 18-35mm f/1.8 DC HSM Art Lens Canon EF Specifications</h2><p>&lt;</p><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>Lens Type</p>			</td>			<td valign=middle>			<p>Wide to Standard zoom lens</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Focal length range</p>			</td>			<td valign=middle>			<p>18-35mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Aperture range</p>			</td>			<td valign=middle>			<p>f/1.8 - f/16</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Image stabilisation</p>			</td>			<td valign=middle>			<p>NA</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Angle of view</p>			</td>			<td valign=middle>			<p>76.5 - 5.4 degrees</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens construction (elements/groups)</p>			</td>			<td valign=middle>			<p>17 elements in 12 groups</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter Size</p>			</td>			<td valign=middle>			<p>&phi;72mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Compatible cameras</p>			</td>			<td valign=middle>			<p><a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon DSLRs</a></p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Dimensions</p>			</td>			<td valign=middle>			<p>78mm &times; 121mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight</p>			</td>			<td valign=middle>			<p>810g</p>			</td>		</tr>	</tbody></table> 

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Sigma 18-35mm f/1.8 DC HSM Art Lens Canon EF

The Sigma 18-35mm Art lens for Canon EF-mount offers class leading bright constant f/1.8 aperture with cutting edge optics including a glass-moulded aspheric lens for consistently high end results.

<div class=parks_opinion> <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Sigma 50-100mm F1.8 DC HSM Art Lens (Canon EF-mount) Summary</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<ul> 				<li>50-100mm f/1.8 zoom lens</li> 				<li>Canon EF-mount</li> 				<li>Designed for cameras with an APS-C sensor</li> 				<li>Newly designed Hyper Sonic Motor (HSM)</li> 				<li>Minimum focus distance of 95cm</li> 			</ul>  			<p><a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Compatible Canon cameras</a></p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading>Product features in detail</td> 		</tr> 		<tr> 			<td class=park_detail> 			<p>Sigma have revolutionised the zoom lens with their attempts to introduce the same levels of brightness and resolution as prime lenses. With their 18-35mm f/1.8 DC HSM Art lens they achieved this and the 50-100mm is a beneficiary of their experimentation with this field.</p>  			<p>The HSM (hyper sonic motor) has been enhanced to enable such feats of optical engineering and the styling is reminiscent of the aforementioned 18-35mm so that users are familiar with the feel of both lenses - as they are likely to form a strong partnership for a photographer who wants to keep their kit as versatile as possible.</p>  			<p>Please note that this lens is designed for cameras with APS-C sensors - meaning vignetting will occur if combined with a camera possessing a larger sensor.&nbsp;</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Sigma 50-100mm f/1.8 DC HSM Art Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Telephoto</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>50-00mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>.8</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>8mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon DSLRs</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>9.5x70.7mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>490g</td> 		</tr> 	</tbody> </table> </div> 

Sigma 50-100mm f/1.8 DC HSM Art Lens Canon EF

The Canon EF-mount Sigma 50-100mm Art combines advanced optical design within a useful short telephoto range a rotating tripod collar and dock compatibility for a versatile high quality lens.

<div class=parks_opinion><table class=parks_optable>	<tbody>		<tr>			<td class=parks_heading>			<h2>Canon EF 8-15mm f/4L Fisheye USM Lens</h2>			</td>		</tr>		<tr>			<td class=park_specs>			<h3>A fisheye zoom lens that offers a unique perspective with a choice of full frame or circular image. The EF 8-15mm f/4L Fisheye USM is part of Canon&#39;s high performance L series lenses and delivers fantastic image quality even with such a wide angle view.</h3>			<ul>				<li>Part of Canon&#39;s flagship L Series lens range made using the finest optics</li>				<li>Bright f/4 maximum aperture ensures great shots in low light</li>				<li>Fast quiet autofocus with ring USM for full-time manual focusing</li>				<li>Circular or full frame Fisheye zoom lens</li>				<li>Fluorine lens coating minimises fingerprints for easy cleaning</li>				<li>Dust and moisture resistant construction</li>			</ul>			</td>		</tr>	</tbody></table><h2>Full Details</h2><h3>Circular or full frame Fisheye zoom lens</h3><p>There&rsquo;s no need to buy two specialist lenses when the EF 8-15mm f/4L Fisheye USM offers either full frame or circular fisheye images when used with cameras with a 24x36mm (full frame) sensor. For photographers shooting with DSLR&rsquo;s with a smaller sensor full frame fisheye images are possible. With a 180 diagonal field of view capturing the whole scene in a single image has never been easier.</p><h3>L-series quality</h3><p>The L-series is Canon&#39;s flagship professional lens range representing the best in precision-designed EF optics. L-series lenses combine superior performance with superlative handling and are highly resistant to dust and moisture.</p><h3>Fast quiet auto focus</h3><p>A ring USM (Ultrasonic motor) uses ultrasonic frequency vibrations to drive extremely rapid auto focus with near-silent operation. A high-speed CPU and optimised AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF mode.</p><h3>Enhanced image quality with SWC coating</h3><p>Designed for use in digital photography Canon&rsquo;s patented Sub-wavelength structure coating helps minimise the ghosting and flare caused by internal reflections. By eliminating the cause the coating reduces reflections and helps to deliver crisp clear images.</p><h3>Easier lens cleaning</h3><p>The foremost and rearmost lens surfaces are treated with a Fluorine Coating which enables the easier cleaning of the lens surface compared to existing coatings.</p><h2>Canon EF 8-15mm f/4L Fisheye USM Lens Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>angle of view (horizontal vertical diagonal)</p>			</td>			<td valign=middle>			<p>180&ordm; - 142&ordm; 180&ordm; - 91&ordm; 46&#39; </p>			<p>180&ordm; - 175&ordm; 30&#39;</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens construction (elements/groups)</p>			</td>			<td valign=middle>			<p>14/11</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>No. of diaphragm blades</p>			</td>			<td valign=middle>			<p>7</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum&nbsp;aperture</p>			</td>			<td valign=middle>			<p>22</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Closest focusing Distance(m)</p>			</td>			<td valign=middle>			<p>0.15m</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>maximum magnification (x)</p>			</td>			<td valign=middle>			<p>0.34 (at 15mm)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Distance information</p>			</td>			<td valign=middle>			<p>provided</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Image stablizer</p>			</td>			<td valign=middle>			<p>-</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>F ctutor</p>			</td>			<td valign=middle>			<p>Ring USM</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Dust/moisture resistance</p>			</td>			<td valign=middle>			<p>Yes</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter diameter (mm)</p>			</td>			<td valign=middle>			<p>Filter Holder</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Max. diameter x length (mm)</p>			</td>			<td valign=middle>			<p>78.5 x 83</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight (g)</p>			</td>			<td valign=middle>			<p>540</p>			</td>		</tr>	</tbody></table></div> 

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Canon EF 8-15mm f/4L Fisheye USM Lens

Unleash your creative side with the unique Canon EF 8-15mm f/4L USM fisheye zoom. A quality L series lens for ultra wide angle and circular photography with fast quiet autofocus and manual override.

<div class=parks_opinion><table class=parks_optable>	<tbody>		<tr>			<td class=parks_heading>			<h2>Canon EF 16-35mm f/4L IS USM Lens</h2>			</td>		</tr>		<tr>			<td class=park_specs>			<p><strong>This new wide-angle L series lens from Canon is ideal for professionals and keen enthusiasts shooting athangs such as landscapes or architecture. With this lens you&#39;ll find not only the highest levels of optical quality with ultra-low dispersion (UD) elements to minimise chromatic aberration and eliminate colour blurring but also fast and silent autofocusing. This lens also features a fixed f/4 aperture providing clear sharp results even in the most challenging situations.</strong></p>			<ul>				<li>Get more in every shot with ultra wide-angle zoom lens</li>				<li>Superior L-series performance with precision optics</li>				<li>Enjoy consistent exposures with constant f/4 aperture</li>				<li>Capture steady shots even in low light with 4-stop image Stabilizer</li>				<li>Never miss a shot with fast silent autofocus</li>			</ul>			</td>		</tr>	</tbody></table><h2 class=productname_specs>Canon EF 16-35mm f/4.0L IS USM Ultra Wide Angle Zoom Lens Specifications</h2><table class=specs_Lens>	<tbody>		<tr>			<td class=specsfield id=sf-LensType>Lens Type</td>			<td class=specsvalue id=sv-LensType>wide angle zoom</td>		</tr>		<tr>			<td class=specsfield id=sf-focal-length>Focal length range</td>			<td class=specsvalue id=sv-focal-length>6-5mm</td>		</tr>		<tr>			<td class=specsfield id=sf-aperture>Aperture range</td>			<td class=specsvalue id=sv-aperture>4.0</td>		</tr>		<tr>			<td class=specsfield id=sf-stablsaton>image stabilisation</td>			<td class=specsvalue id=sv-stablsaton>Yes</td>		</tr>		<tr>			<td class=specsfield id=sf-Filter>Filter Size</td>			<td class=specsvalue id=sv-Filter>77mm</td>		</tr>		<tr>			<td class=specsfield id=sf-camera s>Compatible camera s</td>			<td class=specsvalue id=sv-camera s>Canon DSLRs</td>		</tr>		<tr>			<td class=specsfield id=sf-Dimensions>Dimensions</td>			<td class=specsvalue id=sv-Dimensions>8.6x.8mm</td>		</tr>		<tr>			<td class=specsfield id=sf-Weight>Weight</td>			<td class=specsvalue id=sv-Weight>65g</td>		</tr>	</tbody></table></div> 

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Canon EF 16-35mm f/4.0L IS USM Ultra Wide Angle Zoom Lens

An excellent landscape and architecture lens the Canon EF 16-35mm f/4.0L IS USM is the new ultra wide angle zoom for pros and enthusiasts needing edge to edge sharpness and clarity in an L series lens.

<div class=parks_opinion> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>EF-M 32mm f/1.4 STM</h2></td></tr> <tr> <td class=park_specs> <p>An exceptionally high quality wide-aperture EF-M standard lens.</p> <p>For portraits candids and compositions with a pleasing natural perspective the EF-M 32mm f/1.4 STM is a premium EF-M prime lens designed to be fast discreet and capable of delivering images with exceptional detail and clarity..</p> <p>Discreet prime lens offering a natural perspective</p> <ul> <li>Offering a ‘standard' lens 51mm field-of-view closely akin to the human eye the EF-M 32mm f/1.4 STM lens is designed to capture subjects with realism and detail.  </li><li>Appealing to discerning users looking for a responsive and tactile feel with a wide focus ring to inspire confident manual focusing.  </li><li>A wide f/1.4 maximum aperture makes this lens perfect for creative portraiture candid and street photography with pleasing bokeh and stunning low-light performance. </li></ul> <p>Exceptionally high optical quality with a fast wide aperture</p> <ul> <li>High-quality images and movies from a modern optical design that delivers excellent contrast and sharpness.  </li><li>A wide maximum aperture brings greater creative possibilities during focusing allowing a subject to be fully in focus against a blurred background.  </li><li>Shoot pin-sharp images even in dark conditions or with moving subjects. STM autofocus locks on confidently and quietly.  </li><li>The EF-M 32mm f/1.4 STM aspherical lens elements are coated with Canon's renowned Super Spectra coating which tackles ghosting and flare when shooting into the light. </li></ul> <p>Premium construction with lightness and durability</p> <ul> <li>Small and discreet construction with a 60.9mm diameter makes it perfect for street photography where discretion is preferred.  </li><li>The EF-M 32mm f/1.4 STM has been designed to deliver a premium performance rivalling much larger lenses with a metal lens mount low 235g weight and look and feel in keeping with the Canon EF-M mirrorless system.  </li><li>The EF-M 32mm f/1.4 STM is compatible with the ES-60 lens hood which secures via a bayonet mount to help protect from lens flare as well as unwanted knocks and bumps. </li></ul> <p>Quiet autofocus and class-leading close magnification</p> <ul> <li>The EF-M 32mm f/1.4 STM boasts a class-leading 0.25x magnification making it more than capable of close focusing which further adds to its versatility as a great all-round standard lens.  </li><li>STM autofocus works more steadily when shooting video for slower focus transitions that look smoother and more natural. </li></ul></td></tr> <p /></tbody></table> <table class=parks_optable> <tbody> <tr> <td class=park_ctaprice> </td></tr></tbody></table></div> 

Image05

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Canon EF-M 32mm lens f/1.4 Macro STM

For portraits candids and compositions with a pleasing natural perspective the EF-M 32mm f/1.4 STM is a premium EF-M prime lens designed to be fast discreet and capable of delivering images with exceptional detail and clarity..

<h2>Canon 24-105mm f/4L II USM Lens</h2><p>The follow up to Canon&#39;s hugely successful EF 24-105mm f/4 USM lens this update comes with less lens element groups as well as more diaphragm blades giving beautifully smooth bokeh. It also features a 4-stop image stabiliser allowing it to perform in lower light situations. The Canon 24-105mm f/4L mark II is a worthy addition to the flagship range of Canon L Series lenses.</p><ul>	<li>Second generation in the flagship Canon L series lenses</li>	<li>10 diaphragm blades for smoother bokeh</li>	<li>4 stop image stabiliser for even better low light performance</li>	<li>ring USM for manual focusing in autofocus mode</li>	<li>77mm filter diameter</li>	<li>17 lens elements in 12 groups</li>	<li>Maximum magnification of 0.24 at 105mm</li>	<li>Provides distance information through E-TTL</li></ul><h2>Canon EF 24-105mm f/4L IS II USM Zoom Lens Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>Lens Type</p>			</td>			<td valign=middle>			<p>Wide to telephoto zoom lens</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Focal length range</p>			</td>			<td valign=middle>			<p>24-105mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Aperture range</p>			</td>			<td valign=middle>			<p>f/4 - f/22</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Image stabilisation</p>			</td>			<td valign=middle>			<p>NA</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Angle of view</p>			</td>			<td valign=middle>			<p>Angle of view (horizontal vertical diagonal)</p>			<p>74&deg; - 19&deg;20&#39;</p>			<p>53&deg; - 13&deg;</p>			<p>84&deg; - 23&deg;20&#39;</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens construction (elements/groups)</p>			</td>			<td valign=middle>			<p>17/12</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter Size</p>			</td>			<td valign=middle>			<p>77mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Compatible cameras</p>			</td>			<td valign=middle>			<p><a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon DSLRs</a></p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Dimensions</p>			</td>			<td valign=middle>			<p>83.5 x 118mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight</p>			</td>			<td valign=middle>			<p>795g</p>			</td>		</tr>	</tbody></table> 

Image07

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Canon EF 24-105mm f/4L IS II USM Zoom Lens

The mark II version Canon EF 24-105mm f/4L IS II USM is a true workhorse covering an excellent zoom range which will be your perfect everyday lens that gives incredible image quality across the range.

<div class=parks_opinion><table class=parks_optable>	<tbody>		<tr>			<td class=parks_heading>			<h2>Canon EF-S 55-250mm f/4-5.6 IS STM Lens</h2>			</td>		</tr>		<tr>			<td class=park_specs>			<p>The all-purpose telephoto zoom for EF-S mount EOS camera s.</p>			<p>The compact and affordable EF-S 55-250mm f/4-5.6 IS II offers powerful telephoto performance. Its 4-stop image Stabilizer with automatic panning detection effectively suppresses blur in low light.</p>			<h2>&nbsp;</h2>			<ul>				<li>Affordable telephoto zoom lens</li>				<li>88-400mm equivalent focal length</li>				<li>4-stop image Stabilizer with automatic panning detection</li>				<li>UD element</li>				<li>Super Spectra coatings</li>				<li>Circular diaphram</li>			</ul>			</td>		</tr>	</tbody></table><h2 class=productname_specs>Canon EF-S 55-250mm f/4-5.6 IS STM Telephoto Zoom Lens Specifications</h2><table class=specs_Lens>	<tbody>		<tr>			<td class=specsfield id=sf-LensType>Lens Type</td>			<td class=specsvalue id=sv-LensType>Telephoto zoom</td>		</tr>		<tr>			<td class=specsfield id=sf-focal-length>Focal length range</td>			<td class=specsvalue id=sv-focal-length>55-50mm</td>		</tr>		<tr>			<td class=specsfield id=sf-aperture>Aperture range</td>			<td class=specsvalue id=sv-aperture>4.0-5.6</td>		</tr>		<tr>			<td class=specsfield id=sf-stablsaton>image stabilisation</td>			<td class=specsvalue id=sv-stablsaton>Yes</td>		</tr>		<tr>			<td class=specsfield id=sf-Filter>Filter Size</td>			<td class=specsvalue id=sv-Filter>58mm</td>		</tr>		<tr>			<td class=specsfield id=sf-camera s>Compatible camera s</td>			<td class=specsvalue id=sv-camera s>Canon DSLRs</td>		</tr>		<tr>			<td class=specsfield id=sf-Dimensions>Dimensions</td>			<td class=specsvalue id=sv-Dimensions>70x.mm</td>		</tr>		<tr>			<td class=specsfield id=sf-Weight>Weight</td>			<td class=specsvalue id=sv-Weight>75g</td>		</tr>	</tbody></table></div> 

Canon EF-S 55-250mm f/4-5.6 IS STM Telephoto Zoom Lens

This compact and affordable multi purpose telephoto the Canon EF-S 55-250mm f/4-5.6 IS STM lens features a 4 stop image stabiliser and super spectra coatings exclusively for APS-C sensor DSLR camera s.

<div class=parks_opinion><table class=parks_optable>	<tbody>		<tr>			<td class=parks_heading>			<h2>Canon EF 200-400mm f/4L IS USM Extender 1.4x Lens</h2>			</td>		</tr>		<tr>			<td class=park_specs>			<h3>This high performance super-telephoto lens delivers both superlative results and exceptional flexibility. With an extensive shooting range and extraa reach at the flick of a lever L series optical quality and 4 stop image stabiliser it&#39;s a popular choice for wildlife and sports photographers</h3>			<ul>				<li>Part of Canon&#39;s flagship L Series lens range made using the finest optics</li>				<li>Versatile zoom range provides a host of framing options</li>				<li>Built in 1.4x extender transforms lens to 280-560mm f/5.6 lens</li>				<li>Fast quiet autofocus with ring USM for full-time manual focusing</li>				<li>Circular 9-blade diaphragm helps produce attractive background blur</li>				<li>4 stop image Stabiliser ensures shake free shots</li>				<li>Power Focus mode delivers pull-focus effects during movie shooting</li>				<li>Super spectra coating reduces flare and ghosting</li>				<li>52mm rear drop in filter</li>				<li>Dust and moisture resistant construction</li>				<li>Supplied with lens hood tripod collar and hard case</li>			</ul>			</td>		</tr>	</tbody></table><h2 class=productname_specs>Canon EF 200-400mm f/4L IS USM Lens With Built in 1.4x Extender Specifications</h2><table class=specs_Lens>	<tbody>		<tr>			<td class=specsfield id=sf-LensType>Lens Type</td>			<td class=specsvalue id=sv-LensType>Telephoto zoom</td>		</tr>		<tr>			<td class=specsfield id=sf-focal-length>Focal length range</td>			<td class=specsvalue id=sv-focal-length>00-400mm</td>		</tr>		<tr>			<td class=specsfield id=sf-aperture>Aperture range</td>			<td class=specsvalue id=sv-aperture>4.0</td>		</tr>		<tr>			<td class=specsfield id=sf-stablsaton>image stabilisation</td>			<td class=specsvalue id=sv-stablsaton>Yes</td>		</tr>		<tr>			<td class=specsfield id=sf-Filter>Filter Size</td>			<td class=specsvalue id=sv-Filter>5mm</td>		</tr>		<tr>			<td class=specsfield id=sf-camera s>Compatible camera s</td>			<td class=specsvalue id=sv-camera s>Canon DSLRs</td>		</tr>		<tr>			<td class=specsfield id=sf-Dimensions>Dimensions</td>			<td class=specsvalue id=sv-Dimensions>8.0x66.0mm</td>		</tr>		<tr>			<td class=specsfield id=sf-Weight>Weight</td>			<td class=specsvalue id=sv-Weight>60g</td>		</tr>	</tbody></table></div> 

Canon EF 200-400mm f/4L IS USM Lens With Built in 1.4x Extender

The high performance Canon EF 200-400mm f/4L IS USM has a built in 1.4x extender when needed for extra reach making a 280-560mm f/5.6 super telephoto zoom lens and features a constant fast aperture.

<h2>Canon Extender EF 1.4x III</h2><h3>Extend the reach of your lens without losing image quality. Perfect for press nature and sports photographers this compact extender increases the focal length of your Canon L-series telephoto or telephoto zoom lens&#39; by a factor of 1.4x with higher AF accuracy and improved communication between camera and lens.</h3><ul>	<li>Extends the focal length of the master lens by 1.4x</li>	<li>Superb image quality</li>	<li>Dust and moisture resistant construction</li>	<li>Enhanced communication between lens and camera</li>	<li>Super spectra coating reduces flare and ghosting</li>	<li>Fluorine coatings resists smears and fingerprints</li></ul><p>The Extender EF 1.4x III from Canon is designed to work in conjunction with L-series IS super-telephoto lenses extending their focal length by a factor of 1.4x. The design ensures there is no loss of lens performance or image quality with these premium lenses.</p><p>Canon has used anti-reflection materials inside the lens-barrel and a coating around the outer edges of the lens elements reduce flare. Construction is resistant to dust and water helping photographers to continue working outdoors in poor weather.</p><p>Compatible with L-Series telephoto and telephoto zoom lenses</p><p>The Extender EF 1.4x III is compatible with most telephoto and telephoto zoom lenses within Canon&rsquo;s flagship professional L-series range extending the focal length while only reducing the effective aperture of the lens by one stop. Also available as the <a href=https://www.parkcameras.com/shop/canon-extender-ef-2x-iii_1240647t>Canon Extender EF 2x III</a>. Browse for <a href=https://www.parkcameras.com/lenses/digital-slr-lenses/canon-ef-mount/>Canon EF lenses</a> here.</p> 

Canon Extender EF 1.4x III

The updated mark III version of the Canon Extender EF 1.4x III has improved communication with the body is dust and water resistant and provides outstanding image quality in a small light form.

<h2>Canon EF 70-200mm f/4L IS II USM Telephoto lens summary</h2><p>The Canon EF 70-200mm f / 4L IS II USM offers a versatile focal range in a lightweight package &ndash; perfect for portraits closer sports and wildlife as well as landscape photography. Being L series the lens has fantastic durability and an ergonomic design that <a href=https://www.parkcameras.com/lenses/digital-slr-lenses/canon-ef-mount/>Canon EF lenses</a>&nbsp;are renowned for.</p><p>The f/4 aperture ensures you can capture amazing image quality with beautiful bokeh backgrounds letting your subject stand out from the background.</p><ul>	<li>70-200mm focal range</li>	<li>Fixed maximum aperture f / 4</li>	<li>Ring-shaped USM focus</li>	<li>Image stabiliser &ndash;5 stops for shake free shots</li>	<li>lightweight - weighs only 780 g</li>	<li>Flourine coating reduces impact of water drops and dirt on front of the lens</li>	<li>Super Spectra antireflex treatment eliminates reflections</li>	<li>Fluorite lenses available in the lens can correct colour defects and ensure high resolution and contrast images</li>	<li>&nbsp;9-leaf circular aperture&nbsp;(enhances bokeh effect)</li>	<li>Newly developed firmware for faster speed and accuracy and fast autofocus</li>	<li>Focus can also be adjusted manually and allows a 1m close-up (compared to the predecessor&#39;s 1.2m).&nbsp;</li></ul><h2>Canon EF 70-200mm f / 4L IS II USM Telephoto lens features in detail</h2><p><strong>Build quality</strong></p><p>EF 70-200mm f / 4L IS II USM builds on the high standards set by the previous model. There is the superior design durability and ergonomic design that Canon&#39;s are known for. The lens weighs only 780 grams and is perfect for shooting on the move.</p><p><strong>Lens Elements</strong></p><p>The fluorine coating stumps away dirt and water drops on the front lens and the Super Spectra anti-reflex treatment eliminates reflections. The fluorite lenses available in the lens can correct colour defects and ensure high resolution and contrast images. The amazing and reliable image quality is invaluable when it comes to reducing the time of post-processing.</p><p>EF 70-200mm f / 4L IS II USM has a 9-leaf circular aperture that creates an attractive backdrop makes the background blurred and enhances the subject itself.&nbsp;</p><p><strong>Image Stabilisation</strong></p><p>The new image stabilization device is based on Canon 100-100mm f / 4.5-5.6L IS II USM design. It delivers the equivalent effect as with a 5-step shorter shutter speed compared to the previous 3-step lens *.</p><p>EF 70-200mm f / 4L IS II USM uses a combination of a ring-shaped ultrasonic engine and third generation technology with new high performance CPU and newly developed firmware for faster speed and accuracy and fast autofocus</p><p>The focus can also be adjusted manually and allows focusing within 1m - compared to the predecessor&#39;s 1.2m. All these features make the EF 70-200mm f / 4L IS II USM perfect for discreet and accurate shooting &ndash; perfect for street photography. Compatible with <a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon DSLR</a>&nbsp;and <a href=https://www.parkcameras.com/cameras/mirrorless-cameras/canon/>EOS R mirrorless cameras</a> with a mount adapter.</p><h2>Canon EF 70-200mm f/4.0L IS II USM Lens Specifications</h2><ul>	<li>5-stop Image Stabiliser</li>	<li>USM autofocus</li>	<li>f/4-32 aperture range</li>	<li>1m closest focus distance for tele-macro</li>	<li>Sealed against dust and moisture</li>	<li>9-bladed diaphragm</li>	<li>Weight: 780g Dia x length: 80x176mm</li>	<li>20/15 elements/groups</li>	<li>9 diaphragm blades</li>	<li>Minimum aperture</li>	<li>Compatible with <a href=https://www.parkcameras.com/shop/canon-extender-ef-14x-iii_1240635t>Extender EF 1.4x III</a> and <a href=https://www.parkcameras.com/shop/canon-extender-ef-2x-iii_1240647t>EF 2x III</a></li></ul> 

Canon EF 70-200mm f/4.0L IS II USM Lens

The Canon EF 70-200mm f/4L IS II USM telephoto lens is a lightweight lens that offers great versatility. From Canon's famous L series the Mark II features fluorine coating and improved image stabilisation.

<h2>CANON EF 100-400MM F/4.5-5.6L IS II USM Key Specs</h2><ul>	<li>100-400mm zoom lens</li>	<li>4-stop image stabiliser</li>	<li>Weather sealed against dust and moisture</li>	<li>9 aperture blades</li>	<li>Filter size: 77mm</li>	<li>f/45 at 100-134mm</li>	<li>f/5.0 at 135-311mm</li>	<li>f/5.6 at 312-400mm</li>	<li>Lens hood case cap and dust cap all included in the box</li></ul><h3>Compatible Products</h3><ul>	<li><b>cameras: </b><a href=/cameras/digital-slr-cameras/canon/>Canon EOS Digital SLRs</a></li></ul><h2>Canon EF 100-400mm f/4.5-5.6L IS II USM Telephoto Zoom Lens Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>Lens Type</p>			</td>			<td valign=middle>			<p>Telephoto zoom</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Focal length range</p>			</td>			<td valign=middle>			<p>100-400mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Aperture range</p>			</td>			<td valign=middle>			<p>f/4.5-5.6 - f/32-38</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Image stabilisation</p>			</td>			<td valign=middle>			<p>Yes - 4-stops</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter Size</p>			</td>			<td valign=middle>			<p>77mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Compatible cameras</p>			</td>			<td valign=middle>			<p>Canon EF-Mount DSLR</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Dimensions</p>			</td>			<td valign=middle>			<p>94x193mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight</p>			</td>			<td valign=middle>			<p>640g</p>			</td>		</tr>	</tbody></table> 

Canon EF 100-400mm f/4.5-5.6L IS II USM Telephoto Zoom Lens

The updated mark II Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens is a great choice for wildlife sports or landscapes with L optical performance image stabilisation and weather proofing.

<p>Sigma 135mm Lens (Canon Fit) Summary</p><p>The sixth lens in Sigma&#39;s ART prime line-up this 135mm f/1.8 DG HSM telephoto lens is built for full-frame ultra-high-megapixel digital SLR cameras approaching 50MP and beyond. With minimised axial chromatic aberration and distortion the bokeh effect from this lens makes it perfect for close up or full-body portraits.</p><p>With Sigma&#39;s latest innovations and design quality this lens ensures outstanding image quality and bright image with its large wide f/1.8 aperture with 9 diaphragm blades.</p><ul>	<li>Telephoto 135mm f/1.8 lens for full frame DSLRs</li>	<li>Designed for ultra-high-megapixel future digital SLR cameras</li>	<li>6th Sigma ART prime lens</li>	<li>Dramatic bokeh from wide f/1.8 aperture</li>	<li>9 diaphragm blades</li>	<li>Sigma&#39;s floating focus mechanism system for fast focus</li>	<li>Minimal axial chromatic aberration and distortion</li>	<li>Hypersonic Motor for fast and accurate AF performance</li>	<li>Designed to minimise flare and ghosting</li>	<li>High-precision durable brass bayonet mount</li>	<li>13 lens elements in 10 groups</li>	<li>Filter size 82mm</li>	<li>18.2 degree angle of view</li>	<li>87.5mm minimum focussing distance</li>	<li>Weighs 1.13kg</li></ul><h3>Sigma ART 135mm f/1.8 DG HSM Telephoto Prime Lens (Canon Fit) Features in Detail</h3><h2>Ultimate 135mm Telephoto Lens for Ultra-High-Megapixel DSLRs</h2><p>Sigma&#39;s ART range of full-frame prime lenses are designed and built to be used with the latest <a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon digital SLR cameras</a> that feature 50 megapixel sensors or higher.</p><p>Prioritising optical performance the Sigma 135mm f/1.8 DG HSM Art lens uses Sigma&#39;s floating focus mechanism system so no matter the distance from your subject this lens delivers high performance right across the image as well as minimising distortion for ultimate image quality.</p><h2>Dramatic Bokeh is Ideal for Portraits</h2><p>With a minimum focussing distance of only 87.5cm and a wide f/1.8 aperture this lens delivers stunningly bright portraits with dramatic bokeh. Offering a stunning compression effect even close to the subject the Sigma 135mm f/1.8 ART lens makes composition of your full length or close up portrait easy and gives outstanding quality images.</p><h2>Fast Autofocus Photography</h2><p>This lens features an acceleration sensor in the group of focusing lens elements that detects the orientation of the lens which means the autofocus system is able to respond to varying loads on the focusing group due to gravity.</p><p>Additionally the large Hypersonic Motor (HSM) delivers ample torque to the focusing group for outstanding speed and ensures exceptionally stable performance even at low speeds.</p><p>Combined with an optimised AF algorithm this lens boasts fast autofocus for better photography and the focus limiter makes the AF highly responsive to the distance from a subject.</p><h2>6th Sigma ART full-frame prime lens</h2><p>The first of Sigma&#39;s Art lenses was the 35mm f/1.4 DG HSM launched in 2012. This new 135mm f/1.8 DG HSM is the sixth prime lens in this line-up establishing the Art range as the standard for prime lenses in the ultra-high-megapixel era.</p><h2>Other Features of the Sigma 135mm f/1.8 DG HSM Art Lens</h2><ul>	<li>Full-time manual focus override available alongside the fast AF</li>	<li>Compatible with Mount Converter MC-11</li>	<li>Mount with dust and splash proof construction</li>	<li>Nikon electromagnetic diaphragm mechanism included</li>	<li><a href=https://www.parkcameras.com/shop/sigma-usb-lens-dock-canon-ef-mount_g249940c>Sigma USB dock</a> available for customisation and adjustment</li>	<li>Mount Conversion Service available for use with another camera body</li>	<li>Rounded diaphragm</li>	<li>Designed to minimise flare and ghosting</li>	<li>Durable high-precision brass bayonet mount</li>	<li>Evaluation with Sigma&#39;s own MTF measuring system A1.</li>	<li>Made in Japan with outstanding craftsmanship</li>	<li>Lens barrel is engraved with year of release</li></ul> 

Sigma 135mm f/1.8 DG HSM Art Lens Canon EF

The Sigma 135mm for Canon EF-mount is designed with 13 lens elements in 10 groups which minimise chromatic aberrations whilst increasing contrast at high resolutions for portraits & telephoto subjects.

<div class=parks_opinion><table class=parks_optable>	<tbody>		<tr>			<td class=parks_heading>			<h2>Canon EF 800mm f/5.6L IS USM Lens</h2>			</td>		</tr>		<tr>			<td class=park_specs>			<h3>A high-magnification L-series super-telephoto lens ideal for wildlife nature and sports photography as well as surveillance. The EF 800mm f/5.6L IS USM delivers outstanding image quality whilst the design uses magnesium alloy and titanium to reduce weight.</h3>			<ul>				<li>Part of Canon&#39;s flagship L Series lens range made using the finest optics</li>				<li>Fast quiet autofocus with ring USM for full-time manual focusing</li>				<li>4 stop image Stabiliser ensures shake free shots</li>				<li>Circular 8-blade diaphragm helps produce attractive background blur</li>				<li>Super spectra coating reduces flare and ghosting</li>				<li>Minimum focusing distance of 6m</li>				<li>52mm drop-in filter diameter</li>				<li>Dust and moisture resistant construction</li>				<li>Supplied with lens hood and hard lens case</li>			</ul>			</td>		</tr>	</tbody></table><h2 class=productname_specs>Canon EF 800mm f/5.6L IS USM Super Telephoto Lens Specifications</h2><table class=specs_Lens>	<tbody>		<tr>			<td class=specsfield id=sf-LensType>Lens Type</td>			<td class=specsvalue id=sv-LensType>Zoom</td>		</tr>		<tr>			<td class=specsfield id=sf-focal-length>Focal length range</td>			<td class=specsvalue id=sv-focal-length>800mm</td>		</tr>		<tr>			<td class=specsfield id=sf-aperture>Aperture range</td>			<td class=specsvalue id=sv-aperture>5.6</td>		</tr>		<tr>			<td class=specsfield id=sf-stablsaton>image stabilisation</td>			<td class=specsvalue id=sv-stablsaton>Yes</td>		</tr>		<tr>			<td class=specsfield id=sf-Filter>Filter Size</td>			<td class=specsvalue id=sv-Filter>5mm</td>		</tr>		<tr>			<td class=specsfield id=sf-camera s>Compatible camera s</td>			<td class=specsvalue id=sv-camera s>Canon DSLRs</td>		</tr>		<tr>			<td class=specsfield id=sf-Dimensions>Dimensions</td>			<td class=specsvalue id=sv-Dimensions>6.6x459.7mm</td>		</tr>		<tr>			<td class=specsfield id=sf-Weight>Weight</td>			<td class=specsvalue id=sv-Weight>4500g</td>		</tr>	</tbody></table></div> 

Canon EF 800mm f/5.6L IS USM Super Telephoto Lens

Currently Canon''s longest super telephoto lens the EF 800mm f/5.6L IS USM features 4 stop image stabilisation together with L series quality for incredible reach to get you closer to the action.

<div class=parks_opinion><table class=parks_optable>	<tbody>		<tr>			<td class=parks_heading>			<h2>Canon TS-E 24mm f/3.5L II Lens</h2>			</td>		</tr>		<tr>			<td class=park_specs>			<h3>A high performance wide-angle lens with exceptional tilt and shift range. Designed for architectural photography the lens features low distortion and superb edge-to-edge sharpness whilst the tilt and shift mechanisms can be rotated independently.</h3>			<ul>				<li>Wide-angle 24mm tilt and shift lens</li>				<li>Part of Canon&#39;s flagship L Series lens range made using the finest optics</li>				<li>Independent tilt or shift rotation 8.5&deg; tilt and 12mm shift</li>				<li>Part of Canon&#39;s flagship L Series lens range made using the finest optics</li>				<li>Bright f/3.5 maximum aperture ensures great shots in low light</li>				<li>Fast quiet autofocus with ring USM for full-time manual focusing</li>				<li>Circular 8-blade diaphragm helps produce attractive background blur</li>				<li>Super spectra coating reduces flare and ghosting</li>				<li>82mm filter diameter</li>				<li>Dust and moisture resistant construction</li>				<li>Supplied with lens hood and lens pouch</li>			</ul>			</td>		</tr>	</tbody></table><h2 class=productname_specs>Canon TS-E 24mm f/3.5L II Manual Focus Tilt Shift Lens Specifications</h2><table class=specs_Lens>	<tbody>		<tr>			<td class=specsfield id=sf-LensType>Lens Type</td>			<td class=specsvalue id=sv-LensType>wide angle zoom</td>		</tr>		<tr>			<td class=specsfield id=sf-focal-length>Focal length range</td>			<td class=specsvalue id=sv-focal-length>4mm</td>		</tr>		<tr>			<td class=specsfield id=sf-aperture>Aperture range</td>			<td class=specsvalue id=sv-aperture>.5</td>		</tr>		<tr>			<td class=specsfield id=sf-stablsaton>image stabilisation</td>			<td class=specsvalue id=sv-stablsaton>No</td>		</tr>		<tr>			<td class=specsfield id=sf-Filter>Filter Size</td>			<td class=specsvalue id=sv-Filter>8mm</td>		</tr>		<tr>			<td class=specsfield id=sf-camera s>Compatible camera s</td>			<td class=specsvalue id=sv-camera s>Canon DSLRs</td>		</tr>		<tr>			<td class=specsfield id=sf-Dimensions>Dimensions</td>			<td class=specsvalue id=sv-Dimensions>88.5x06.9mm</td>		</tr>		<tr>			<td class=specsfield id=sf-Weight>Weight</td>			<td class=specsvalue id=sv-Weight>780g</td>		</tr>	</tbody></table></div> 

Canon TS-E 24mm f/3.5L II Manual Focus Tilt Shift Lens

This updated mark II version of the Canon TS-E 24mm f/3.5L II tilt-shift is a versatile high performance wide angle lens perfect for architectural and interior photography without distorted lines.

<div class=parks_opinion> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>Canon EF 85MM f/1.4 IS USM Lens Summary</h2></td></tr> <tr> <td class=park_specs> <p>Ideal for portrait photography the focal length of 85mm combined with an aperture of f/1.4 allows you to keep a comfortable distance from your subject with sharp results and beautiful bokeh filled backgrounds.</p> <p>Being L series the focus is responsive and precise while image stabilisation offers 4-stops of compensation.</p> <ul> <li>L Series quality optics  </li><li>Air Sphere Coating (ASC) helps to suppress internal ghosting and flare  </li><li>Fluorine coatings on the front and rear lens elements help to protect against dust and moisture  </li><li>Shock-absorbing front casing for extra durability  </li><li>4 stops of image stabilisation  </li><li>Near-silent focusing </li></ul></td></tr></tbody></table> <table class=parks_optable our_verdict> <tbody> <tr> </tr> <tr> </tr></tbody></table>  <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>Canon EF 85MM f/1.4 IS USM Lens Features in detail</h2></td></tr> <tr> <td class=park_detail> <ul> <li>EF-Mount Lens  </li><li>Optical Features/Specifications:  </li><li>Angle of view (horizontal vertical diagonal): 24º 16º 28º 30°  </li><li>Lens construction (elements/groups): 14/10  </li><li>No. of diaphragm blades: 9  </li><li>Minimum aperture: 22  </li><li>Closest focussing distance (m): 0.85  </li><li>Maximum magnification (x): 0.12  </li><li>Distance Information: Yes  </li><li>Image stabilizer: 4 Stops  </li><li>AF actuator: Ring USM4  </li><li>Dust/moisture resistant  </li><li>77mm filter diameter  </li><li>Max. diameter x length (mm): 88.6 x 105.4  </li><li>Weight (g): 950 </li></ul></td></tr></tbody></table></div> 

Canon EF 85mm f/1.4L IS USM Short Telephoto Lens

For hand held portraits or creative photography the image stabilised Canon EF 85MM f/1.4 IS USM is a very popular lens. L series quality optics with fast aperture captures detail and beautiful bokeh.

<h2>Canon EF 100mm f/2.8L Macro IS USM Lens</h2><p>The EF 100mm f/2.8L Macro IS USM provides users with a true macro magnification ratio of 1:1. This allows users to capture images of their subjects in real life sizes. This versatile lens provides excellent results for portraits and handheld movies thanks to its ability to achieve a shallow depth of field with smooth bokeh along with built-in Hybrid Image Stabilisation and a 625g lightweight design.</p><h3>Key Specs</h3><ul>	<li>4 stop hybrid image Stabilisation</li>	<li>Circular 9-blade circular aperture</li>	<li>Dust and moisture resistant construction</li>	<li>Super spectra coating reduces flare and ghosting</li>	<li>Supplied with lens hood and lens pouch</li>	<li>67mm filter diameter</li></ul><p>Image stabiliser:</p><ul>	<li>4-stops</li>	<li>3-stops at 0.5x magnification</li>	<li>2-stops at 1.0x magnification</li></ul><p>Compatible Products</p><ul>	<li>cameras: <a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon EOS Digital SLRs</a></li></ul> 

Canon EF 100mm f/2.8L IS USM Autofocus Macro Lens

The Canon EF 100mm f/2.8L IS USM macro lens combines the latest in image stabilisation with tried and tested USM focusing technology to ensure close up photography is as sharp & shake-free as possible.

<h3>A lightweight super telephoto lens that offers superb image quality</h3><p>Combining ultra-high performance with a portable design this is the world&#39;s lightest 400mm f/2.8 lens. It&#39;s superb for action and wildlife and for photographers who travel and work on location.</p><h3>Superb quality from an advanced optical design</h3><ul>	<li>Ultra-high image quality with high sharpness right across the frame</li>	<li>Fluorite lens elements virtually eliminate chromatic aberration and boost resolution and contrast</li>	<li>Flare and ghosting is virtually eliminated by our Subwavelength structure coating (SWC)</li>	<li>Create superb out-of-focus backgrounds with a fast f/2.8 aperture and nine-bladed diaphragm</li></ul><h3>The lightest 400mm f/2.8 lens in the world</h3><ul>	<li>An advanced optical formula reduces weight making this the world&#39;s lightest 400mm f/2.8 design</li>	<li>Ultra-portable design is ideal for location work</li>	<li>As an L-series lens the EF 400mm f/2.8L IS III is built to withstand the rigours of professional use</li>	<li>Protective weather sealing guards against dust and moisture while fluorine coatings help cleaning</li>	<li>Thermal insulation coating maintains image quality when shooting in hot sunny conditions</li></ul><h3>Keep subjects in sharp focus as they move around the frame</h3><ul>	<li>focusing is fast and quiet thanks to a ring-type USM autofocus motor and high-speed CPU</li>	<li>Create pull-focus effects when shooting video using power focus controls and focus presets</li>	<li>Make instant adjustments using full-time manual focus control</li>	<li>Manual focus is electronically controlled for customizable focusing speed and extreme precision</li></ul><h3>Stay sharp when shooting handheld or in low light</h3><ul>	<li>Preserve sharpness when shooting handheld or in low light thanks to a five-stop Image Stabilizer</li>	<li>The lens&#39;s lightweight design allows it to be used handheld for longer periods of time</li></ul><h3>React quickly using customisable controls</h3><ul>	<li>Lock stop and recall focus using customisable AF control buttons</li>	<li>Shoot instinctively with controls that fall naturally under your fingers with the camera at your eye</li></ul><h3>Canon EF 400mm f/2.8L IS III USM Specifications</h3><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>Lens construction</p>			</td>			<td valign=middle>			<p>17/13 (elements/groups)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Mount</p>			</td>			<td valign=middle>			<p>Canon EF Mount</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Optical image stabiliser</p>			</td>			<td valign=middle>			<p>5-stops AF actuator</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Focal Length</p>			</td>			<td valign=middle>			<p>400mm focal length</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Aperture Type</p>			</td>			<td valign=middle>			<p>9-bladed diaphragm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Maximum Aperture</p>			</td>			<td valign=middle>			<p>f/2.8</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum Aperture</p>			</td>			<td valign=middle>			<p>f/32</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum focusing distance</p>			</td>			<td valign=middle>			<p>2.5m</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Maximum magnification</p>			</td>			<td valign=middle>			<p>0.17</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Diagonal angle of view</p>			</td>			<td valign=middle>			<p>5&deg;10&#39; 3&deg;30&#39; 6&deg;10&#39;</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter Size</p>			</td>			<td valign=middle>			<p>52mm Drop in (drop-in)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Overall Length</p>			</td>			<td valign=middle>			<p>163 x 343 mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight</p>			</td>			<td valign=middle>			<p>2840g</p>			</td>		</tr>	</tbody></table> 

Canon EF 400mm lens f/2.8L USM IS III

Combining ultra-high performance with a portable design this is the world's lightest 400mm f/2.8 lens. It's superb for action and wildlife and for photographers who travel and work on location.

<p>An exceptional super-telephoto performance</p><p>Outstanding image quality and professional performance from the world&#39;s lightest 600mm f/4 lens which can be used hand held thanks to its portable design and five-stop Image Stabilizer.</p><p>Superb quality from an advanced optical formula</p><ul>	<li>Fluorite lens elements and SWC coatings combine to deliver superb image quality</li>	<li>An f/4 maximum aperture and nine-bladed diaphragm allow for smooth out-of-focus backgrounds with beautiful bokeh</li></ul><p>The world&#39;s lightest 600mm f/4 &ndash; ideal for travel</p><ul>	<li>An advanced optical design makes this the lightest 600mm f/4 lens in the world. It&#39;s portable and ideal for travel.</li>	<li>L-series construction is robust with weather sealing that protects against dust and moisture</li>	<li>Thermal insulation maintains image quality when shooting in high temperatures</li></ul><p>&nbsp;</p><p>Focus quickly and accurately on moving subjects</p><ul>	<li>A ring-type USM autofocus motor brings subjects into sharp focus quickly and quietly</li>	<li>Full-time manual focus override allows focusing adjustments to be made quickly without switching focus modes</li>	<li>The speed of manual focusing can be changed to allow finer control</li>	<li>Power focus controls can be used to create professional pull-focus effects when shooting video</li></ul><p>Stay sharp when shooting handheld or in low light</p><ul>	<li>A five-stop Image Stabilizer prevents blur from camera shake when shooting handheld or in low light**</li>	<li>A fast f/4 maximum aperture permits faster shutter speeds in low light</li>	<li>The lens&#39;s lightweight design allows handheld shooting for longer periods of time</li></ul><p>React quickly when shooting using customisable controls</p><ul>	<li>Instinctive fingertip controls can start stop or lock autofocusing and recall a previous pre-set focus distance</li>	<li>Controls for IS mode AF mode focusing range and focus preset are easy to find quickly when you&#39;re shooting</li></ul><table class=parks_optable cta_table>	<tbody>		<tr>			<td class=park_ctaprice>&nbsp;</td>		</tr>	</tbody></table> 

Canon EF 600mm f/4L IS III USM Super Telephoto Lens

Featuring an advanced lightweight design the mark 3 Canon EF 600mm f/4L IS III USM lens is a firm favourite amongst sports and wildlife photographers with 5 stop image stabilisation and pro optics.

<div class=parks_opinion> <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Canon EF 24mm f/1.4L II USM Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<h3>A superlative fast aperture wide-angle lens. A f/1.4 maximum aperture allows hand-held shooting in low light whilst UD and aspherical elements eliminate distortion and aberrations to ensure stunning results.</h3>  			<ul> 				<li>Part of Canon&#39;s flagship L Series lens range made using the finest optics</li> 				<li>Bright f/1.4 maximum aperture ensures great shots in low light</li> 				<li>Fast quiet autofocus with ring USM for full-time manual focusing</li> 				<li>Circular 8-blade diaphragm helps produce attractive background blur</li> 				<li>Super spectra coating reduces flare and ghosting</li> 				<li>77mm filter diameter</li> 				<li>Dust and moisture resistant construction</li> 				<li>Supplied with lens hood and lens pouch</li> 			</ul> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Canon EF 24mm f/1.4L II USM Wide Angle Lens Specifications</h2>  <table border=0 cellpadding=0 cellspacng=0 Width=00%> 	<tbody> 		<tr> 			<td>angle of view (horizontal vertical dagnl)</td> 			<td>74 5 84</td> 		</tr> 		<tr> 			<td>Lens construction (elements/groups)</td> 			<td>/0</td> 		</tr> 		<tr> 			<td>No. of Diaphragm blades</td> 			<td>8</td> 		</tr> 		<tr> 			<td>Minimum aperture</td> 			<td>&nbsp;</td> 		</tr> 		<tr> 			<td>Closest focusing distance (m)</td> 			<td>0.5</td> 		</tr> 		<tr> 			<td>Maximum magnification (x)</td> 			<td>0.7</td> 		</tr> 		<tr> 			<td>distance nformaton</td> 			<td>provided</td> 		</tr> 		<tr> 			<td>AF actuator</td> 			<td>ring USM</td> 		</tr> 		<tr> 			<td>Dust/moisture resstance</td> 			<td>Yes</td> 		</tr> 		<tr> 			<td>Filter Diameter (mm)</td> 			<td>77</td> 		</tr> 		<tr> 			<td>Max. Diameter x length (mm)</td> 			<td>9.5 x 86.9</td> 		</tr> 		<tr> 			<td>Weight (g)</td> 			<td>650g</td> 		</tr> 		<tr> 			<td>magnification - extension Tube eF</td> 			<td>0.67-0.50</td> 		</tr> 		<tr> 			<td>magnification - extension Tube eF5</td> 			<td>NC</td> 		</tr> 		<tr> 			<td>Lens Cap</td> 			<td>e-77U /e-77</td> 		</tr> 		<tr> 			<td>Lens hood</td> 			<td>eW-8K</td> 		</tr> 		<tr> 			<td>Soft case</td> 			<td>LP9</td> 		</tr> 		<tr> 			<td>extenders</td> 			<td>NC</td> 		</tr> 	</tbody> </table> </div> 

Canon EF 24mm f/1.4L II USM Wide Angle Lens

For a high quality wide angle lens with a fast aperture the mark II Canon EF 24mm f/1.4 L USM II lens provides an excellent choice made with L series quality and fast quiet autofocus.

<h2>Canon EF-S 24mm f/2.8 STM Lens Summary</h2><p><strong>With you wherever you go.</strong></p><p><strong>A highly portable pancake lens that&#39;s ideal for travel and street photography. Its advanced optical design ensures great image quality while a large f/2.8 maximum aperture allows hand-held low-light shooting. STM focusing delivers smooth near-silent AF when capturing movies.</strong></p><ul>	<li>Super-slim pancake design that is highly portable and lets you shoot discreetly</li>	<li>Natural perspective similar to that of the human eye</li>	<li>Smooth quiet STM focusing when shooting movies</li>	<li>Shoot in low light and control depth of field with a large f/2.8 maximum aperture.</li>	<li>Get close to small subjects focusing down to just 16cm</li>	<li>Great image quality right across the frame</li></ul><p>The Canon EF-S 24mm f/2.8 STM lens works with APS-C sensor <a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>DSLR cameras</a>. It provides a natural perspective with equivalent angle of view of 38mm in full-frame terms making it ideal for portraits street photography and other subjects including travel.</p><p>With smooth quiet focusing users can capture images of moving subjects with the lens locking on quickly when shooting still photos and provides smooth focus transitions when capturing movies.</p><p>You&rsquo;ll also get razor-sharp performance right across the frame typical of <a href=https://www.parkcameras.com/lenses/canon/>Canon lenses</a> whichever budget category they fall into.</p><h2>Canon EF-S 24mm f/2.8 STM Lens Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=top>			<p>Lens Type</p>			</td>			<td valign=top>			<p>APS-C Pancake lens for EF Cameras</p>			</td>		</tr>		<tr>			<td valign=top>			<p>35mm film equivalent focal length</p>			</td>			<td valign=top>			<p>38mm</p>			</td>		</tr>		<tr>			<td valign=top>			<p>Lens construction (elements/groups)</p>			</td>			<td valign=top>			<p>6/5</p>			</td>		</tr>		<tr>			<td valign=top>			<p>Minimum aperture</p>			</td>			<td valign=top>			<p>f/22</p>			</td>		</tr>		<tr>			<td valign=top>			<p>Filter diameter</p>			</td>			<td valign=top>			<p>52mm</p>			</td>		</tr>		<tr>			<td valign=top>			<p>Max. diameter x length</p>			</td>			<td valign=top>			<p>68.2 x 22.8mm</p>			</td>		</tr>		<tr>			<td valign=top>			<p>Weight</p>			</td>			<td valign=top>			<p>125g</p>			</td>		</tr>	</tbody></table> 

Canon EF-S 24mm f/2.8 STM Wide Angle Pancake Lens

The Canon EF 28mm f/1.8 USM DSLR lens is a small highly portable wide angle pancake lens that''s ideal for travel documentary and street photography even with hand held low-light shooting.

<h2>Full Details</h2><p>A true modern classic: standard wide-angle lens beloved by reportage photographers for its natural perspective low-light capability and extraordinary optical performance.</p><p>wide-angle view with natural perspective Superb low-light performance and depth of field control Sets new standards in image quality Focuses quickly and discreetly Keep shooting even in tough conditions</p><h3>Offers wide-angle view with natural perspective</h3><p>classic slightly wide-angle 35mm focal length loved by documentary photographers for its ability to capture subject within its environment without distorting perspective.</p><h3>Superb low-light performance</h3><p>large f/1.4 maximum aperture lets in two stops more light than in f/.8 zoom lens making this ideal lens for hand-held photography in low-light conditions.</p><p>shooting at wide apertures allows photographers to limit depth of field. Creating such shallow-focus effects is one way that subject can be made to stand out against background and is particularly effective when combined with the lens&#39;s wide-angle field of view.</p><p>The lens&#39;s nine-bladed aperture renders out-of-focus res smoothly and naturally.</p><h3>Sets new standards in image quality</h3><p>Blue spectrum Refractive optics made from in organic optical material developed by Canon tackle colour fringing by correcting chromatic aberrations to degree not previously possible.</p><p>Ultra Low-Dispersion (UD) optics and two spherical lens elements provide incredible sharpness cross the frame - even when the lens is used wide open.</p><p>Sub-wavelength structure coating boosts contrast and guards against flare and ghosting when shooting into the light.</p><h3>Focuses quickly and discreetly letting you capture the unexpected</h3><p>Ring-type USM autofocus establishes accurate focus quickly and in inner silence letting you work without disturbing the scene.</p><p>Full-time manual focusing allows focus adjustments without changing focus mode or removing your camera from your eye.</p><h3>Keep shooting even in tough conditions</h3><p>Canon&#39;s legendary L-series build-quality inspires confidence and adds durability. weather sealing guards against dust and moisture while fluorine coating protects the lens&#39;s front and rear element from grease and dirt and makes it easier to clean.</p><h3>Blue spectrum Refractive optics</h3><p>Canon developed Blue spectrum Refractive (BR) optics to tackle coloured fringing in large-diameter lenses. This bespoke organic optical material is more effective at correcting such fringing than other technologies  like fluorite Ultra Low-Dispersion (UD) or super UD glass. Coloured fringing is caused by chromatic aberration - phenomenon where light of different colours is focused at different points. Using BR optical material in the EF 35mm f/1.4L USM minimises this effect. Other elements in the lens can then be optimised to give superb Sharpness contrast and resistance to flare.</p><h2>Canon EF 35mm f/1.4L II USM Wide Angle Lens Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td colspan=2 valign=middle>			<p><strong>Optical features / specifications</strong></p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Angle of view (horizontal vertical diagonal)</p>			</td>			<td valign=middle>			<p>54&deg; 38&deg; 63&deg;</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens construction (elements/groups)</p>			</td>			<td valign=middle>			<p>14/11</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>No. of diaphragm blades</p>			</td>			<td valign=middle>			<p>9</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum aperture</p>			</td>			<td valign=middle>			<p>f/22</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Closest focusing Distance(m)</p>			</td>			<td valign=middle>			<p>0.28</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Maximum magnification (x)</p>			</td>			<td valign=middle>			<p>0.21</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Distance information</p>			</td>			<td valign=middle>			<p>Yes</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>AF actuator</p>			</td>			<td valign=middle>			<p>Ring USM</p>			</td>		</tr>	</tbody></table><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td colspan=2 valign=middle>			<p><strong>Physical Specifications</strong></p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Dust/moisture resistance*</p>			</td>			<td valign=middle>			<p>Yes</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter diameter (mm)</p>			</td>			<td valign=middle>			<p>72</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Max. diameter x length (mm)</p>			</td>			<td valign=middle>			<p>80.4 x 105.5</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight (g)</p>			</td>			<td valign=middle>			<p>760</p>			</td>		</tr>	</tbody></table><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td colspan=2 valign=middle>			<p><strong>Accessories</strong></p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens cap</p>			</td>			<td valign=middle>			<p>E-72II</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens hood</p>			</td>			<td valign=middle>			<p>EW-77B</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens case/pouch</p>			</td>			<td valign=middle>			<p>LP1219</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Rear cap</p>			</td>			<td valign=middle>			<p>Lens Dust Cap E</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Magnification w/ Extension Tube EF12 II</p>			</td>			<td valign=middle>			<p>0.58-0.36</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Magnification w/ Extension Tube EF25 II</p>			</td>			<td valign=middle>			<p>1.03-0.80</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Extender Compatiblity</p>			</td>			<td valign=middle>			<p>Not Compatible</p>			</td>		</tr>	</tbody></table><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>AF actuator</p>			</td>			<td valign=middle>			<p>Full time manual focus</p>			</td>		</tr>	</tbody></table> 

Canon EF 35mm f/1.4L II USM Wide Angle Lens

The fast aperture classic width Canon EF 35mm f/1.4L II USM is the updated mark II version of this versatile prime lens ideal for many photography styles from documentary to landscape or portraits.

<h2>Sigma 70-200mm F2.8 DG OS HSM Sport lens Canon EF Mount</h2><p><strong>The ever-evolving 70&ndash;200mm is now available in the Sports line</strong><br />The F2.8 zoom lenses are the essential equipment for many professional photographers. 70-200mm F/2.8 lenses in particular are expected to perform at their best in various challenging scenes from news to sports landscape and portraits. The SIGMA 70-200mm F2.8 DG OS HSM Sports has high optical quality a tough weather resistant design and excellent handling all of the features required by professional photographers and high-end amateurs. The all-round ultimate 70-200mm F2.8 is now available in our range of <a href=https://www.parkcameras.com/lenses/sigma/>Sigma lenses</a>.</p><ol>	<li>Combining all of the features required by professional photographers</li>	<li>Incorporating 10 exclusive low-dispersion glass elements</li>	<li>Customization is possible to improve versatility</li>	<li>The three F2.8 zooms that exhibit maximum performance</li></ol><p>Adding either of SIGMA&rsquo;s TC&rsquo;s - the <a href=https://www.parkcameras.com/shop/sigma-tc-1401-14x-teleconverter-apo-canon-ef_g245115c>TELECONVERTER TC-1401</a> or <a href=https://www.parkcameras.com/shop/sigma-tc-2001-2x-teleconverter-apo-canon-ef_g245117c>TELECONVERTER TC-2001</a> increases lens range to a 98-280mm F/4 or a 140-400mm F/5.6 respectively.</p><h2>SIGMA 70-200mm F2.8 DG OS HSM Sport lens Canon EF Mount Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>Lens type</p>			</td>			<td colspan=2 valign=middle>			<p>Telephoto zoom lens</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens Construction</p>			</td>			<td colspan=2 valign=middle>			<p>24 Elements in 22 Groups</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Angle of View (for SD1)</p>			</td>			<td colspan=2 valign=middle>			<p>34.3-12.3 degrees</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Number of Diaphragm Blades</p>			</td>			<td colspan=2 valign=middle>			<p>11 Blades (Rounded diaphragm)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum Aperture</p>			</td>			<td colspan=2 valign=middle>			<p>F22</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum Focusing Distance</p>			</td>			<td colspan=2 valign=middle>			<p>120cm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Maximum Magnification</p>			</td>			<td colspan=2 valign=middle>			<p>1:4.8</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter Size</p>			</td>			<td colspan=2 valign=middle>			<p>Diameter 82mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Dimensions</p>			</td>			<td colspan=2 valign=middle>			<p>Diameter 94.2mm x Length</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight</p>			</td>			<td colspan=2 valign=middle>			<p>1805g</p>			</td>		</tr>	</tbody></table> 

Sigma 70-200mm Lens  f/2.8 DG OS HSM Sports Canon EF Mount

70-200mm F2.8 lenses in particular are expected to perform at their best in various challenging scenes from news to sports landscape and portraits

<h2>Sigma 1.4x Tele Converter TC-1401 Lens Canon Fit</h2><p>The SIGMA Teleconverter TC-1401 has been developed exclusively for Sigma&#39;s new Global Vision lenses and offer the finest glass materials to ensure the best possible image quality. Both models incorporate SLD (Special Low Dispersion) glass elements that offer excellent aberration correction ensuring a new high standard for tele Converters. Their compact and lightweight designs also provide an easy extension of focal range and their durable construction make them suitable for professional use helped by their dust and splash-proof design.</p><p>Supplied Accessory: Case</p><h3>Exposure</h3><p>Using the SIGMA TELE CONVERTER decreases the effective aperture by one F-stop with 1.4x Tele Converter. Correct exposure can be obtained whatever exposure mode is being used.</p><h3>Focusing</h3><p>On the lists the lenses marked &ldquo;AF&rdquo; will retain auto focus operation when used with a Tele Converter. The lenses marked &ldquo;MF can only be used for manual focus.</p><p>Some lenses will be operated AF even mentioned &ldquo;MF&rdquo; however be aware that these lenses cannot focus precisely by auto focusing. Therefore please use such lenses in MF mode when teleconverter is attached.</p><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td rowspan=2 valign=middle>			<h3>Sigma Current Lens Compatibility</h3>			</td>			<td colspan=2 valign=middle>			<p><strong>FOR CANON</strong></p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>TC-1401</strong></p>			</td>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-tc-2001-2x-teleconverter-apo-canon-ef_g245117c><strong>TC-2001</strong></a></p>			</td>		</tr>		<tr>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-60-600mm-lens-f45---63-dg-os-hsm-sports-canon-mount_g246240c>60-600mm F4.5-6.3 DG OS HSM Sports</a></p>			</td>			<td valign=middle>			<p>AF<sup>*5</sup></p>			</td>			<td valign=middle>			<p>MF</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-70-200mm-lens--f28-dg-os-hsm-sports-canon-mount_g246430c>70-200mm F2.8 DG OS HSM Sports</a></p>			</td>			<td valign=middle>			<p>AF</p>			</td>			<td valign=middle>			<p>AF</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-100-400mm-f5-63-dg-os-hsm-contemporary-lens-canon-ef_g247265c>100-400mm F5-6.3 DG OS HSM Contemporary</a></p>			</td>			<td valign=middle>			<p>AF<sup>*6</sup></p>			</td>			<td valign=middle>			<p>MF</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-apo-120-300mm-f28-ex-dg-os-hsm-lens-canon-ef_g247132c>120-300mm F2.8 DG OS HSM Sports</a></p>			</td>			<td valign=middle>			<p>AF<sup>*3</sup></p>			</td>			<td valign=middle>			<p>AF<sup>*3</sup></p>			</td>		</tr>		<tr>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-150-600mm-f5-63-dg-os-hsm-sports-lens-canon-ef_g247263c>150-600mm F5-6.3 DG OS HSM Sports</a></p>			</td>			<td valign=middle>			<p>AF<sup>*4</sup></p>			</td>			<td valign=middle>			<p>MF</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-150-600mm-f5-63-dg-os-hsm-contemporary-lens-canon-ef_g247264c>150-600mm F5-6.3 DG OS HSM Contemporary</a></p>			</td>			<td valign=middle>			<p>AF<sup>*4</sup></p>			</td>			<td valign=middle>			<p>MF</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-500mm-f4-dg-os-hsm-sports-lens-canon-ef_g24186c>500mm F4 DG OS HSM Sport</a></p>			</td>			<td valign=middle>			<p>AF</p>			</td>			<td valign=middle>			<p>AF<sup>*4</sup></p>			</td>		</tr>		<tr>			<td valign=middle>			<p><a href=https://www.parkcameras.com/shop/sigma-70mm-f28-dg-macro-art-lens-canon-ef_g242389c>70mm F2.8 DG MACRO Art</a></p>			</td>			<td valign=middle>			<p>AF<sup>*7</sup></p>			</td>			<td valign=middle>			<p>MF</p>			</td>		</tr>	</tbody></table><p>*1 It becomes compatible with the new tele converters once the lens firmware is updated to Ver. 1.01 or later.</p><p>*2 It becomes compatible with the new tele converters once the lens firmware is updated to Ver. 1.02 or later.</p><p>*3 It becomes compatible with the new tele converters once the lens firmware is updated to Ver. 1.03 or later.</p><p>*4 When SIGMA TELE CONVERTER TC-1401 is attached to cameras that are compatible with AF at F8 it is possible to shoot with AF. In cases where contrast or brightness level of the shooting object is low it may not focus properly.</p><p>*5 When it is attached to cameras that are compatible with AF at F8 focus accuracy is not ensured on the telephoto side at the focal length scale more than 300mm.</p><p>*6 When it is attached to cameras that are compatible with AF at F8 focus accuracy is not ensured on the telephoto side at the focal length scale more than 200mm.</p><p>*7 Autofocus available at 0.5m to infinity.</p><h2>Sigma 1.4x Tele Converter TC-1401 Lens Canon Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=top>			<p>Lens construction</p>			</td>			<td valign=middle>			<p>7 elements in 5 groups</p>			</td>		</tr>		<tr>			<td valign=top>			<p>Focal length</p>			</td>			<td valign=middle>			<p>1.4 times of magnification from original lens</p>			</td>		</tr>		<tr>			<td valign=top>			<p>Aperture coupling range</p>			</td>			<td valign=middle>			<p>69.8mm x 25.0mm</p>			</td>		</tr>		<tr>			<td valign=top>			<p>Reproduction ratio</p>			</td>			<td valign=middle>			<p>190g</p>			</td>		</tr>	</tbody></table><p>Also available as a x2 double focal range model: <a href=https://www.parkcameras.com/shop/sigma-tc-2001-2x-teleconverter-apo-canon-ef_g245117c>Sigma 2X Teleconverter TC-2001</a> view all of our <a href=https://www.parkcameras.com/lenses/sigma/>Sigma lenses</a> here.</p> 

Sigma TC-1401 1.4x Teleconverter APO Canon EF

The Sigma 1.4x TC APO for Canon EF-mount increases the focal length of compatible lenses providing full communication between the lens and the camera  and also features a weather resistant casing.

<h2>Sigma 105mm f/1.4 DG HSM Art Canon EF Lens Summary</h2><ul>	<li>Top of the range&nbsp;Sigma Art lens</li>	<li>Focal length of 105mm for beautiful portraits with incredible bokeh rendition</li>	<li>9 bladed rounded diaphram</li>	<li>Minimum aperture of f/16</li>	<li>Minimum focusing distance of 100cm</li>	<li>Maximum magnification ratio: 1:8.3</li>	<li>17 elements in 12 groups</li>	<li>Filter size: 105mm</li>	<li>Dimensions (diameter x length): 115.9mm x 131.5mm</li>	<li>Weight: 1645g</li>	<li>Compatible with&nbsp;<a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon EF mount cameras</a></li></ul><p>Adding to&nbsp;<a href=https://www.parkcameras.com/brand/sigma/>Sigma&#39;s</a>&nbsp;exceptional&nbsp;range of fast Art prime lenses the 105mm f/1.4 DG HSM Art offers a 9 blade rounded diaphragm for dreamy bokeh and boasts a long focal length of 105mm. It has the resolution to match the highest of megapixel counts found in today&#39;s camera bodies. Designed with great care to ensure that both the in-focus and out-of-focus areas of the photograph are equally satisfying to the eye this lens is truly a &quot;bokeh master.&quot; The Sigma 105mm f/1.4 DG HSM Art has earned its place as the flagship of the f/1.4 Art line lenses prioritising image quality above all to fulfill the promise of the line delivering truly amazing optical performance.</p><h2>Sigma 105mm f/1.4 DG HSM Art Canon EF Lens Features in Detail</h2><h3>Optical system delivering unsurpassed f/1.4 performance</h3><p>In order to combine outstanding wide-aperture mid-telephoto performance with f/1.4 brightness at maximum aperture this lens incorporates 17 optical elements in 12 groups&amp;midash;an uncommonly large number of elements for a prime lens. By including three FLD glass elements two SLD glass elements and one aspherical lens element the optical system minimizes axial chromatic aberration to deliver extremely high resolution along with ample peripheral light volume. The area in focus is extremely sharp while the area out of focus features a beautiful bokeh effect with highly natural colors making this lens a powerful choice for portrait photography. The optical system also minimizes sagittal coma flare making this lens excellent for capturing starry skies.</p><h3>Exceptional peripheral brightness</h3><p>The most effective method of ensuring ample light is to maximize the diameter of the first element of the optical system. With its large filter diameter of 105mm the Sigma 105mm f/1.4 DG HSM Art delivers a significantly greater volume of peripheral light than other lenses in its class. Minimising vignetting while offering a beautiful bokeh effect this lens is ideal for portrait photography.</p><h3>Professional specifications</h3><p>Like Sigma&#39;s Sports line lenses the 105mm f/1.4 DG HSM Art features a highly effective dust and splash-proof structure with special sealing at the mount connection manual focus ring cover connection and other areas allowing photographers to work in all types of weather. In addition the front of the lens is protected by a water- and oil-repellent coating that makes cleaning easy. The high-speed high-accuracy autofocus helps photographers react in an instant to get those special shots.</p><h3>Ease-of-use specifications</h3><p>Instead of conventional ABS plastic the exclusive lens hood features CFRP (carbon fibre reinforced plastic) a light but strong material used in the interior and exterior fittings of aircraft among many other applications. The removable Arca-Swiss tripod socket is compatible with Arca-Swiss platforms and clamps and its exclusive protective cover makes the lens easier to carry and use when shooting hand-held.</p><h3>Compatible with Canon Lens Aberration Correction</h3><p>The Canon mount version of this lens is compatible with the Canon Lens Aberration Correction function. Matching the optical characteristics of the lens this function performs in-camera corrections of peripheral illumination chromatic aberrations distortion and more to further enhance image quality common with <a href=https://www.parkcameras.com/lenses/sigma/>Sigma lenses</a>.</p><h3>Other features</h3><ul>	<li>Rounded diaphragm</li>	<li>Fast AF with full-time manual override</li>	<li>Compatible with Sigma Mount Converter MC-11</li>	<li>Available <a href=https://www.parkcameras.com/shop/sigma-usb-lens-dock-canon-ef-mount_g249940c>Sigma USB DOCK for Canon EF lenses</a>&nbsp;makes customization and flexible adjustiment possible</li>	<li>Available Mount Conversion Service</li>	<li>Brass bayonet mount</li>	<li>Evaluation with Sigma&#39;s own MTF measuring system: A1</li>	<li>Made in Japan with outstanding craftsmanship</li></ul> 

Sigma 105mm f/1.4 DG HSM Art Lens Canon EF

The Sigma 105mm lens for Canon EF-mount is the longest focal length in the esteemed Art range and provides beautiful bokeh advanced optics with aspherical SLD & FLD elements for hard to match results.

<h2>Sigma 120-300mm f/2.8 APO DG OS HSM Sports Lens Canon EF Mount</h2><h3>This fast-aperture telephoto zoom provides you with extra reach. The 4 stop Optical Stabiliser technology enables hand-held shooting in low light whilst the fast f/2.8 maximum aperture helps to isolate subjects from the background.</h3><ul>	<li>Large aperture telephoto zoom lens for full-frame or APS-C sensor camera s</li>	<li>Fast f/2.8 maximum aperture ensures great shots in low light</li>	<li>Versatile zoom range provides a host of framing options</li>	<li>Hyper-Sonic Motor for fast accurate focus with full-time manual focusing</li>	<li>Circular 9-blade diaphragm helps produce attractive background blur</li>	<li>4 stop Optical Stabilizer technology ensures shake free shots</li>	<li>Super Low Dispersion (SLD) lens elements delivers superb optical performance</li>	<li>Super Multi Layer Coating reduces flare and ghosting</li>	<li>Minimum focusing distance of 1.5 to 2.5m</li>	<li>77mm filter diameter</li>	<li>Dust and moisture resistant construction</li>	<li>Supplied with removable tripod collar</li>	<li>Optional APO teleconverters convert lens to 168-420mm f/4 AF or 240-600mm f/5.6 AF lens</li>	<li>Compatible with Sigma USB dock for full customisation</li></ul><p>Compatible with the <a href=https://www.parkcameras.com/shop/sigma-tc-1401-14x-teleconverter-apo-canon-ef_g245115c>Sigma TC1401 Teleconverter</a> and <a href=https://www.parkcameras.com/shop/sigma-tc-2001-2x-teleconverter-apo-canon-ef_g245117c>TC-2001 2.0x teleconverter</a>. Browse all of our <a href=https://www.parkcameras.com/lenses/sigma/>Sigma lenses</a> here including docks teleconverters and accessories.</p><h2>Specifications</h2><table class=specs_Lens>	<tbody>		<tr>			<td class=specsfield id=sf-LensType>Lens Type</td>			<td class=specsvalue id=sv-LensType>Telephoto zoom</td>		</tr>		<tr>			<td class=specsfield id=sf-focal-length>Focal length range</td>			<td class=specsvalue id=sv-focal-length>0-00mm</td>		</tr>		<tr>			<td class=specsfield id=sf-aperture>Aperture range</td>			<td class=specsvalue id=sv-aperture>.8</td>		</tr>		<tr>			<td class=specsfield id=sf-stablsaton>image stabilisation</td>			<td class=specsvalue id=sv-stablsaton>Yes</td>		</tr>		<tr>			<td class=specsfield id=sf-Filter>Filter Size</td>			<td class=specsvalue id=sv-Filter>77mm</td>		</tr>		<tr>			<td class=specsfield id=sf-camera s>Compatible camera s</td>			<td class=specsvalue id=sv-camera s>Canon DSLRs</td>		</tr>		<tr>			<td class=specsfield id=sf-Dimensions>Dimensions</td>			<td class=specsvalue id=sv-Dimensions>.4x9mm</td>		</tr>		<tr>			<td class=specsfield id=sf-Weight>Weight</td>			<td class=specsvalue id=sv-Weight>90g</td>		</tr>	</tbody></table> 

Sigma APO 120-300mm f/2.8 DG OS HSM Sports Lens Canon EF

Isolate sports and wildlife subjects with the he Sigma APO 120-300mm telephoto lens for Canon EF-mount which features optical stabilisation and fast aperture ideal for hand holding & low light shooting.

<h2>Sigma 14-24mm f/2.8 DG HSM Art Lens (Canon Fit) Summary</h2><p>Sigma has designed the 14-24mm F2.8 DG HSM Art as the ultimate ultra-wide-angle zoom lens. While minimising distortion this lens offers outstanding F2.8 brightness throughout the zoom range and delivers top-level image quality at every focal length and every shooting distance.</p><ul>	<li>Pair with 50-megapixel-plus cameras for top-level optical performance throughout the zoom range</li>	<li>Complex optical system minimises chromatic aberration</li>	<li>Designed to minimise flare and ghosting</li>	<li>Compatible with Canon Lens Aberration Correction</li>	<li>High-speed high-accuracy autofocus</li>	<li>Full time manual focus override</li>	<li>114.2 degree angle of view</li>	<li>26cm minimum focusing distance</li>	<li>17 elements in 11 groups</li>	<li>Fully dust and splash proof with a repellent coating on the lens</li>	<li>Weighs 1.15kg</li>	<li>9 rounded diaphragm blades</li>	<li>Canon Fit</li></ul><h2>Sigma 14-24mm f/2.8 DG HSM Art Lens (Canon Fit) Features in Detail</h2><h3>Outstanding Art line image quality</h3><p>Designed to team up with 50-megapixel-plus cameras and offer top-level optical performance throughout the zoom range the 14-24mm F2.8 DG HSM - Art incorporates three FLD glass elements three SLD glass elements and three aspherical lens elements including one large-diameter aspherical element. Effective distribution of these high-refractive-index glass elements further enhances the corrective effect of the FLD and SLD glass. This optical system minimises transverse chromatic aberration and other optical aberrations resulting in outstanding high-resolution image quality.</p><p>The first element in the optical system is a large-diameter aspherical lens. Optimising the power distribution of this and the other lens elements minimises distortion to 1% or lower. As a result points of light appear as points without streaking from the centre of the image to the edge and the light volume is also abundant throughout the frame. In addition simulations performed from the design stage onward have helped minimise flare and ghosting. In combination these technologies ensure excellent ultra-wide-angle performance.</p><h3>Compatible with Canon Lens Aberration Correction</h3><p>The Canon mount lens is compatible with the Canon Lens Aberration Correction function (available on certain Canon camera models). Matching the optical characteristics of the lens this function performs in-camera correction of peripheral illumination chromatic aberrations distortion and more further enhancing image quality.</p><h3>Professional specifications</h3><p>Like SIGMA&#39;s Sports line lenses the 14-24mm F2.8 DG HSM - Art features a highly effective dust- and splash-proof structure with special sealing at the mount connection manual focus ring zoom ring and cover connection allowing photographers to work in all types of weather. In addition the front of the lens is protected by a water- and oil-repellent coating that makes cleaning easy. The high-speed high-accuracy autofocus helps photographers react in an instant to get those special shots.</p><h3>Introducing the new Front Conversion Service</h3><p>Today&#39;s virtual reality creators favour multi-camera videography that leverages the capability of ultra-wide-angle lenses. Addressing this trend SIGMA is offering the new Front Conversion Service in which SIGMA converts the petal-type hood of the 14-24mm F2.8 DG HSM - Art lens to an exclusive round component. This altered front structure allows the lens to be deployed with greater freedom in multi-camera VR videography. The new front also helps prevent the lens from interfering with other lenses or from casting a visible shadow. The use of this service has no impact on the validity of the product warranty.</p><h3>Other features</h3><ul>	<li>Rounded diaphragm</li>	<li>Fast AF with full-time manual override</li>	<li>Compatible with Mount Converter MC-11</li>	<li>Available SIGMA USB DOCK makes customisation and flexible adjustment possible</li>	<li>Available Mount Conversion Service</li>	<li>Brass bayonet mount</li>	<li>Evaluation with SIGMA&#39;s own MTF measuring system: A1</li>	<li>&ldquo;Made in Japan&quot; with outstanding craftsmanship</li></ul> 

Sigma 14-24mm f/2.8 DG HSM Art Lens Canon EF

The ultra wide bright f/2.8 Sigma 14-24mm Art lens for Canon EF-mount employs a sophisticated optical design including three aspherical elements to achieve impressive results throughout the zoom range.

<h2>SIGMA 60-600mm F4.5-6.3 DG OS HSM Sport lens Canon EF Mount</h2><p><strong>The world&#39;s first 10x optical zoom telephoto lens with a tele end of 600mm</strong><br />Covering from 60mm to 600mm the 10x hyper-telephoto zoom lens achieves the same level of high image quality as the <a href=https://www.parkcameras.com/shop/sigma-150-600mm-f5-63-dg-os-hsm-sports-lens-canon-ef_g247263c>SIGMA 150&ndash;600mm F5-6.3 DG OS HSM Sports</a>. With the lens construction of 25 elements in 19 groups consistent image quality can be created throughout the entire zoom range. This lens also incorporates Intelligent OS adopting the latest algorithm to deliver an image stabilization effect of 4 stops. The high-speed AF thanks to the HSM (Hyper Sonic Motor) with an updated algorithm captures instantaneous photography movement. High ratio high image quality and high mobility The SIGMA 60&ndash;600mm F4.5-6.3 DG OS HSM Sports marks the birth of a lens that is on another level from existing high ratio zoom lenses.</p><ol>	<li>High optical quality that meets the most stringent needs of professional photographers</li>	<li>Incorporating multi-material to achieve both portability and durability</li>	<li>Design that ensures photographers capture every desired moment</li>	<li>SIGMA 600mm hyper-telephoto zoom lens lineup accommodates diverse shooting styles</li></ol><p>Both of the <a href=https://www.parkcameras.com/shop/sigma-tc-1401-14x-teleconverter-apo-canon-ef_g245115c>TELECONVERTER TC-1401</a> or <a href=https://www.parkcameras.com/shop/sigma-tc-2001-2x-teleconverter-apo-canon-ef_g245117c>TELECONVERTER TC-2001</a> increase lens focal range allowing users to gain even greater reach with one or two EV stops of light loss. See more of our range of excellent quality <a href=https://www.parkcameras.com/lenses/sigma/>Sigma camera lenses</a> here including docks TC&rsquo;s and accessories.</p><h2>SIGMA 60-600mm F4.5-6.3 DG OS HSM Sport lens Canon EF Mount Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>Lens Construction</p>			</td>			<td colspan=2 valign=middle>			<p>25 elements in 19 groups</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Angle of View (for SD1)</p>			</td>			<td colspan=2 valign=middle>			<p>39.6-4.1 degrees</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Number of Diaphragm Blades</p>			</td>			<td colspan=2 valign=middle>			<p>9 Blades (Rounded diaphragm)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum Aperture</p>			</td>			<td colspan=2 valign=middle>			<p>F22-32</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum Focusing Distance</p>			</td>			<td colspan=2 valign=middle>			<p>60-260cm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Maximum Magnification</p>			</td>			<td colspan=2 valign=middle>			<p>1:3.3 (200mm)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter Size</p>			</td>			<td colspan=2 valign=middle>			<p>Diameter 105mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Dimensions</p>			</td>			<td colspan=2 valign=middle>			<p>Diameter 120.4mm x Length</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight</p>			</td>			<td colspan=2 valign=middle>			<p>2700g</p>			</td>		</tr>	</tbody></table> 

Sigma 60-600mm lens f/4.5 - 6.3 DG OS HSM Sports Canon Mount

With the lens construction of 25 elements in 19 groups consistent image quality can be created throughout the entire zoom range with the SIGMA 60-600mm F4.5-6.3 DG OS HSM Sport lens for Canon EF Mount

<h2>Sigma 105mm f/2.8 EX DG OS HSM Macro Lens - Canon Fit</h2><h3>A medium telephoto lens perfect for portraiture. The large maximum aperture and medium telephoto focal length give great results whilst the 1:1 reproduction ratio captures life-size images for outstanding close-up shots.</h3><ul>	<li>Professional quality medium telephoto lens for full frame or APS-C camera s</li>	<li>Part of Sigma&#39;s flagship EX series made using the very best optical components</li>	<li>Bright f/2.8 maximum aperture ensures great shots in low light</li>	<li>Hyper-Sonic Motor for fast quiet auto focus with full-time manual focusing</li>	<li>Circular 9-blade diaphragm helps produce attractive background blur</li>	<li>Macro capability captures images at life-size (1:1)</li>	<li>Super Low Dispersion (SLD) lens elements delivers superb optical performance</li>	<li>4 stop Optical Stabilizer technology ensures shake free shots</li>	<li>Super Multi Layer Coating reduces flare and ghosting</li>	<li>Minimum focusing distance of 31.2cm</li>	<li>62mm filter diameter</li></ul><h2>SIGMA 105MM F/2.8 EX DG OS HSM MACRO LENS CANON EF SPECIFICATIONS</h2><p>&nbsp;</p><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p>Lens Type</p>			</td>			<td colspan=2 valign=middle>			<p>Macro Telephoto Zoom</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Camera compatibility</p>			</td>			<td colspan=2 valign=middle>			<p>Canon DSLR</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Lens Construction</p>			</td>			<td colspan=2 valign=middle>			<p>16 elements in 11 groups</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Angle of View (for SD1)</p>			</td>			<td colspan=2 valign=middle>			<p>23.3 degrees</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Number of Diaphragm Blades</p>			</td>			<td colspan=2 valign=middle>			<p>9 Blades (Rounded diaphragm)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum Aperture</p>			</td>			<td colspan=2 valign=middle>			<p>F/22</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Minimum Focusing Distance</p>			</td>			<td colspan=2 valign=middle>			<p>31.2cm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Maximum Magnification</p>			</td>			<td colspan=2 valign=middle>			<p>1:1</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Filter Size</p>			</td>			<td colspan=2 valign=middle>			<p>62mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Dimensions</p>			</td>			<td colspan=2 valign=middle>			<p>Diameter 78.3mm x Length 126.4mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p>Weight</p>			</td>			<td colspan=2 valign=middle>			<p>725g.</p>			</td>		</tr>	</tbody></table> 

Sigma 105mm f/2.8 EX DG OS HSM Macro Lens Canon EF

The Sigma 105mm Macro lens for Canon EF-mount provides excellent telephoto and 1:1 close-up reproduction for a versatile optic designed with floating SLD elements for optimal performance at this point.

<div class=parks_opinion> <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Sigma APO 1.4x EX DG TeleConverter Lens - Canon Fit</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<h3>Extend the reach of your lens without losing image quality. Perfect for press nature and sports photographers this compact extender increases the focal length of your Sigma telephoto lens by a factor of 1.4x getting you even closer to the subject.</h3>  			<ul> 				<li>Extends the focal length of the master lens by 1.4x</li> 				<li>Superb image quality</li> 				<li>Compatible with Sigma APO lenses</li> 			</ul> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Sigma APO TC-1401 1.4x TeleConverter EX DG Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>TeleConverter</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-camera s>Compatible camera s</td> 			<td class=specsvalue id=sv-camera s>Canon DSLRs</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>68.5x9.5mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>4g</td> 		</tr> 	</tbody> </table> </div> 

Sigma APO TC-1401 1.4x Teleconverter EX DG Canon EF

<div class=parks_opinion>&nbsp;</div> <div class=parks_opinion> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>Sigma 85mm f/1.4 DG HSM Art Lens Canon Fit Summary</h2></td></tr> <tr> <td class=park_specs> <ul> <li>SIGMA 85mm f/1.4 Lens for <a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon DSLRs</a>  </li><li>Part of the SIGMA Art family of lenses  </li><li>Capable of ultra high-resolutions for full-frame DSLRs with 50MP+ sensors  </li><li>14 lens elements in 12 groups  </li><li>f/1.4 max aperture is ideal for low-light and bokeh-filled backgrounds  </li><li>Newly designed Hyper Sonic Motor (HSM)  </li><li>Rounded diaphragm with 9 aperture blades  </li><li>Filter Thread: 86mm  </li><li>A great choice for portraiture </li></ul></td></tr></tbody></table> <table class=parks_optable our_verdict> <tbody> <tr> </tr> <tr> </tr></tbody></table>  <table class=parks_optable> <tbody> <tr> <td class=parks_heading>Sigma 85mm f/1.4 DG HSM Art Lens Canon Fit Features in Detail</td></tr> <tr> <td class=park_detail> <p>Portrait photographers demand the attractive bokeh effect that large-diameter lenses offer as&nbsp;well as outstanding resolution. Fulfilling the exacting standards of the Art line the SIGMA 85mm&nbsp;F1.4 DG HSM - Art delivers both of these elements at the highest level.</p> <p>The bokeh effect is so&nbsp;precise you can focus on the pupil of the subject's eye while blurring the eyelashes. Adding to the&nbsp;effect the area in focus is extremely high-resolution while the bokeh area is very attractive in&nbsp;appearance.</p> <p>The SIGMA 85mm F1.4 DG HSM - Art incorporates 14 lens elements in 12 groups a<br />remarkable structure that helps the lens deliver ultra-high-resolution.</p> <p>This lens is therefore an&nbsp;excellent match for full-frame DSLRs offering 50-megapixel or higher resolution.<br /><br /><strong>A design that prioritizes optical performance without compromise.</strong></p> <p>Outstanding resolving power and minimized chromatic aberrations help<br />make this the ultimate lens for portraits.</p> <p>To create a top-performing 85mm F1.4 lens SIGMA leveraged its latest innovations in<br />design and materials.</p> <p>The result is the ultimate lens for portraits. By taking chromatic&nbsp;aberrations to the absolute minimum this lens offers performance that goes beyond&nbsp;including incredibly sharp resolution and a beautiful bokeh effect.</p> <p><strong>Image quality perfect for ultra-high-megapixel digital cameras</strong><br /><br />Ultra-high-megapixel full-frame DSLRs offering 50-megapixel or higher resolution are now<br />available and nothing will bring out the performance potential of these cameras better<br />than the fundamental performance of the lens.</p> <p>The SIGMA 85mm F1.4 DG HSM - Art&nbsp;incorporates two elements made of SLD (Special Low Dispersion Glass) and one element&nbsp;with a high rate of anomalous partial dispersion and a high index of refraction.</p> <p>These&nbsp;features help ensure a clear image throughout the plane. The optical system also minimizes&nbsp;sagittal coma flare for outstanding image quality without streakingeven at wide-open&nbsp;aperture.</p> <p><strong>SIGMA's fifth large-diameter F1.4 lens for full-frame sensors.</strong><br /><br />Among its new product lines this is the fifth large-diameter F1.4 lens SIGMA has<br />introduced for cameras with full-frame sensors.</p> <p>SIGMA is the only lens manufacturer that&nbsp;covers 20-85mm at F1.4 brightness in its lineup. This lens reflects on their&nbsp;experience&nbsp;with this specification and insistence on offering only the best.</p> <p><strong>The beautiful bokeh effect that only a large-diameter lens can offer</strong></p> <p>Elements made of SLD (Special Low Dispersion) glass and an optimized power distribution<br />help minimize axial chromatic aberration.</p> <p>In the areas in front of and behind the point of&nbsp;focus the optical system produces an attractive and natural bokeh effect by producing a&nbsp;smooth gradation of focus and minimizing streaking.</p> <p><strong>An all-new lens that leverages SIGMA's latest design technologies.</strong></p> <p>Newly designed HSM for nimble AF control&nbsp;The newly designed Hyper Sonic Motor (HSM) offers 1.3 times the torque of its predecessor.</p> <p>Even at low speeds it offers exceptionally stable performance and the updated AF<br />algorithm helps ensure nimble autofocus performance.</p> <p>In addition full-time manual focus&nbsp;override allows the lens to be switched to manual focus simply by rotating the focus&nbsp;ring -&nbsp;even during continuous AF. The user can quickly find the perfect focus without&nbsp;needing to touch the focus mode switch.<br /><br /><strong>Compatible with Mount Converter MC-11</strong><br /><br />SIGMA's&nbsp;Mount Converter MC-11 allows you to use your SIGMA SA mount and SIGMA EOS mount&nbsp;(Canon-compatible) interchangeable lenses with the Sony E-mount camera body.</p> <p>Owners&nbsp;of multiple camera systems can get even more out of their valuable lens assets while Sony&nbsp;E-mount camera owners can enjoy the world of large-diameter mid-telephoto photography.</p> <p><strong>Other Features</strong></p> <p> Separate&nbsp;SIGMA USB DOCK makes customization and flexible adjustment<br />possible.<br /> Applicable for the Mount Conversion Service that enables lenses to be<br />long term assets<br /> Incorporating Rounded Diaphragm<br /> Designed to minimize flare and ghosting<br /> Brass made bayonet mount<br /> Water and oil-repellent coating ensures a pleasant photography<br />experience<br /> Nikon electromagnetic diaphragm mechanism included<br /> Made in Japan with the best craftsmanship</p></td></tr></tbody></table> <table class=parks_optable cta_table> <tbody> <tr> <td class=park_ctaprice> </td></tr></tbody></table></div> 

Sigma 85mm f/1.4 DG HSM Art Lens Canon EF

The Sigma 85mm Art lens for Canon EF-mount was one of our 2017 highly commended picks and still resolves some of the finest images available today with a bright aperture and 14 elements in 12 groups.

<div class=parks_opinion> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>SIGMA 40mm F1.4 DG HSM Art lens</h2></td></tr> <tr> <td class=park_specs> <p><strong>Inherits the development philosophy behind the SIGMA CINE LEN</strong>S<br />High-end cine lenses used by professional filmmakers are required to have a consistent characteristic over the entire sensor at a high level because these lenses are used to film a subject moving freely on the screen or while panning or tilting the camera . This represents exactly the concept of the Art line; “optical performance comes first and the high-end cine lenses need to be designed with this idea. The SIGMA 40mm F1.4 DG HSM  Art is SIGMA's first lens developed originally to live up to the sought-after angle of view and performance standard for a cine lens. This new perspective to ensure the quality of professional equipment for visual production empowers it to breakthrough also as an interchangeable photographic lens.</p> <p>1. Optical performance that meets the requirements of high-end cine lenses<br />2. Designed to meet all shooting conditions<br />3. SIGMA CINE LENS – Inheriting the high standard and superior optical performance of SIGMA's Art lenses</p> <p>Lens construction: 12 groups 16 elements (3 FLD lenses and 3 SLD lenses included)<br />Minimum focusing distance: 40cm<br />Maximum shooting magnification: 1: 6.5<br />Filter diameter: 82mm<br />Size: 87.8mm x 131mm<br />Weight: 1200g</p></td></tr></tbody></table></div> 

Sigma 40mm Lens  f/1.4 DG HSM Art Canon Mount

High-end cine lenses used by professional filmmakers are required to have a consistent characteristic over the entire sensor at a high level

<div class=parks_opinion> <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Sigma 30mm f/1.4 DC HSM Lens - Canon Fit</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<h3>A great standard lens with fast aperture and precise fast focusing.</h3>  			<ul> 				<li>30mm Standard lens for APS-C bodies</li> 				<li>Bright f/1.4 maximum aperture ensures great shots in low light</li> 				<li>Gives effective focal length of 45mm on an APS-C camera body</li> 				<li>Hyper-Sonic Motor for fast quiet auto focus</li> 				<li>Circular 9-blade diaphragm helps produce attractive background blur</li> 				<li>Multi Layer Coating reduces flare and ghosting</li> 				<li>Minimum focusing distance of just 30cm</li> 				<li>62mm filter diameter</li> 				<li>Compatible with Sigma USB dock for full customisation</li> 			</ul> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Sigma 30mm f/1.4 DC HSM Art Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Standard</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>0mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>.4</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>6mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon DSLRs</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>74x6mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>45g</td> 		</tr> 	</tbody> </table> </div> 

Sigma 30mm f/1.4 DC HSM Art Lens Canon EF

<h2>Sigma 20mm F1.4 DG HSM Art Lens - Canon fit</h2><p><strong>With a focal length of 20mm and F1.4 aperture this lens delivers outstanding large-aperture brightness and bokeh delivering unprecedented visual experiences. Allowing the photographer to leverage the perspective provided by the wide -angle and the shallow depth of field provided by the large aperture this lens is ideal not only for such ultra-wide-angle subjects as landscapes and starry skies but also for snapshots in low light indoor photography portraits with a natural bokeh effect and much more.</strong></p><ul>	<li>Large aperture f1.4</li>	<li>20mm ultra-wide-angle for full frame DSLRs</li>	<li>15 elements in 11 groups</li>	<li>Minimum focus distance 27.6cm</li>	<li>9 Diaphragm blades</li></ul><h2>Sigma 20mm f/1.4 DG HSM Art Lens Canon EF Specifications</h2><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=top>			<p><strong>Lens construction</strong></p>			</td>			<td colspan=2 valign=top>			<p>15 elements in 11 groups</p>			</td>		</tr>		<tr>			<td valign=top>			<p><strong>Angle of view (35mm)</strong></p>			</td>			<td colspan=2 valign=top>			<p>94.5&deg;</p>			</td>		</tr>		<tr>			<td valign=top>			<p><strong>Number of diaphragm blades</strong></p>			</td>			<td colspan=2 valign=top>			<p>9 (Rounded diaphragm)</p>			</td>		</tr>		<tr>			<td valign=top>			<p><strong>Minimum aperture</strong></p>			</td>			<td colspan=2 valign=top>			<p>F16</p>			</td>		</tr>		<tr>			<td valign=top>			<p><strong>Minimum focusing distance</strong></p>			</td>			<td colspan=2 valign=top>			<p>27.6 cm / 10.9 in.</p>			</td>		</tr>		<tr>			<td valign=top>			<p><strong>Maximum magnification ratio</strong></p>			</td>			<td colspan=2 valign=top>			<p>1:7.1</p>			</td>		</tr>		<tr>			<td valign=top>			<p><strong>Dimensions</strong></p>			<p><strong>(diameter x length)</strong></p>			</td>			<td colspan=2 valign=top>			<p>&phi;90.7mm &times; 129.8mm / &phi;3.6in. &times; 5.1in.</p>			</td>		</tr>		<tr>			<td valign=top>			<p><strong>Weight</strong></p>			</td>			<td colspan=2 valign=top>			<p>950g / 33.5oz.</p>			</td>		</tr>	</tbody></table><table class=specs_Lens></table> 

Sigma 20mm f/1.4 DG HSM Art Lens Canon EF

The esteemed Sigma 20mm ultra wide angle Art lens for Canon EF features an advanced optical design with 15 elements in 11 groups providing exceptional results across the frame even in low light.

<h2>Sigma 150-600mm f/5-6.3 DG OS HSM - C Contemporary - Canon Fit + Sigma TC-1401 1.4x TeleConverter - Canon Kit SUMMARY</h2><p><strong>Sigma 150-600mm f/5-6.3 DG OS HSM - C Contemporary - Canon fit lens:</strong></p><ul>	<li>Achieves the best optical performance that embodies the product concept of Sigma&#39;s Sports line</li>	<li>High-end model with enhanced durability</li>	<li>High action-capture performance that enables any photographer with high demands to get the exact shots they want</li>	<li>Customisation and flexible adjustment for convenience or a specific purpose is possible</li>	<li>Compatible with the newly developed teleConverters</li>	<li>New product lines from SGV concepts are setting new benchmarks for image quality</li></ul><p>Detailed information about the <a href=https://www.parkcameras.com/shop/sigma-150-600mm-f5-63-dg-os-hsm-contemporary-lens-canon-ef_g247264c>Sigma 150-600mm f/5-6.3 DG OS HSM - C Contemporary - Canon Fit</a></p><p><strong>Sigma TC-1401 1.4x TeleConverter - Canon:</strong></p><ul>	<li>Provides 1.4x magnification from the original lens</li>	<li>Incorporates Special Low Dispersion (SLD) glass element for advanced aberration correction</li>	<li>Utilises 7 lens elements in 5 groups&nbsp;</li>	<li>Compatible with large diameter lenses</li>	<li>Autofocus is effective up to F8</li>	<li>Compact lightweight and durable construction</li>	<li>Dust and splash-proof design</li></ul><p>Detailed information about the <a href=https://www.parkcameras.com/shop/sigma-tc-1401-14x-teleconverter-apo-canon-ef_g245115c>Sigma TC-1401 1.4x TeleConverter - Canon</a></p> 

Sigma 150-600mm f/5-6.3 Contemporary Lens & TC-1401 1.4x Kit Canon EF

The Sigma 150-600mm Contemporary lens & 1.4x teleConverter kit for Canon EF-mount combines high quality optics with super telephoto reach adding only 190g yet achieving up to 800mm focal length.

<h2>SIGMA 500mm F/4 GD OS HSM Sports Canon Fit Lens Summary</h2><ul>	<li>Hyper-telephoto Sigma Sports lens for <a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon DSLRs</a></li>	<li>500mm focal length perfect for capturing the action from a distance</li>	<li>Flagship lens of the Sports line of lenses ideal for sports &amp; wildlife photography</li>	<li>Dust and splash-proof</li>	<li>2-mode&nbsp;Optical stabilisation system (OS)</li>	<li>New generation Hyper Sonic Motor (HSM)</li>	<li>Magnesium alloy body carbon fibre lens hood</li>	<li>Sturdy tripod socket with 90&deg; click stops</li>	<li>Compatible with Sigma TeleConverters</li></ul><h3>SIGMA 500mm F/4 GD OS HSM Sports Canon Fit Lens Features in Detail</h3><p><strong>The flagship lens of the Sports line</strong><br /><br />Covering all the essence. Portable durable and of a high-standard A masterpiece of hyper-telephoto lens.</p><p>Photographers typically choose a prime lens when they require top image&nbsp;quality. However the new flagship lens of our Sports line the SIGMA 500mm F4 DG OS HSM fulfills this need while incorporating SIGMA&#39;s latest technologies and delivering a full range of advanced&nbsp;features and functions: enhanced dust- and splash-proof construction Optical Stabilizer (OS)&nbsp;system SIGMA Tele Converter compatibility AF function switch SIGMA&#39;s latest-generation Hyper&nbsp;Sonic Motor (HSM) and more.</p><p>Combining top-level optical performance with functionality for&nbsp;challenging shoots SIGMA 500mm F4 DG OS HSM - Sports sets a new standard for&nbsp;high-performance telephoto lenses.<br /><br /><em><strong>Outstanding functionality for challenging shoots.</strong></em></p><p><strong>Enhanced dust/splash-proof construction and available exclusive&nbsp;Protector</strong><br /><br />Designed for top performance in tough shooting conditions the SIGMA 500mm F4 DG HSM -&nbsp;Sports features highly effective dust- and splash-proof construction.</p><p>The front of the lens&nbsp;features a water- and oil-repellent coating that allows water to be wiped away easily and helps&nbsp;prevent oil from sticking to the surface. This feature is particularly useful when shooting in a&nbsp;drizzle or near ocean spray.</p><p>The lens is compatible with the exclusive SIGMA Protector LPT-11&nbsp;(sold separately) which effectively helps prevent damage to the lens during shooting and&nbsp;maintenance.</p><p><strong>Magnesium alloy barrel</strong></p><p>To help minimize the weight associated with a hyper telephoto lens the lens barrel is<br />made with a magnesium alloy.</p><p>Both lightweight and tough this alloy contributes to the&nbsp;outstanding maneuverability of SIGMA 500mm F4 DG HSM - Sports.</p><p><strong>Carbon fiber hood</strong></p><p>The lens hood is made of carbon fiber which is both lightweight and strong. In fact the entire&nbsp;lens is designed to be lightweight for outstanding performance in tough shooting conditions.</p><p><strong>Tripod socket with 90&deg; click stops</strong></p><p>Since photographers often prefer to use a hyper-telephoto lens with a monopod or tripod the<br />lens features a large and extremely stable tripod socket. Antistatic nickel plating on the socket&nbsp;parts help enhance the quality and durability of&nbsp;the 90&deg; click stops which make it easy to switch&nbsp;between vertical and horizontal shooting positions.</p><p>The click position may be canceled by turning off&nbsp;the &quot;de-clicking&quot; switch. The lens also comes&nbsp;equipped with a dedicated strap for the tripod&nbsp;socket making it easy to carry equipment without undue stress on the camera mount.<br /><br /><em><strong>Top-level optical performance</strong></em></p><p>The lens incorporates two FLD and one SLD glass elements while the optimized power distribution&nbsp;helps minimize spherical aberration and axial chromatic aberration. The optical system also&nbsp;effectively minimizes transverse chromatic aberration which can affect the edges of the shots&nbsp;taken in the telephoto range.</p><p>In addition image quality remains exceptional when the lens is used&nbsp;with a SIGMA Tele Converter (sold separately).<br /><br /><em><strong>Functions that satisfy the demands of professional photographers.</strong></em></p><p><strong>OS system with acceleration sensor and new Intelligent OS algorithm</strong><br /><br />The Optical Stabilizer (OS) system features an acceleration sensor to deliver even more precise&nbsp;performance and up to approximately four stops of stabilization.</p><p>Two OS modes are available:</p><ul>	<li>Mode 1 for general photography</li>	<li>Mode 2 for motor sports and other applications requiring&nbsp;panning.</li></ul><p>In Mode 2 the acceleration sensor teams up&nbsp;with the Intelligent OS and its updated stabilization&nbsp;algorithm to deliver effective stabilization while you&nbsp;move the camera horizontally vertically or&nbsp;diagonally regardless of the position of the lens.</p><p>This feature helps ensure effective panning and outstanding capture of moving subjects.</p><p><strong>AF function switch with preset AF modes</strong></p><p>The AF function switch allows you to set your own autofocus specification. The lens can remember&nbsp;the focus position of your choice or turn off AF until it is needed.</p><p><strong>Manual override incorporated to make two full-time manual modes&nbsp;switchable.</strong></p><p>In addition to AF/MF MO (Manual Override) is incorporated as one of the options of the focus mode&nbsp;switch.</p><p>By setting it to the MO position it switches to manual focus by rotating the focus ring even<br />during continuous AF. With AF position standard full-time manual focus is available. Using the ;optional ;<a href=https://www.parkcameras.com/shop/sigma-usb-lens-dock-canon-ef-mount_g249940c>SIGMA USB DOCK for Canon EF lenses</a> it is possible to adjust the MO position&#39;s sensitivity to switch to manual focus.</p><p><strong>Quieter and Faster &quot;Optimized AF&quot;</strong><br /><br />The HSM (Hyper Sonic Motor) ensures high speed and quiet AF. With the&nbsp;further enhanced AF algorithm compared to previous models continuous&nbsp;AF (AF-C) improves the focusing efficiency.</p><p><strong>SIGMA Tele Converters mount Converters and USB DOCK make possible&nbsp;customization and flexible adjustment for convenience or a specific purpose.</strong><br /><br />AF is effective even when Tele Converters are attached&nbsp;Tele Converters that are newly designed to match the new lens line-ups&nbsp;(optional) can be attached.</p><p>The addition of <a href=https://www.parkcameras.com/shop/sigma-tc-1401-14x-teleconverter-apo-canon-ef_g245115c>SIGMA&#39;s TELE Converter&nbsp;TC-1401</a> or <a href=https://www.parkcameras.com/shop/sigma-tc-2001-2x-teleconverter-apo-canon-ef_g245117c>TELE Converter TC-2001</a> produces a AF 700mm F5.6&nbsp;hyper-telephoto lens or a AF 1000mm F8 hyper-telephoto lens respectively.</p><p>* When shooting subjects with low contrast or luminosity value focus may not be spot on the subject.</p><p><strong>Compatible with Mount Converter MC-11</strong></p><p>Mount Converter MC-11 allows you to use your SIGMA SA mount and SIGMA EOS mount (Canon-compatible) interchangeable lenses with the Sony E-mount camera body. Owners of multiple camera systems can now get even more out of their valuable lens assets.</p><p><strong>SIGMA USB DOCK - Customisable to your needs</strong></p><p>Customization including firmware updates focus adjustment setting of full time manual operations as well as adjustment of the timing to switch to MF when&nbsp;rotating the focus ring is available with the optional SIGMA USB DOCK by&nbsp;connecting it with the dedicated software &quot;SIGMA Optimization Pro&quot; on a&nbsp;computer.</p><p>With this lens custom mode that can be set depending on the photography situation is available by switching it on the lens.</p><p>Through custom mode it is possible to set AF speed focus&nbsp;limiter where desired focus range can be adjusted and OS where one of the patterns for optical&nbsp;stabilizer can be selected from &quot;Dynamic View Mode&quot; &quot;Standard&quot; and &quot;Moderate View Mode&quot;.</p><p><strong>SIGMA Sports Lenses</strong></p><p>While offering sophisticated optical performance and expressiveness the SIGMA Sports line lenses&nbsp;deliver high action-capture performance enabling photographers to get the exact shots they want.</p><p>With these lenses fast-moving subjects even at distance can be well captured. This high-performance line also offers a variety of functions to aid the photographer in challenging conditions and scenarios. Besides sports photography&nbsp;these lenses are also perfect for <em>nature&nbsp;</em>shots featuring <em>birds </em>and <em>wildlife</em> as well as aero photography trains motor sports photography&nbsp;and portraits.</p><p>Another major feature of the Sports line lenses is their wide range of customization options: using the dedicated software all sorts of settings can be tailored to the personal preferences of the photographer.</p> 

Sigma 500mm f/4 DG OS HSM Sports Lens Canon EF

The Sigma 500mm f/4 Sports lens in Canon EF-mount is a high quality super telephoto packed with pro glass including SLD and FLD elements as well as the Hyper Sonic AF motor for fast subject tracking.

<h2>Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Lens - Canon Fit</h2><p><strong>Sigma have released a new telephoto zoom lens that will enable you to get superb quality shots even in demanding situations. This is the first hyper-telephoto lens from Sigma&#39;s contemporary range which aims for the greatest levels of portability possible. </strong></p><p>Using this lens you&#39;ll find it offers customisation and flexible adjustiment for convenience and is compatible for use with the newly developed tele Converters such as the <a href=https://www.parkcameras.com/shop/sigma-tc-1401-14x-teleconverter-apo-canon-ef_g245115c>1.4x TC APO</a> for EF-mount and the <a href=https://www.parkcameras.com/shop/sigma-tc-2001-2x-teleconverter-apo-canon-ef_g245117c>2x TeleConverter for Canon EF-mount</a>.</p><ul>	<li>High image quality and a compact construction based on the product concept of our Contemporary line.</li>	<li>Enhanced functionality for better portability and usability.</li>	<li>Customization and flexible adjustiment for convenience or a specific purpose is possible.</li>	<li>Compatible with the newly developed tele Converters.</li></ul><h2>FULL DETAILS</h2><p>The same focal ranges for different purposes. The first hyper-telephoto zoom lens from our contemporary line fora better usability for <a href=https://www.parkcameras.com/cameras/digital-slr-cameras/canon/>Canon DSLR cameras</a>.</p><p>On the one hand the product concept of the Sigma 51-611mm F5-6. DG OS HSM   sports is to achieve the best optical and action-capture performance to meet the requirements of professional photographers. On the other hand that of the Sigma 51-611mm F5-6. DG OS HSM   Contemporary is to achieve light-Weight and compact construction for Higher usability with similar Specifications. t has put special emphasis on its optical performance by incorporation of FLD and sLD glass elements optimisation of lens power distribution and minimize chromatic aberration of magnification. what matters the most with hyper-telephoto zoom lens is the image quality t the telephoto-end and this offers Brilliant performance. in addition distortion throughout the entre focal range is well compensated. in order to make t is hyper-telephoto zoom lens mobile enough for handheld shooting in the field t is dust and splash-proof and incorporates detachable Tripod socket for Higher usability.</p><p>By incorporating excellent optical glass elements it minimizes chromatic aberration and achieves class leading image quality.</p><p>This lens incorporates FLD (&quot;F&quot; Low Dispersion) glass element which has performance equal to fluorite and sLD (special Low Dispersion) glass elements and compensates for Colo aberration t the utmost. chromatic aberration in particular which could be visible especially towards the telephoto-end even when stopped down is corrected by the optimized design of glass elements including the FLD lens.</p><p>* FLD glass is the Highest level low Dispersion glass available with extremely High light transmission. this optical glass has performance equal to fluorite glass which has low Refractive index and low Dispersion compared to current optical glass. It also benefits from High anomalous Dispersion. These characteristics give excellent correction for residual chromatic aberration (secondary spectrum) which cannot be corrected by ordinary optical glass and ensures High definition and High contrast images.</p><h3>Light-Weight and compact construction for Higher usability</h3><p>Compared to the Sigma 51-611mm F5-6. DG OS HSM   sports t is more compact and light-Weight enabling easy handling and making it possible to do handheld photography for longer period of time. The Tripod socket is detachable so that the lens can be carried by itself. without the Tripod socket It also fts well into limited space for storage. Moreover the Tripod socket is made of magnesium which is light and strong at the same time.</p><p>The dedicated strap to attach to the Tripod socket is available for easy handling when the lens is attached to camera. If you carry the lens with your camera using only the camera neck strap it may effect the mount of the lens. For hyper-telephoto lenses dedicated strip is usually available is standard feature to attach to the lens rather than the camera body.</p><p>* Strap is suppled</p><h3>Dust-proof and splash-proof mount</h3><p>The Sigma 51-611mm F5-6. DG OS HSM mount from the sports line incorporates rubber sealing to protect the mount part from dust and water drops.</p><h2>Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Lens Canon EF Specifications</h2><div><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p><strong>Lens construction</strong></p>			</td>			<td valign=middle>			<p>20 elements in 14 groups</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Minimum aperture</strong></p>			</td>			<td valign=middle>			<p>f/22</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Filter Size</strong></p>			</td>			<td valign=middle>			<p>95mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>angle of view (5mm equivalent)</strong></p>			</td>			<td valign=middle>			<p>16.4&deg; - 4.1&deg;</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Minimum focusing distance</strong></p>			</td>			<td valign=middle>			<p>280 cm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Dimensions (diameter x length)</strong></p>			</td>			<td valign=middle>			<p>105mm &times; 260.1mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Number of diaphragm blades</strong></p>			</td>			<td valign=middle>			<p>9 (Rounded diaphragm)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>maximum magnification ratio</strong></p>			</td>			<td valign=middle>			<p>1:4.9</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Weight</strong></p>			</td>			<td valign=middle>			<p>1930 g</p>			</td>		</tr>	</tbody></table><p>All figures calculated by SGM. appearance and Specifications&nbsp;are&nbsp;subject to change without notice.</p></div> 

Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Lens Canon EF

With a compact design the Sigma 150-600mm Contemporary lens for Canon EF-mount combines optical stabilisation weather proofing and other features with excellent performance at a cost effective price.

<div class=parks_opinion><table class=parks_optable>	<tbody>		<tr>			<td class=parks_heading>			<h2>Sigma 24mm F1.4 DG HSM Lens - Canon Fit</h2>			</td>		</tr>		<tr>			<td class=park_specs>			<p>SIGMA has a proven reputation for wide-angle lens design and manufacturing. Drawing on this experience and design know-how refined through development of the SIGMA 35mm F1.4 DG HSM - Art and SIGMA 50mm F1.4 DG HSM - Art we have successfully minimized sagittal coma flare chromatic aberration distortion and vignetting to achieve exceptional levels of optical performance with almost no aberration or distortion. This lens provides the best possible performance when photographing a variety of subjects from cityscapes mountain ranges and the star-filled night sky that demands great rendering to indoor photography with low illumination or scenes with a smooth bokeh effect. Enjoy the astonishing optical performance from the new &quot;F1.4&quot; series that has just joined the SIGMA&#39;s iconic Art line.</p>			<ul>				<li>Art line delivers high-level artistic expression.</li>				<li>Highest optical performance in its class.</li>				<li>Customization and flexible adjustiment for convenience or a specific purpose is possible.</li>				<li>New product lines from SGV concepts that are setting new benchmarks for image quality.</li>			</ul>			</td>		</tr>	</tbody></table><h2>Full Details</h2><p><strong>Leveraging optical expertise Sigma has minimised sagittal coma flare for optimal capture of starry night scapes.</strong></p><p>Sagittal coma flare is the aberration in which a point light source appears as a streak instead of a point and it affects large-diameter lenses in particular. By positioning aspherical lens elements toward the rear of the 24mm f/1.4 DG HSM Art we have adjusted the angle of incidence of light for optimal power distribution. Even at wide-open aperture you will enjoy outstanding image quality. Since streaking of point light sources toward the edges of the image is minimised this lens is a powerful ally in photographing celestial bodies night time</p><p><strong>Minimised chromatic aberrations&mdash;thanks to FLD and SLD glass lenses.</strong></p><p>FLD glass SLD glass ASPHERICAL LENS</p><p>One of the requirements of high rendering performance is the correction of chromatic aberration. Particularly for axial chromatic aberration which is challenging to correct even during image processing the lens development stage is vital in ensuring minimised distortion. The 24mm f/1.4 DG HSM Art incorporates FLD (&ldquo;F&rdquo; Low Dispersion)* glass and SLD (Special Low Dispersion) glass elements to minimise chromatic aberration of magnification which is mainly visible around the edge of the image. Moreover the power distribution ensures the correction of axial chromatic aberration. The result is high image quality throughout the entire focusing range&mdash;sharp and high-contrast image rendering without colour blur.<span class=Apple-converted-space>&nbsp;</span></p><p>*FLD glass is ultra-low-dispersion glass that offers performance of the highest level. Highly transparent its refractive index and dispersion are extremely low as compared to conventional types of glass. It offers characteristics very similar to those of fluorite which is valued for its anomalous dispersion. These characteristics minimise residual chromatic aberration (secondary spectrum) which cannot be corrected by ordinary optical glass while helping to produce sharp high-contrast images.</p><p><strong>High-contrast images with bright edges&mdash;even at wide-open aperture.</strong></p><p>Improving efficiency at large apertures and minimising vignetting we have designed the lens to secure very good brightness. Even at open aperture it ensures high-contrast images for indoor photography astronomical photography and when photographing blue sky.</p><p>From an early stage in the lens design process flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. SIGMA&rsquo;s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light which can have a negative effect on rendering performance.</p><p><strong>Exclusive low-dispersion glass</strong></p><p>The degree to which light is refracted by glass depends on the light&#39;s wavelength. This fact causes different colours of light to focus at slightly different points. The result is chromatic aberration the colour fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. Yet residual chromatic aberration known as &ldquo;secondary spectrum&rdquo; may still remain. To minimise this secondary spectrum which can be a serious issue with conventional lenses SIGMA lenses feature up to three types of exclusive low-dispersion glass offering superior performance: ELD (Extraordinary Low Dispersion) SLD (Special Low Dispersion) and FLD (&ldquo;F&rdquo; Low Dispersion). In particular FLD glass offers ultra-low dispersion in combination with high transmittance and the anomalous dispersion characteristics of fluorite. Meticulous deployment of these types of exclusive low-dispersion glass and optimisation of power distribution gives SIGMA lenses superlative image rendition undiminished by residual chromatic aberration.</p><p><strong>Minimised distortion.</strong></p><p>It is not possible to compensate for distortion that is often observed with wide-angle lenses just by changing the aperture value. Therefore the lens development stage is vital in ensuring minimised distortion. The SIGMA 24mm f/1.4 DG HSM Art features an adjusted incidence angle of the light source from the surface of the first lens and aspherical glass elements to optimise the power layout at respective positions. This has helped minimise distortion throughout the entire image.</p><p><strong>Rounded diaphragm</strong></p><p>When photographing with point light sources such as electric lights or reflections on a body of water in the background the rounded 9-blade diaphragm helps produce an attractive bokeh effect&mdash;even at large-aperture settings.</p><p><strong>High-precision rugged brass bayonet mount</strong></p><p>The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.</p><p><strong>SIGMA 24MM F/1.4 DG HSM ART LENS CANON EF SPECIFICATIONS</strong></p><table cellpadding=0 cellspacing=0>	<tbody>		<tr>			<td valign=middle>			<p><strong>Lens construction</strong></p>			</td>			<td valign=middle>			<p>15 elements in 11 groups</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>angle of view (for SD)</strong></p>			</td>			<td valign=middle>			<p>84.1&deg;</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Number of diaphragm blades</strong></p>			</td>			<td valign=middle>			<p>9 blades (Rounded diaphragm)</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Minimum&nbsp;aperture</strong></p>			</td>			<td valign=middle>			<p>f/16</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Minimum focusing distance</strong></p>			</td>			<td valign=middle>			<p>25 cm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>maximum magnification</strong></p>			</td>			<td valign=middle>			<p>1:5.3</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Filter Size</strong></p>			</td>			<td valign=middle>			<p>77mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Dimensions</strong></p>			</td>			<td valign=middle>			<p>diameter 85mm &times; 90.2mm</p>			</td>		</tr>		<tr>			<td valign=middle>			<p><strong>Weight</strong></p>			</td>			<td valign=middle>			<p>665g</p>			</td>		</tr>	</tbody></table></div> 

Sigma 24mm f/1.4 DG HSM Art Lens Canon EF

The flagship wide angle Sigma 24mm Art lens in Canon EF-mount delivers exceptional images for a wide range of subjects thanks to FLD & SLD glass elements to reduce distortion and chromatic aberration.

<h2>ZEISS Otus 28mm f/1.4 ZE Lens for Canon EF</h2><p>Uncompromising performance across the entire image field makes this full-frame lens unique and sets new standards among wide-angle focal lengths. Raise your photos to a totally new dimension by capturing even the tiniest details of your subject.<br /><br />Like all focal lengths of the unique ZEISS Otus family the Otus 1.4/28 is in a class all of its own. A lens that incorporates the extensive know-how and all the experience of ZEISS.<br /><br />Use the Otus 1.4/28 from ZEISS and experience the quality and look of a medium format lens. Whether you are shooting landscape architecture or interiors during the day or at night &ndash; this lens will provide you with high resolution and outstanding definition regardless of the situation. It is purely and simply the world&#39;s best wide-angle lens.<br /><br />The optical correction of the Otus 1.4/28 prevents practically any aberration you can thank of. It will just keep on fascinating you &ndash; even after many years of use and also on high-resolution systems.</p><h2>Product features in detail</h2><h3>The ultimate in image contrast</h3><p>Aberrations caused by extreme differences between shadows and highlights are particularly obvious in images captured at night. Thanks to the outstanding correction of lateral chromatic aberration the floodlit facade is reproduced with absolute perfection.</p><h3>The medium format look</h3><p>Thanks to its exceptional sharpness the ZEISS Otus exploits the full potentials of contemporary high-resolution sensors and rewards photographers with images characterised by breathataking rendition of even the finest details.</p><h3>Aspherical design</h3><p>The aspherical lens design ensures consistent imaging performance throughout the entire focusing range as well as sharpness to the periphery of the image. The asphere&#39;s more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens.</p><h3>Apochromat</h3><p>Because this lens is an apochromat chromatic aberrations (axial chromatic aberations) are corrected with elements of special glass with anomalous partial dispersion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image and especially highlights are reproduced almost completely free of color artifacts.</p><h3>Virtually distortion-free optics</h3><p>Dramatic perspectives and a view from extraaordinary image angles &ndash; ZEISS lenses open up new composition possibilities. Distortion would disrupt the composition because straight lines whose image does not go through the image center would be reproduced with a curved shape.&nbsp; This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths.</p><h2>Zeiss Otus 28mm f/1.4 APO Distagon T* ZE Lens Canon EF Specifications</h2><table>	<tbody>		<tr>			<td>			<p>Focal length</p>			</td>			<td>			<p>28 mm</p>			</td>		</tr>		<tr>			<td>			<p>Aperture range</p>			</td>			<td>			<p>f/1.4 &ndash; f/16</p>			</td>		</tr>		<tr>			<td>			<p>Camera Mount</p>			</td>			<td>			<p>Canon EF-Mount (ZE)</p>			</td>		</tr>		<tr>			<td>			<p>Format compatibility</p>			</td>			<td>			<p>Full Frame</p>			</td>		</tr>		<tr>			<td>			<p>Focusing range</p>			</td>			<td>			<p>030 m (11.81&quot;) &ndash; &infin;</p>			</td>		</tr>		<tr>			<td>			<p>Free working distance</p>			</td>			<td>			<p>015 m (5.91&quot;) &ndash; &infin;</p>			</td>		</tr>		<tr>			<td>			<p>Angular field** (diag. horiz. vert.)</p>			</td>			<td>			<p>75&deg;   65&deg;   46&deg;</p>			</td>		</tr>		<tr>			<td>			<p>Diameter of image field</p>			</td>			<td>			<p>43 mm (1.69&quot;)</p>			</td>		</tr>		<tr>			<td>			<p>Coverage at close range (MOD)**</p>			</td>			<td>			<p>203 x 134 mm (7.99 x 5.27&quot;)</p>			</td>		</tr>		<tr>			<td>			<p>Image ratio at minimum object distance</p>			</td>			<td>			<p>1 : 5.5</p>			</td>		</tr>		<tr>			<td>			<p>Lens elements   groups</p>			</td>			<td>			<p>16   13</p>			</td>		</tr>		<tr>			<td>			<p>Filter diameter</p>			</td>			<td>			<p>95mm</p>			</td>		</tr>		<tr>			<td>			<p>Weight</p>			</td>			<td>			<p>1390 g</p>			</td>		</tr>	</tbody></table> 

Zeiss Otus 28mm f/1.4 APO Distagon T* ZE Lens Canon EF

Designed for Canon EF-mount the Zeiss Otus 28mm ZE Lens captures medium format style images with exquisite detail on high resolution sensors along with virtually distortion free wide angle views.

<div class=parks_opinion> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>ZEISS Otus 55mm f/1.4 ZE Lens for Canon EF</h2></td></tr> <tr> <td class=park_specs> <p>With the unrivalled performance that sets all Otus lenses apart from the rest the ZEISS Otus 1.4/55 is the absolute measure of perfection when it comes to standard lenses. Now you never need to settle for less again.</p> <p>Is a focal length of 55 mm always neither here nor there? A lacklustre lens somewhere between the excitement of super wides and the fascination of long teles? Not when it combines the more than 120 years of optical and mechanical excellence ZEISS is famous for throughout the world.</p> <p>Experience the quality and look of medium format photography – with the ZEISS Otus 1.4/55. No matter whether you shoot in daylight or at night close up or more distant subjects people objects or landscapes this lens will simply take your breath away with its high resolution and outstanding sharpness in every photographic situation. In short – it's the best standard lens in the world.</p></td></tr></tbody></table> <table class=parks_optable video_table> <tbody> <tr> </tr> <tr> </tr></tbody></table> <table class=parks_optable video_table> <tbody> <tr> </tr> <tr> </tr></tbody></table> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>Product features in detail</h2></td></tr> <tr> <td class=park_detail> <h3>The ultimate in image contrast</h3> <p>Aberrations caused by extreme differences between shadows and highlights are particularly obvious in images captured at night. Thanks to the outstanding correction of lateral chromatic aberration the floodlit facade is reproduced with absolute perfection.</p> <h3>No colour fringing</h3> <p>Sources of light located in front of or behind the plane of focus present particular challenges to every lens. In the case of the ZEISS Otus longitudinal chromatic aberration is so low that practically no colour fringing occurs.</p> <h3>The medium format look</h3> <p>Thanks to its exceptional sharpness the ZEISS Otus exploits the full potentials of contemporary high-resolution sensors and rewards photographers with images characterised by breathtaking rendition of even the finest details.</p> <h3>Apochromat</h3> <p>Because this lens is an apochromat chromatic aberrations (axial chromatic aberations) are corrected with elements of special glass with anomalous partial dispersion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image and especially highlights are reproduced almost completely free of color artifacts.</p> <h3>Aspherical design</h3> <p>The aspherical lens design ensures consistent imaging performance throughout the entire focusing range as well as sharpness to the periphery of the image. The asphere's more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens.</p> <p>&nbsp;</p></td></tr></tbody></table> <table class=parks_optable cta_table> <tbody> <tr> <td class=park_ctaprice> </td></tr></tbody></table></div> 

Zeiss Otus 55mm f/1.4 APO Distagon T* ZE Lens Canon EF

The Zeiss Otus 55mm ZE lens for Canon EF-mount employs renowned optics to achieve the highest possible image quality with no colour fringing high contrast & high resolution detail throughout the frame.

<table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Milvus 35mm f/2 ZE - Canon Fit Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>A split second can often decide whether you take a simple snapshot or create a unique image. The ZEISS Milvus 2/35 allows you to capture every decisive moment.</p>  			<p>The ZEISS Milvus 2/35 of the type ZEISS Distagon is a moderate wide-angle lens that is ideal for capturing all scenes in their full natural brilliance &ndash; nothang will escape its attention even in poor light.</p>  			<p>Its compact design and fast precise focusing make the lens particularly suitable for photojournalism. And thanks to its high performance and versatility it is always ready for those unexpected moments.</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Excellent imagery even in difficult light conditions</h3>  			<p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color franges at high-contrast edges of subjects to an absolute minimum.</p>  			<h3>Future-proof solution for high-resolution camera systems</h3>  			<p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds &ndash; with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p>  			<h3>Creative still and video photography through precise manual focusing</h3>  			<p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer&#39;s creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p>  			<h3>Long-lasting product with protection against environmental influences</h3>  			<p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustiment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer&#39;s creative potential by guaranteeing the system&#39;s functional reliability even in environmentally difficult situations.</p>  			<h3>Stable image performance over the entire focusing range</h3>  			<p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane &ndash; from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustiment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact &ndash; both specialties of ZEISS.</p>  			<h2 class=productname_specs>Zeiss Milvus 35mm f/2 Distagon T* ZE Standard Prime Lens Canon EF Specifications</h2>  			<p>technical specifications:<br /> 			Focal length&nbsp;5 mm<br /> 			Aperture range&nbsp;f/.0 - f/<br /> 			focusing range&nbsp;00 m (0.98 ft) - &infin;<br /> 			Number of elements/groups&nbsp;9 / 7<br /> 			Angular field dag./horz./vert.&nbsp;6 / 5 / 7<br /> 			Coverage at close range&nbsp;8 mm x 9 mm<br /> 			(5.04&#39;&#39; x 7.5&#39;&#39;)<br /> 			Filter thread&nbsp;M58 x 0.75<br /> 			Dimensions (with caps)&nbsp;ZF.: 97 mm (.8&#39;&#39;)<br /> 			Ze: 995 mm (.9&#39;&#39;)<br /> 			Weight&nbsp;ZF.: 649 g (.89 oz)<br /> 			Ze: 70 g (4.76 oz)<br /> 			Camera mounts&nbsp;F Mount (ZF.)<br /> 			eF Mount (Ze)<br /> 			&nbsp;</p> 			</td> 		</tr> 	</tbody> </table> 

Zeiss Milvus 35mm f/2 Distagon T* ZE Standard Prime Lens Canon EF

<table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Milvus 85mm f/1.4 ZE - Canon Fit Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>The subject stands out with astounding clarity against a background that vanishes masterfully in the soft bokeh of the image composition. The highly precise manual focus of the ZEISS Milvus 1.4/85 lets the observer experience every siangle detail.</p>  			<p>The redesigned ZEISS Milvus 1.4/85 lens is particularly suitable for portrait photography. This lens is an absolute must for compositions where the main subject is to be sharply defined and emphasized against a beautiful bokeh background. The purely spherical optical design and use of special types of glass ensure optimal micro-contrast and extremely low chromatic aberration. The result: outstanding photographs every time &ndash; with the champion of bokeh.</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Excellent imagery even in difficult light conditions</h3>  			<p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color franges at high-contrast edges of subjects to an absolute minimum.</p>  			<h3>Future-proof solution for high-resolution camera systems</h3>  			<p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds &ndash; with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p>  			<h3>Creative still and video photography through precise manual focusing</h3>  			<p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer&#39;s creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p>  			<h3>Long-lasting product with protection against environmental influences</h3>  			<p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustiment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer&#39;s creative potential by guaranteeing the system&#39;s functional reliability even in environmentally difficult situations.</p>  			<h3>Stable image performance over the entire focusing range</h3>  			<p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane &ndash; from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustiment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact &ndash; both specialties of ZEISS.</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Zeiss Milvus 85mm f/1.4 Planar T* ZE Short Telephoto Prime Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Telephoto</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>85mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>.4</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>77mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon DSLRs</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>90xmm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>80g</td> 		</tr> 	</tbody> </table> 

Zeiss Milvus 85mm f/1.4 Planar T* ZE Short Telephoto Prime Lens Canon EF

<table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Milvus 50mm f/2 ZE - Canon Fit Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>Enjoy a big picture of the tiny world: the ZEISS Milvus 2/50M can even transport you to the cosmos mirrored in a small drop of water. As a macro lens it is the perfect solution for the close range. Used as a standard lens it portrays the world in all its natural perspectives.</p>  			<p>Breathataking details in close-up and traditional portraits are the strengThis of the ZEISS Milvus 2/50M of the type ZEISS Makro-Planar. Thanks to its excellent performance at all ranges this macro lens can be used for a wide variety of applications. Further optimization of the lens coating reduces ghosting and flare effects in critical light situations. The currently fastest 50 mm macro lens on the market will let you highlight even the smallest detail in the foreground or background.</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Excellent imagery even in difficult light conditions</h3>  			<p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color franges at high-contrast edges of subjects to an absolute minimum.</p>  			<h3>Future-proof solution for high-resolution camera systems</h3>  			<p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds &ndash; with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p>  			<h3>Creative still and video photography through precise manual focusing</h3>  			<p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer&#39;s creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p>  			<h3>Long-lasting product with protection against environmental influences</h3>  			<p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustiment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer&#39;s creative potential by guaranteeing the system&#39;s functional reliability even in environmentally difficult situations.</p>  			<h3>Stable image performance over the entire focusing range</h3>  			<p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane &ndash; from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustiment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact &ndash; both specialties of ZEISS.</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Zeiss Milvus 50mm f/2M Planar T* ZE Macro Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Macro</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>50mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>.0</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>67mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon DSLRs</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>8x75.mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>70g</td> 		</tr> 	</tbody> </table> 

Zeiss Milvus 50mm f/2M Planar T* ZE Macro Lens Canon EF

<table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Milvus 100mm f/2 ZE - Canon Fit Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>Whether in its role as a high-precision reproduction lens for technical applications or as a traditional moderate tele-lens for portraits with shallow depth of field the ZEISS Milvus 2/100M allows you to delive into both worlds.</p>  			<p>The ZEISS Milvus 2/100M of the type ZEISS Makro-Planar is currently the fastest 100 mm macro lens on the market and closes the gap between long range and breathataking close-up shots. This lens bridges distances and allows unique image compositions. This lens is ideal when you need some distance between your camera and your subject e.g.during a portrait shoot. Its precise mechanical components with a large focus throw permit precise control which is particularly important for macro photography in the close-up range.&nbsp;</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Excellent imagery even in difficult light conditions</h3>  			<p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color franges at high-contrast edges of subjects to an absolute minimum.</p>  			<h3>Future-proof solution for high-resolution camera systems</h3>  			<p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds &ndash; with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p>  			<h3>Creative still and video photography through precise manual focusing</h3>  			<p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer&#39;s creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p>  			<h3>Long-lasting product with protection against environmental influences</h3>  			<p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustiment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer&#39;s creative potential by guaranteeing the system&#39;s functional reliability even in environmentally difficult situations.</p>  			<h3>Stable image performance over the entire focusing range</h3>  			<p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane &ndash; from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustiment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact &ndash; both specialties of ZEISS.</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Zeiss Milvus 100mm f/2M Planar T* ZE Macro Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Macro</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>100mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>.0</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>67mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon DSLRs</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>80.5x0mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>807g</td> 		</tr> 	</tbody> </table> 

Zeiss Milvus 100mm f/2M Planar T* ZE Macro Lens Canon EF

<table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Milvus 135mm f/2 ZE - Canon Fit Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>This high-speed telephoto lens excels with its superb color correction and rendition. Thanks to its large aperture and smooth bokeh it is perfect for medium-distance portrait photography.</p>  			<p>Revel in an atmospheric mood at dusk against a breathataking backdrop &ndash; as an inconspicuous observer the telephoto lens is able to draw you into this unique moment from afar. The ZEISS Milvus 2/135 permits an interplay between fore- and background that is simply incomparable.</p>  			<p>It can be used in a host of different situations meaning you can capture the artist&#39;s emotions onstage from your third-row seat as well as breathataking portraits in outstanding detail. The position of the focus rings which does not change also makes the lens suitable for video applications with a follow focus system.</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Excellent imagery even in difficult light conditions</h3>  			<p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color franges at high-contrast edges of subjects to an absolute minimum.</p>  			<h3>Future-proof solution for high-resolution camera systems</h3>  			<p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds &ndash; with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p>  			<h3>Creative still and video photography through precise manual focusing</h3>  			<p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer&#39;s creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p>  			<h3>Long-lasting product with protection against environmental influences</h3>  			<p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustiment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer&#39;s creative potential by guaranteeing the system&#39;s functional reliability even in environmentally difficult situations.</p>  			<h3>Stable image performance over the entire focusing range</h3>  			<p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane &ndash; from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustiment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact &ndash; both specialties of ZEISS.</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Zeiss Milvus 135mm f/2 APO Distagon T* ZE Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Telephoto</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>5mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>f/ - f/</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>77mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon eF mount</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>.mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>g</td> 		</tr> 	</tbody> </table> 

Zeiss Milvus 135mm f/2 APO Distagon T* ZE Lens Canon EF

The Canon EF-mount Zeiss Milvus 135mm ZE lens captures tack-sharp high contrast telephoto images and video through an advanced optical design with renowned high quality elements & anti-glare coatings.

<div class=parks_opinion> <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Otus 85mm f/1.4 APO ZE Lens for Canon EF</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>An absolute highlight for those who appreciate the finer details - in a lens that also offers you all the creative freedoms you could possibly desire. With the ZEISS Otus 1.4/85 you can look forward to sublime performance in almost every possible photographic situation.</p>  			<p>The ZEISS Otus 1.4/85 is a superlative lens in every respect &ndash; just like every other focal length in the unique ZEISS Otus family. A lens designed and constructed with the comprehensive expertise and vast experience of ZEISS.</p>  			<p>Features in portraits and finest details in textures are not the only thangs reproduced in perfect quality by the Otus 1.4/85. Its extremely large initial aperture is simply ideal for isolating subjects from their backgrounds. At the same time the Otus 1.4/85 is far more than a portrait lens. Take advantage of its high speed for available light photography its moderate angle of view for landscapes or its close focusing distance for reproductions.</p>  			<p>The optical correction of the Otus 1.4/85 completely eliminates almost all possible forms of aberration &ndash; and makes every picture you take as exciting as the first even after thousands of exposures.</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Apochromat</h3>  			<p>Because this lens is an apochromat chromatic aberrations (axial chromatic aberations) are corrected with elements of special glass with anomalous partial dispersion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image and especially highlights are reproduced almost completely free of color artifacts.</p>  			<h3>The ultimate in image contrast</h3>  			<p>Aberrations caused by extreme differences between shadows and highlights are particularly obvious in images captured at night. Thanks to the outstanding correction of lateral chromatic aberration the floodlit facade is reproduced with absolute perfection.</p>  			<h3>No colour fringing</h3>  			<p>Sources of light located in front of or behind the plane of focus present particular challenges to every lens. In the case of the ZEISS Otus longitudinal chromatic aberration is so low that practically no colour fringing occurs.</p>  			<h3>The medium format look</h3>  			<p>Thanks to its exceptional sharpness the ZEISS Otus exploits the full potentials of contemporary high-resolution sensors and rewards photographers with images characterised by breathataking rendition of even the finest details.</p>  			<h3>Aspherical design</h3>  			<p>The aspherical lens design ensures consistent imaging performance throughout the entire focusing range as well as sharpness to the periphery of the image. The asphere&#39;s more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens.</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Zeiss Otus 85mm f/1.4 APO Planar T* ZE Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Macro</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>85mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>.4</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>86mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-camera s>Compatible camera s</td> 			<td class=specsvalue id=sv-camera s>Canon DSLRs</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>0x4mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>00g</td> 		</tr> 	</tbody> </table> </div> 

Zeiss Otus 85mm f/1.4 APO Planar T* ZE Lens Canon EF

The Zeiss Otus 85mm f/1.4 ZE in Canon EF-mount is a remarkable telephoto prime lens capable of resolving high resolution fine details across the entire frame through tried & tested optical brilliance.

<div class=parks_optable> <div class=summary> <p>The Samyang XP 14mm F2.4 is a premium manual focus photo lens designed for high resolution photography. In pursuit of image quality itself this new lens is equipped with the most advanced optical technology among Samyang Lenses.<br /><br />With over 40 years of research and development in optics Samyang integrates the essence of history and introduces a signature lens line-up. It has unprecedented resolving power matched to 50 megapixel photos and 8K video productions. The resolving power contains abundant pixel information allowing photographers the freedom in post-production to create a unique image of their own. It enables you to capture life-long memories using the beautiful Bokeh out-focusing and starburst effect to create unforgettable images.<br /><br />The XP 14mm F2.4 makes no compromise in image quality. It comprises 18 lens elements in 14 groups including Ultra-Multicoating (UMC) six special optic elements: two aspherical one hybrid aspherical two extra-low dispersion and one high refractive lens. This optimal performance creates astounding image quality from the centre to corner of the image. Also the minimised aberrations enhance clarity creating an even more impressive image than your eyes can actually see. An aluminium-alloy metal body has been adopted for maximum durability. With a sleek yet unprecedented design with flowing curves this signature line-up is a one-of-a-kind lens. Handling and ergonomics have been optimised with the lens having a maximum diameter of 95mm.</p> <p>Features</p> <ul> <li>Image Sensor size: Full frame  </li><li>Focal length: 14mm  </li><li>Maximum aperture: f/2.4  </li><li>Filter Diameter: None  </li><li>Angle of view: 114.12 degrees (35mm) 89.2degrees (APS-C)  </li><li>Minimum focus distance: 0.28m  </li><li>Focus type: manual  </li><li>Lens construction: 18 elements in 14 groups (2 Aspherical 1 Hybrid Aspherical 1 ED 3 HR)  </li><li>Number of diaphragm blades: 9  </li><li>Dimensions (max): 95 x 109.4mm</li></ul></div></div> <div class=parks_optable> <div class=park_ctaprice> <h2>&nbsp;</h2></div></div> 

Samyang XP 14mm f/2.4 Super Wide Angle Lens Canon EF

<table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Milvus 15mm f/2.8 ZE - Canon Fit Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>Infinitely wide horizons cramped interiors or small objects in large surroundings &ndash; with the ZEISS Milvus 2.8/15 all photographers can deliberately orchestrate extreme perspectives.</p>  			<p>With an angle of view of 110&deg; the super-wide angle is ideal when it comes to capturing events in a way that makes them dynamic and extraaordinary. A detachable lens hood and the 95 mm filter thread also make it ideal for special applications for instance when used with additional slot-in filter systems or in underwater housings. The exceptionally long focus throw offers outstanding setting accuracy for photography and film.</p>  			<p>The technically impressive features of the ZEISS Milvus 2.8/15 include outstanding chromatic aberration and prevent color franges caused by chromatic aberration almost without exception. Two aspheric lenses special glass materials with exceptional partial dispersion and the floating elements design guarantee high image quality from close-up to infinity. Your imagination knows no boundaries.</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Excellent imagery even in difficult light conditions</h3>  			<p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color franges at high-contrast edges of subjects to an absolute minimum.</p>  			<h3>Future-proof solution for high-resolution camera systems</h3>  			<p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds &ndash; with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p>  			<h3>Creative still and video photography through precise manual focusing</h3>  			<p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer&#39;s creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p>  			<h3>Long-lasting product with protection against environmental influences</h3>  			<p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustiment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer&#39;s creative potential by guaranteeing the system&#39;s functional reliability even in environmentally difficult situations.</p>  			<h3>Stable image performance over the entire focusing range</h3>  			<p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane &ndash; from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustiment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact &ndash; both specialties of ZEISS.</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Zeiss Milvus 15mm Distagon T* f/2.8 ZE Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Super-wide angle</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>5mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>f/1.8 - f/</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>95mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon eF mount</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>7.0 mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>947g</td> 		</tr> 	</tbody> </table> 

Image09

Zeiss Milvus 15mm Distagon T* f/2.8 ZE Lens Canon EF

This super-wide angle 15mm lens with a wide f/2.8 aperture has a 110 degree angle of view making it ideal for capturing stunning images in a dynamic and extraordinary way

<table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Milvus 18mm f/2.8 ZE - Canon Fit Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>Be it stylish interiors majestic landscapes or tumbling waterfalls the super wide-angle ZEISS Milvus 2.8/18 lens loves to capture dramatic vistas.&nbsp;Just like you.</p>  			<p>This compact super wide-angle lens is perfect for capturing majestic landscapes and architectural marvels. Its unique visual field offers you plenty of scope for creativity when composing your images. Get up real close and create the feeling that you are at the heart of the action. Expand the depth of field of your image or make an object really stand out. The high-performance ZEISS Milvus 2.8/18 ensures impressive image quality across the entire image field and enables you to capture unique shots wherever you go.</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Excellent imagery even in difficult light conditions</h3>  			<p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color franges at high-contrast edges of subjects to an absolute minimum.</p>  			<h3>Future-proof solution for high-resolution camera systems</h3>  			<p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds &ndash; with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p>  			<h3>Creative still and video photography through precise manual focusing</h3>  			<p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer&#39;s creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p>  			<h3>Long-lasting product with protection against environmental influences</h3>  			<p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustiment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer&#39;s creative potential by guaranteeing the system&#39;s functional reliability even in environmentally difficult situations.</p>  			<h3>Stable image performance over the entire focusing range</h3>  			<p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane &ndash; from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustiment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact &ndash; both specialties of ZEISS.</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Zeiss Milvus 18mm f/2.8 Distagon T* ZE Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Super-wide angle</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>8mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>f/1.8 - f/</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>77mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon eF mount</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>09.4mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>7g</td> 		</tr> 	</tbody> </table> 

Zeiss Milvus 18mm f/2.8 Distagon T* ZE Lens Canon EF

This compact super-wide angle 18mm f/2.8 lens lets you get up close and to the heart of the action making it perfect for capturing stunning landscapes or marvellous architectural images

<table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>ZEISS Milvus 25mm f/1.4 ZE - Canon Fit Lens</h2></td></tr> <tr> <td class=park_specs> <p>Capturing perfect moments with exquisite detail is what this lens is all about. No matter if you are photographing landscapes or architectural features the outstanding edge-to-edge quality ensures impressive results.&nbsp;</p> <p>The completely redesigned ZEISS Milvus 1.4/25 will impress you thanks to its remarkably consistent performance in a variety of areas: outstanding edge-to-edge quality enables you to even position your main subject far away from the center of the image. Even at full aperture outstanding results with high-contrast crisp images make this lens the go-to choice even in low-light conditions. Both the finest structures of the subject in the foreground as well as distant image elements can be rendered perfectly due to the advanced floating elements design of the ZEISS Milvus 1.4/25.</p></td></tr></tbody></table> <table class=parks_optable> <tbody> <tr> <td class=parks_heading> <h2>Product features in detail</h2></td></tr> <tr> <td class=park_detail> <h3>Excellent imagery even in difficult light conditions</h3> <p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color fringes at high-contrast edges of subjects to an absolute minimum.</p> <h3>Future-proof solution for high-resolution camera systems</h3> <p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds – with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p> <h3>Creative still and video photography through precise manual focusing</h3> <p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer's creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p> <h3>Long-lasting product with protection against environmental influences</h3> <p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer's creative potential by guaranteeing the system's functional reliability even in environmentally difficult situations.</p> <h3>Stable image performance over the entire focusing range</h3> <p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane – from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact – both specialties of ZEISS.</p></td></tr></tbody></table> <table class=parks_optable cta_table> <tbody> <tr> <td class=park_ctaprice> </td></tr></tbody></table> 

Zeiss Milvus 25mm f/1.4 Distagon T* ZE Wide Angle Lens Canon EF

The Zeiss Milvus 25mm ZE lens for Canon EF-mount combines breathtaking detail with a versatile wide-angle focal width along with bright aperture and high quality aspherical elements for stunning images.

<table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>ZEISS Milvus 21mm f/2.8 ZE -&nbsp;Canon Fit Lens</h2> 			</td> 		</tr> 		<tr> 			<td class=park_specs> 			<p>It&#39;s in those situations when the horizon seems absolutely endless that ZEISS Milvus 2.8/21 is in its element. The super wide-angle lenses is ideal for photographing vast far-stretching landscapes and breathataking scenery.</p>  			<p>The ZEISS Milvus 2.8/21 super wide-angle lens of the type ZEISS Distagon is the best in its class. Thanks to its maximum aperture of f/2.8 the reflection-free and practically distortion-free super wide-angle lens is perfect for spectacular image compositions of great diversity dramatic contrast and vivid colors. The further optimization of the lens coating reduces ghosting and flare effects in critical light situations.</p> 			</td> 		</tr> 	</tbody> </table>  <table class=parks_optable> 	<tbody> 		<tr> 			<td class=parks_heading> 			<h2>Product features in detail</h2> 			</td> 		</tr> 		<tr> 			<td class=park_detail> 			<h3>Excellent imagery even in difficult light conditions</h3>  			<p>All lenses features a T* antireflective coating from ZEISS. Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Each focal length has its own individual optical design with the use of special types of glass displaying anomalous partial dispersion. This reduces the occurrence of color franges at high-contrast edges of subjects to an absolute minimum.</p>  			<h3>Future-proof solution for high-resolution camera systems</h3>  			<p>The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma astigmatism and spherical aberrations enables constantly high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Regardless of what the future holds &ndash; with the Milvus Lenses from ZEISS you are optimally equipped any time any place.</p>  			<h3>Creative still and video photography through precise manual focusing</h3>  			<p>Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash optimally supporting the photographer&#39;s creative interplay with the focal plane of high-speed fixed focal lengths. Changes are immediately visible in the viewfinder or display. The engraving in meters and feet and the focus scale provide additional support for manual focusing. The silent continuous aperture setting (de-click function with ZF.2 mount) and the long focusing range lay optimal conditions for video photography.</p>  			<h3>Long-lasting product with protection against environmental influences</h3>  			<p>An optimized ergonomic design enables fatigue-free photography and reduces camera shake. The all-metal housing makes every adjustiment a haptic experience. The dynamic precise barrel design sets new trends in the world of camera lenses. However the ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer&#39;s creative potential by guaranteeing the system&#39;s functional reliability even in environmentally difficult situations.</p>  			<h3>Stable image performance over the entire focusing range</h3>  			<p>State-of-the-art camera systems and high-resolution digital image sensors are now demanding more and more performance from the lenses. The Floating Elements Design permits constantly high image performance in the focal plane &ndash; from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The adjustiment of the element spacing is coupled to the distance setting so that it always results in the right correction. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact &ndash; both specialties of ZEISS.</p> 			</td> 		</tr> 	</tbody> </table>  <h2 class=productname_specs>Zeiss Milvus 21mm f/2.8 Distagon T* ZE Lens Canon EF Specifications</h2>  <table class=specs_Lens> 	<tbody> 		<tr> 			<td class=specsfield id=sf-LensType>Lens Type</td> 			<td class=specsvalue id=sv-LensType>Macro</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-focal-length>Focal length range</td> 			<td class=specsvalue id=sv-focal-length>mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-aperture>Aperture range</td> 			<td class=specsvalue id=sv-aperture>.8</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-stablsaton>image stabilisation</td> 			<td class=specsvalue id=sv-stablsaton>No</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Filter>Filter Size</td> 			<td class=specsvalue id=sv-Filter>8mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-cameras>Compatible cameras</td> 			<td class=specsvalue id=sv-cameras>Canon DSLRs</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Dimensions>Dimensions</td> 			<td class=specsvalue id=sv-Dimensions>95.5x95mm</td> 		</tr> 		<tr> 			<td class=specsfield id=sf-Weight>Weight</td> 			<td class=specsvalue id=sv-Weight>85g</td> 		</tr> 	</tbody> </table> 

Zeiss Milvus 21mm f/2.8 Distagon T* ZE Lens Canon EF

The Zeiss Milvus 21mm ZE lens in Canon EF fit captures dynamic ultra wide angle images and video with sharp high resolution results across the entire frame from within a weather sealed metal casing.

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<h2><strong>Tamron 11-20mm f/2.8 Di III-A RXD Lens</strong><strong> Summary </strong></h2><p>Tamron&rsquo;s 11-20mm Di III-A RXD Lens for Sony E-mount APS-C mirrorless cameras is the world&#39;s first ultra wide f/2.8 zoom. It comes packed with technology including extremely close shooting capabilities of just 15cm to provide a versatile zoom for a range of subjects and dynamic ultra wide compositions. The lens harnesses Sony system features including Hybrid AF and Eye AF whilst remaining extremely compact at 86.2mm in length weighing just 335g with a 67mm filter size.</p><p>Optics included in the 11-20mm Di III-A RXD deliver high resolution across the entire image thanks a series of special elements. With an equivalent focal zoom of 16.5mm - 30mm (full frame) this lens will suit subjects such as Astrophotography landscapes architecture and interiors amongst other genres.</p><h3>Features at a glance</h3><ul>	<li>World&rsquo;s brightest aperture ultra wide zoom for Sony crop sensor mirrorless cameras</li>	<li>Extremely compact and lightweight design for maximum portability</li>	<li>Responsive AF with RXD (Rapid eXtra-silent stepping D</li>	<li>Versatile focal width zoom with close-focus of 15cm (wide end) to 24cm at the zoom end</li>	<li>Outstanding results for photo and video</li>	<li>Moisture-Resistant Construction and Fluorine Coating</li></ul><h3><strong>Tamron 11-20mm f/2.8 Di III-A RXD Lens For Sony E </strong><strong>in More Detail </strong></h3><p><strong>Bright optics</strong></p><p>Tamron&rsquo;s 11-20mm lens is the world&#39;s first constant f/2.8 ultra-wide-angle zoom lens for APS-C mirrorless cameras. Despite this claim it remains compact lightweight and very practical. With its usefulness derived from a compact lightweight design with fast aperture the 11-20mm provides an exciting shooting experience with greater freedom in diverse shooting situations including low light.</p><p><strong>Compact and lightweight</strong></p><p>The 11-20mm is only 86.2mm long and weighs just 335g. which is a remarkably compact and lightweight combination for this type of wide angle lens. When used with an APS-C mirrorless camera it enables photographers to enjoy a responsive system without being hindered by size or weight. It provides a comfortable user experience for still photography and for shooting video using a small tripod or gimbal stabiliser.</p><p><strong>Excellent optical performance</strong></p><p>The 11-20mm construction includes 12 glass elements arranged into 10 groups. Two precisely located GM (Glass Moulded Aspherical) lens elements assure high resolution across the entire image. In addition the lens incorporates one XLD (eXtra Low Dispersion) and two LD (Low Dispersion) elements to produce sharp images with well controlled optical aberrations. It also features the BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating that suppresses ghosting and flare to a minimum level and reveals the minute details of objects even when the subject is backlit. This also results in pleasingly high contrast well saturated colours.</p><p><strong>Close Focus Capabilities</strong></p><p>This model boasts an MOD (Minimum Object Distance) of just 15cm at 11mm focal length and 24cm at the 20mm end. This results in more versatile close-up performance than existing ultra-wide-angle zoom lenses at their widest focal length. At the widest 11mm setting it has an astonishing maximum magnification ratio of 1:4 that enables wide-angle macro photography that exploits the perspective unique to ultra-wide-angle lenses while also leveraging the expressive bokeh provided by the fast bright maximum aperture of this lens.</p><p><strong>Quiet and fast RXD focussing for stills and video</strong></p><p>The RXD (Rapid eXtra-silent stepping Drive) uses an actuator to precisely control the angle of the motor allowing it to directly drive the focusing lens without passing through a reduction gear. A sensor that precisely detects the position of the lens enables high-speed and accurate AF which is ideal when shooting continually moving subjects or recording video.</p><p><strong>Moisture-Resistant Construction and Fluorine Coating </strong></p><p>In support of outdoor photography the lens includes Tamron&rsquo;s Moisture resistant construction. The front surface of the lens element is also coated with a protective fluorine compound that is water- and oil-repellant.</p><p>&nbsp;</p><h3><strong>What&rsquo;s in the box </strong></h3><ul>	<li>Tamron 11-20mm f/2.8 Di III-A RXD Lens For Sony E crop sensor</li>	<li>Flower-shaped hood</li>	<li>Lens caps</li></ul><h3><strong>Optional Accessories </strong></h3><ul>	<li><a href=https://www.parkcameras.com/shop/hoya-67mm-ultra-pro-uv_9334849u>Hoya 67mm ULTRA PRO UV Filter</a> - protects the front element</li>	<li><a href=https://www.parkcameras.com/shop/hama-67mm-variable-nd-filter_9334746d>Hama 67mm Variable ND Filter </a>- ideal for video in brighter conditions</li>	<li><a href=https://www.parkcameras.com/shop/hoya-67mm-nx-10-circular-polariser_9334829p>Hoya NX-10 Circular Polarising filter</a> - reduces glare reflections and enhances contrast when shooting outdoors</li></ul><h3>&nbsp;</h3><h3><strong>Tamron 11-20mm f/2.8 Di III-A RXD Lens For Sony E Specifications </strong></h3><table>	<tbody>		<tr>			<td>Focal Length:</td>			<td>11-20mm</td>		</tr>		<tr>			<td>Maximum Aperture:</td>			<td>F2.8</td>		</tr>		<tr>			<td>Angle of View (diagonal):</td>			<td>105&deg; 20&#39;-71&deg; 35&#39; (for APS-C mirrorless format)</td>		</tr>		<tr>			<td>Optical Construction:</td>			<td>12 elements in 10 groups</td>		</tr>		<tr>			<td>Minimum Object Distance:</td>			<td>0.15m /5.9 in (WIDE) 0.24m /9.4 in (TELE)</td>		</tr>		<tr>			<td>Maximum Magnification Ratio:</td>			<td>1:4 (WIDE) / 1:7.6 (TELE)</td>		</tr>		<tr>			<td>Filter Size:</td>			<td>&phi;67mm</td>		</tr>		<tr>			<td>Maximum Diameter:</td>			<td>&phi;73mm</td>		</tr>		<tr>			<td>Length*:</td>			<td>86.2mm</td>		</tr>		<tr>			<td>Weight:</td>			<td>335g</td>		</tr>		<tr>			<td>Aperture Blades:</td>			<td>7 (circular diaphragm)**</td>		</tr>		<tr>			<td>Minimum Aperture:</td>			<td>F16</td>		</tr>		<tr>			<td>Standard Accessories:</td>			<td>Flower-shaped hood Lens caps</td>		</tr>		<tr>			<td>Compatible Mounts:</td>			<td>Sony E-mount</td>		</tr>	</tbody></table>

Buy Tamron Tamron 11-20mm f/2.8 Di III-A RXD Lens For Sony E online at ParkCameras. Next day delivery available.

Tamron Tamron 11-20mm f/2.8 Di III-A RXD Lens For Sony E | ParkCameras

Tamron 11-20mm f/2.8 Di III-A RXD Lens For Sony E

The Tamron 11-20mm Di III-A RXD Lens for Sony E-mount APS-C mirrorless cameras is the world's first ultra wide f/2.8 zoom that comes packed with technology including stunning close shooting performance

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Tamron 11-20mm f/2.8 Di III-A RXD Lens For Sony E

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